A New Mexico judge has ordered Mark Zuckerberg's Meta to pay $25 billion in penalties over its handling of the Cambridge Analytica data scandal, according to a court filing issued Wednesday.
Meta quiere que Mark Zuckerberg siga viviendo en California. La junta del grupo tecnológico ha alcanzado un acuerdo con el fundador de la compañía para que renuncie a trasladarse a otro estado, como había manifestado, ante el incremento de la factura tributaria que le supondría el nuevo impuesto sobre la riqueza que ultiman las autoridades demócratas en el Estado Dorado.
On Wednesday’s broadcast of Bloomberg’s “Balance of Power,” Rep. Sydney Kamlager-Dove (D-CA) responded to Meta CEO Mark Zuckerberg considering leaving the state over a possible wealth tax by stating that there are questions about having a one-time tax, but “it’s disappointing
Meta CEO Mark Zuckerberg said that more than 10 million people in the US and Canada have set up Muse accounts in a month and a half and growth remained strong.
Meta CEO Mark Zuckerberg said that more than 10 million people in the US and Canada have set up Muse accounts in a month and a half and growth remained strong.
Chief executive agrees to remain in California for eight years even if state brings in one-off 5% wealth tax
Meta has struck a deal with Mark Zuckerberg to help him foot a possible California wealth tax targeting billionaires.
The social media company behind Facebook, Instagram and WhatsApp revealed on Wednesday night that the arrangement would keep its chief executive living in California, where Meta’s headquarters are located.
La decisión fue tomada luego de que un jurado determinara que Facebook había hecho promesas engañosas sobre quién podía acceder a los datos de sus usuarios y cómo protegía esa información.
Imagine if Sam and Dario and Elon and Mark, along with their boards of directors, bore individual liability for the damage their companies may inflict on society.
Imagine if Sam and Dario and Elon and Mark, along with their boards of directors, bore individual liability for the damage their companies may inflict on society.
These yachts are highly popular with the ‘super-bourgeoisie’ – and getting bigger. Can anything be done to stop them destroying our seas?
Who knew? Apparently everyone did, apart from me: you don’t wear shoes on a superyacht. Now, about to step on to my first teak deck at the Monaco Yacht Show, I’ve got to take my trainers off, and I’m having a sock panic. Have they got holes? Do they even match? Do they smell?
To be honest, I’ve come dressed all wrong for Europe’s big annual superyacht trade exhibition. The code for men seems to be crisp and tucked in, blazers and chinos, navy and white, sculpted hair and designer sunnies. (I went colourful, loose, casual). For women, it’s something like Riviera elegance. Everyone – whether they’re Italian, French, English, German, American, exhibitors, buyers, brokers, charterers – seems to know each other. The international superyacht community seems to be a close-knit one, and I’m not part of it. Yet.
"Meta, não se meta" era a palavra de ordem entoada pelos manifestantes, frente ao edifício que alberga o escritório da Meta. Campanha de Lula acusa a tecnológica norte-americana de favorecer rival.
Manifestantes concentraram-se no famoso centro financeiro da capital paulista, Faria Lima, segurando faixas e cartazes com fotografias do dono da Meta, Mark Zuckerberg
Manifestantes denunciaron en São Paulo que Meta reduce de forma injustificada el alcance de las publicaciones del mandatario Luiz Inácio Lula da Silva, al tiempo que impulsa los contenidos del candidato de la extrema derecha, Flávio Bolsonaro.
Al Tribunal Superior Electoral de Brasil se le está acabando la paciencia con el gigante tecnológico Meta y los inescrutables entresijos de su funcionamiento. Un juez del TSE le ha dado 24 horas a la tecnológica propietaria de Instagram, WhatsApp y Facebook para que demuestre al tribunal que sus algoritmos y su inteligencia artificial dan un trato igual a los dos candidatos, al presidente Luiz Inácio Lula da Silva, del izquierdista Partido de los Trabajadores, y al senador Flávio Bolsonaro, del derechista Partido Liberal. La decisión judicial fue dictada el domingo por la noche cuando los presidenciables protagonizaban su primer debate.
Mark Zuckerberg's Meta has offered a detailed explanation and a fresh apology after the Instagram account of the No Kings movement was suspended for several hours during nationwide rallies for suspicious behavior driven by AI usage. Leftists including Bernie Sanders (I-VT) who were silent for more than a decade of Meta censoring conservatives suddenly are expressing alarm about censorship.
Federal judges meeting in Boston heard tech industry warnings that AI-generated images and video are becoming nearly impossible to verify, as a judiciary committee considers whether courts need new rules for evidence that may be deepfakes instead of the real thing.
La inteligencia artificial parece muy lista, pero no aprende sola. Miles de humanos han guiado su aprendizaje, corrigiendo y ajustando sus respuestas. Un informe publicado este jueves por las plataformas de investigación DiPLab y Reversing.Works da nuevos detalles sobre cómo miles de trabajadores europeos trabajan a ratos sueltos para Outlier, una plataforma de Scale AI. En junio de 2025, Meta pagó 12.400 millones de euros por el 49% de Scale AI y su fundador, Alexandr Wang, pasó a ser director de IA de la compañía de Mark Zuckerberg. Antes de esa adquisición, Outlier ayudaba también a entrenar los modelos de empresas como OpenAI o Google.
The Social Reckoning, Aaron Sorkin's latest jab at Big Tech, is conceived as a political and social prosecution of Facebook.
The social network and its owner, Mark Zuckerberg, in the movie's view, are responsible for the spread of misinformation, the decline of journalism, the polarization of the electorate, and the radicalization of specific individuals who go on to commit heinous acts of anti-democratic violence. In its final moments, the film strongly implies that Facebook and its engagement-boosting algorithms are directly responsible for the Capitol riot on January 6, 2021. Donald Trump, the election-losing president whose incendiary speech and repeated falsehoods about the results of the 2020 election preceded the riot, is never named in the movie. In a movie that positions itself as bold and brave, it's an omission of stunning, and revealing, cowardice.
To bring Trump into the picture would have complicated Sorkin's just-so story, in which Facebook's refusal to fact-check political ads and decision to boost engagement through a change in its recommendation algorithm are the central, and, at least within the movie's narrow frame, even sole cause of all that ails American democracy. Sorkin's story has no room for nuance or ambiguity, no interest in the larger political-social dynamics at work in the late 2010s and early 2020s, no time for disconfirming data that violates his narrative. He has found a pure villain in Facebook's founder, and that's the only story he wants to tell.
Like so many of Sorkin's films, The Social Reckoning is structured around what amounts to a trial, in this case a mock congressional hearing set up for Zuckerberg, Facebook's CEO, in advance of an appearance on Capitol Hill. The action inside that room is informed by a larger story that revolves around Wall Street Journal reporter Jeff Horwitz's (played by Jeremy Allen White) quest to understand and uncover documentation that led to his award-winning investigative series, The Facebook Files. Horwitz works with Frances Haugen (Mikey Madison), a Facebook engineer who has concerns about the company's practices and begins leaking information in hopes of causing internal change. She's an anxious, socially awkward recluse; he's a tech-ignorant reporter who ended up on the Big Tech beat. The pairing allows Sorkin to build scene after scene of exposition and explanation, in which Haugen details various Facebook technical decisions believed to have dire social consequences.
Most notable among these is an algorithmic switch to something called "MSI," or "meaningful social interactions." Essentially, the network prioritized depth of engagement over simple likes, leading to a boost in usage, as well as an increase in exposure to radical groups and content. The movie poses as a sophisticated journalistic explainer, but its core argument is quite simple: Facebook changed its algorithm in a way that benefited the company but harmed society by pushing content from hate groups and other disreputable types. That, in turn, led to January 6. Case closed.
But what if the case isn't so simple? In these pages, Elizabeth Nolan Brown has outlined the many ways in which social media algorithms, especially on Facebook, have been unjustly maligned: Instead of causing polarization by locking people into narrow political bubbles, they can offer greater exposure to opposing views and even promote democratic virtues. The supposed negative effects of tech on children are, at minimum, disputed and in most cases probably overstated; some studies suggest that tech can enhance youth mental health. It's notable that Sorkin's story uses the violent calamity of January 6—a truly dark day for America—as his climactic argument. He can't use the election of 2020, because that election was won by Joe Biden. So he falls back to the ugliness of the riot, while ignoring Donald Trump.
The movie is framed in personal terms via the story of one woman's radicalization. The woman—rich, white, entitled, casually racist during a drunken encounter with cops that she films and posts on social media—turns out to be a friend of Haugen's, which is what drives her to go public about her employer. Sorkin uses the woman as a symbol of all that Facebook has done wrong; she's a consequence of Zuckerberg's disregard for democracy and truth.
But in real life, Haugen's never-named radicalized friend was a man, not a woman, who became obsessed with conspiratorial notions about politics, not a racist social-media troll. Sorkin's film is fiction, a dramatic retelling of events rather than a just-the-facts journalistic account, so it doesn't quite need to be held to the same standard. But it's notable that he has to massage the details in order to make his point. Perhaps he's doing so in service of a deeper truth. But that deeper truth isn't strictly true.
Humans are messy and complicated, and so is democracy. But Sorkin can't handle those complications. Instead, he delivers a smug, simplistic narrative that traffics in borderline misinformation while pretending to crusade for the truth. Maybe what we really need is a reckoning with Aaron Sorkin.
“This guy is a monster,” Donald Trump said in front of Sundar Pichai, Google’s chief executive. “And nobody knows him. What a great life! To be a monster and not have to go through this,” Trump continued, pointing at the reporters who follow him everywhere. Pichai stood beside him, waiting to speak with an expression of resigned disbelief. Before the exchange ended, Trump joked about his Indian name: “Sundarrrrr is his name.” When Pichai finally spoke, he tried to play it down: “Hopefully, that will be a better tagline than ‘I’m a monster,’” he said.