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Warner Bros.
Horror movies are reliably successful at the box office — just look at "Obsession" and "Backrooms" this year.
They often have relatively low budgets, deliver strong box-office returns, and can create IP that leads to sequels and spin-offs for years to come. Plus, when Halloween rolls around, costumes and masks provide another bump to a studio's bottom line.
But creating a completely original, compelling, and terrifying horror story can be challenging. That's why some of the most iconic and successful scary movies are based on real-world events.
For example, "The Conjuring" franchise is based on the case files of real paranormal investigators Lorraine and Ed Warren. In total, the films have made almost $3 billion at the box office.
These are the real stories and crimes that influenced some of the most classic horror films of all time, including "The Exorcist," "Nightmare on Elm Street," and "Jaws."

Warner Bros.
The Perrons (husband Roger, wife Carolyn, and their five daughters) moved into what was known as the Old Arnold Estate in 1971, The Providence Journal reported.
Almost immediately, the family reported paranormal activity, such as floating or moving furniture, doors opening and closing, disembodied sounds, and even being pushed, pulled, and hurt by unseen spirits.
Upon calling in paranormal investigators Ed and Lorraine Warren, they found that the property was haunted by various ghosts, but that one particularly malevolent spirit, Bathsheba, was preying on them.
Bathsheba Sherman, who lived on the property in the 1800s, has been described as a suspected Satanist who was charged with the violent murder of her first child, though historians say she was never convicted of a crime or accused of witchcraft.
The property sold for $1.5 million in 2022. It has since been acquired by "Ghost Hunters" star Jason Hawes for $1.3 million, according to land records.

New Line Cinema
The Hodgson family reported experiencing unusual phenomena in their London home in August 1977, such as furniture flying through the air, and objects hurling toward witnesses, The Daily Mail reported.
Most famously, however, Janet, one of four Hodgson children, claimed she was being possessed by a man named Bill Wilkins — it was later confirmed that a man by that name did, in fact, live in the house and died there of a brain hemorrhage, People reported.
While Janet later said that around "2%" of the haunting was made up, she maintains that the Enfield Poltergeist was real.
You can listen to audio of her while she claimed she was possessed to make up your own mind.

Warner Bros.
In the third "Conjuring" film, Ed and Lorraine are tasked with helping a young man, Arne, who murdered his landlord after getting possessed by a demon, which Ed witnessed. In his trial, the Warrens supported Arne using the defense of demonic possession, a first in the United States.
This is based on the real case of 19-year-old Johnson, who really did murder his landlord in 1981 and subsequently claimed he was innocent because he'd been possessed, as reported at the time by The New York Times.
Johnson (and the Warrens) claimed that a demon was exorcised from the body of 11-year-old David Glatzel and then moved to Johnson. His girlfriend claimed she heard Johnson challenge the demon itself to leave Glatzel and possess him instead.
Several months after Johnson's encounter with Warrens and the Glatzels, he stabbed his landlord to death, and then claimed he had no memory of the crime and was possessed.
In reality, this defense was rejected; his lawyers then pivoted toward the self-defense strategy, and he was convicted of manslaughter. He served five years in prison.

Warner Bros. Pictures
In what's supposed to be the final cinematic appearance of Patrick Wilson and Vera Farmiga as the Warrens, "Last Rites" is a loose adaptation of the alleged Smurl haunting, which took place in West Pittson, Pennsylvania.
Per The Times Leader, Jack and Janet Smurl, played by Elliot Cowan and Rebecca Calder, respectively, called the Warrens to their home in 1986 to address claims that a demon had slammed their 75-pound German shepherd into a wall, threw one of their children down the stairs, and even bitten Jack's ear.
"The Smurls are truly a family coming under a visual attack," Ed Warren said at the time. "The ghost, devil, demon — or whatever you call it — is in that home."
An exorcism was performed in that year, but it was, apparently, unsuccessful.
Of course, the Smurls had plenty of doubters, including a priest who stayed in their home for two nights and reported nothing suspicious. The Smurls eventually left West Pittson and moved to Wilkes-Barre, about 10 miles away.
The film dramatizes this story, but is mainly focused on passing the demon-hunting torch from Ed and Lorraine to their daughter, Judy (Mia Tomlinson).

New Line Cinema
Annabelle is a doll believed to be imbued with an evil spirit. While the real-life Raggedy Ann doll (viewable at The Haunted Warren Museum in Salem, Massachusetts) is much less creepy-looking than her movie counterpart, she is said to have terrorized her owner.
According to The New Haven Register, the story of the doll begins in 1970, when a nurse received it as a birthday gift from her mother. She soon began to notice that the doll would change positions by itself. She then started finding creepy notes with messages like "Help me" written on them. And she claimed she once found the doll leaking blood.
Once again, the Warrens were contacted for help. According to them, the doll wasn't possessed, but it was being manipulated by a spirit. They cleansed the home and took the doll to their museum, where it remains to this day.

Paul Hawthorne/Getty Images
On November 13, 1974, at 3:15 a.m., Ronald DeFeo Jr. stole his father's gun and murdered his family in their home in Amityville, New York, claiming that voices in the house made him do it, according to PIX11.
He was later convicted and sentenced to 25 years to life in prison. He died in 2021.
A year after the murders, in 1975, the Lutz family moved into the home and claimed to experience paranormal activity almost immediately, per ABC News.
George — the patriarch of the Lutz family — claimed to wake up frequently at 3:15 a.m. (the time of the murders) and hear gunshots. His daughter Missy gained an imaginary friend named Jodie. Missy says she did not know anything about the murders at the time.
The Lutz family fled their home only 28 days after moving in, sparking one of the greatest debates in paranormal history: Is the Amityville home haunted?

Lionsgate
"The Haunting in Connecticut" is based on the plight of the Snedeker family. Their name was changed to Campbell in the movie.
NBC Connecticut reported the Snedekers moved into a new home in the '80s to be closer to the University of Connecticut's hospital, since their son Phillip was undergoing treatment for cancer. The family soon realized that the house they had moved into used to be a funeral home.
According to his mother, Carmen, Phillip quickly became withdrawn and angry and started seeing a ghostly man who would tell him to lash out.
He was later committed due to a schizophrenia diagnosis. But after Phillip left, things reportedly got a lot worse for the rest of the family.
They eventually called in a priest — as well as the Warrens — to perform an exorcism.

Sony Pictures
The film is based on a real Spanish teenager whose death was never solved, as Business Insider previously wrote.
In 1992, a student named Estefania Gutierrez performed a "makeshift séance" at her high school. A few months later, she died in the hospital after experiencing seizures and claiming to see shadowy figures.
The story gets even stranger: A year after Gutierrez died, her parents called the police because they were experiencing paranormal activity, similar to the shadowy figures their daughter had reported.
The police were skeptical until they, too, heard disembodied noises. According to Newsweek, the official report called the home "a situation of mystery and rarity."

Rogue Pictures
The poster for "The Strangers" claims that the film was "inspired by true events," though it's more of an amalgam of a few terrifying true tales.
Director Bryan Bertino said he drew his main inspiration from an experience from his childhood, according to the film's production notes.
"As a kid, I lived in a house on a street in the middle of nowhere. One night, while our parents were out, somebody knocked on the front door and my little sister answered it. At the door were some people asking for somebody that didn't live there. We later found out that these people were knocking on doors in the area and, if no one was home, breaking into the houses," said Bertino.
Fans of the film have also compared it to the Manson murders and the unsolved murders of the Sharp family, known as the Keddie Cabin Murders.

Warner Bros.
"The Exorcist," is based on the story of a 14-year-old boy known as Roland Doe, who began exhibiting strange behavior in 1949, according to The New York Post. His family reported furniture moving on its own, scratches all over Doe's body, and loud, disembodied voices.
After a cross-country move and no change in Doe's strange behavior, his family enlisted the help of the Catholic church. One of the priests involved in the Doe case, Father Raymond Bishop, kept a diary, per The Daily Mail.
One of his entries stated, "At midnight, the Fathers planned to give (Roland) Holy Communion, but Satan would have no part of it. Even while the institution of the Blessed Sacrament was explained, his body was badly scratched and branded. The word 'HELLO' was printed on his chest and thigh."
Eventually, after multiple attempts, the "demon" was exorcised, and Doe returned to normal. He never spoke of the incident publicly.
His real identity was revealed by The Skeptical Inquirer in 2021: Ronald E. Hunkeler. Hunkeler died in 2020 at the age of 86. Before that, he'd been an engineer at NASA and, according to The New York Post, was always afraid his colleagues would find out about his past.

Sony Pictures Releasing
The story of Anneliese Michel, a young German woman — renamed Emily Rose in the film — is tragic.
When Michel was a teenager, she experienced the first symptoms of her alleged possession. She was diagnosed with epilepsy, and given medication to help treat the disease, according to The Washington Post.
But the meds didn't help. Michel continued to have seizures, and she began to claim she was having visions and hearing voices telling her she was a sinner. She became depressed and turned to religion: At her peak, she was genuflecting (kneeling) 600 times a day, eventually rupturing her knee ligaments.
By the time Michel was 23, she had been treated with dozens of different medications (nothing helped), and had undergone 67 exorcisms in 10 months, the Post reported.
She eventually stopped eating and died of starvation in 1976. She weighed 68 pounds.
Her parents and two of her priests were later found guilty of negligent homicide for allowing her to starve, per the German outlet DW.

Bryanston Distributing
The main villain of "The Texas Chain Saw Massacre" is Leatherface, who was based on real-life killer Ed Gein.
Gein, who grew up in La Crosse, Wisconsin, in the early 1900s, was obsessed with his mother; he rarely interacted with anyone besides her, and when she died, he spiraled, per Encyclopedia Britannica.
Known as "the Butcher of Plainfield," he confessed to killing two women, but, more disturbingly, he took to robbing the graves of recently buried women.
He used their body parts to create something like a woman suit that he wore, pretending to be his mother, according to the book "Deviant." He also had lamps, belts, and bowls made out of human body parts.
Gein's story also partly inspired "Psycho" and "The Silence of the Lambs."

MGM/UA Entertainment Company
The plot of 1982 classic "Poltergeist" was based on the Hermann family of Long Island, New York, who claimed to be haunted by a poltergeist that made objects fly through their home, according to Life Magazine.
The Hermann family eventually moved away, but they maintained that the house was haunted.

Screen Gems
The film is based on the real unsolved murder of 13-year-old Janett Christman in 1950.
As the Columbia Daily Tribune wrote, Christman was babysitting 3-year-old Greg Romack when she called the Columbia Police Department and told them to "come quick," but she hung up before the police could trace her call.
When the Romacks returned home, they discovered Christman's body in a pool of blood. She had been raped and strangled with a cord. The police eventually ruled that it had been an "inside job" — the killer knew the house and its layout well.

Twentieth Century Fox
The Marcus twins shared a gynecology practice, an apartment in New York City, a house in the Hamptons — and eventually their deaths.
Apparently, 45-year-old Stewart and Cyril Marcus were addicted to barbiturates; when their decomposing bodies were found, their mysterious deaths were first ruled as being caused by an overdose, then by withdrawal (they may have been attempting to wean themselves off the drugs), The New York Times wrote.
The medical examiner told The New York Times that Cyril outlived his brother by a couple of days, and continued to live in the apartment before eventually dying himself.
The film received a TV reboot on Prime Video in 2023, starring Rachel Weisz.

Jaws/IMDB
The terrifying tale of the most famous great white shark ever is based upon a string of shark attacks on the Jersey Shore in 1916.
According to Smithsonian Magazine, 25-year-old Charles Vansant bled to death from a bite in Beach Haven, New Jersey. Five days later — and 45 miles north — a bellhop from Spring Lake also bled to death from a shark bite.
The story only gets more terrifying. The same shark then swam 30 miles north and 10 miles inland, killing both a boy and a man trying to save the boy in a creek, NJ.com wrote.
Finally, the fifth victim was attacked 30 minutes later in the same creek — he survived.
According to NJ.com, George Burgess, an ichthyologist (a scientist who concentrates on the study of fish), called it the "most unique set of shark attacks that have ever occurred. "

Modern Distributors
The murder of Sylvia Likens is known as the "worst crime in Indiana history," the Indy Star reported. Likens was just 16 when she was found dead in the basement of her temporary home.
Her carnival-worker parents left Sylvia and her sister in the care of Gertrude Baniszewski, a mother of seven, paying Baniszewski by the week.
Three months later, on October 26, 1965, police found Sylvia's emaciated corpse, apparently covered in hundreds of wounds, Indianapolis Monthly wrote. Baniszewski — with the help of some of her children and a few neighborhood kids — had tortured the girl to death.
Baniszewski was sentenced to 21 years in prison, but she was eventually released on parole. The rest of the children who were involved served between two and seven years.

Lionsgate
Jason Haxton bought the dybbuk box on eBay after an earlier owner posted a chilling account of the events that allegedly befell him after he bought it at an estate sale, My San Antonio reported.
He claimed that he bought the box for his mom's birthday and that she almost instantaneously had a stroke upon receiving it, Riverfront Times reported.
He also claimed that the final straw that inspired him to get rid of the box was when his sister, brother, and brother's wife all stayed over, and each one reported having the same exact nightmare, according to a reposting of the original eBay listing.
You might be wondering what exactly a dybbuk is. According to Encyclopedia Britannica, it's a "disembodied human spirit that, because of former sins, wanders restlessly until it finds a haven in the body of a living person," originating in Jewish folklore.

Warner Bros.
"The Rite" is based on the life of Father Gary Thomas, a priest who is one of 14 Vatican-certified exorcists who works in the US, the Los Angeles Times reported. Thomas told the Times he's exorcised the demons from five people, and that he receives multiple requests for exorcisms daily.
Father Thomas trained for three months in Rome to become a certified exorcist, completing his training in 2005, The Telegraph wrote.

Jonathan Hession/Sony Pictures via AP
Russell Crowe played Amorth in the 2023 film "The Pope's Exorcist," which was based on Amorth's memoirs, "An Exorcist Tells His Story" and "An Exorcist: More Stories."
Smithsonian Magazine wrote that Amorth said he'd performed over 100,000 exorcisms before his death in 2016. He was still performing them that year — and he even let "The Exorcist" director William Friedkin observe one.
Friedkin, who died just a few months after the film's release, wrote about the experience in Vanity Fair. "Out of a hundred people who seek my help," Amorth told Friedkin, "one or two at the most may be possessed."

Dimension Films
The horrifying tale of the backpackers in "Wolf Creek" is based on a real string of murders in Australia's Belanglo State Forest in the '90s at the hands of Ivan Milat, aka "the Backpacker Killer."
Milat maintained that he was innocent until his death in 2019, The Daily Mail wrote, but was convicted for torturing and killing at least seven people, all backpackers and hitchhikers. Some think that he killed even more.

Motion Picture Marketing (MPM)
Eccentric bootlegger Joe Ball owned a Texas bar called the Sociable Inn in the early 1900s. He also kept multiple alligators in an enclosure near the saloon.
A known ladies' man, Ball had relations with various waitresses, bartenders, and hostesses — three of whom went missing. Turns out, Ball had murdered two of them, reported Texas Monthly.
Many believe he then fed them to his pet alligators, though there was never any evidence — his keeping them as pets was enough to cause concern and create rumors.
When the police came around for questioning in 1938, however, he shot himself in the heart, the San Antonio Express-News wrote.

Lions Gate Films
Tom and Eileen Lonergan were scuba diving at the Great Barrier Reef in Australia in 1998 when they were left behind by their boat after someone messed up the head count. They were never heard from again, The Independent wrote.
According to the outlet, the diving company didn't even realize they were missing until two days later, when their passports and other personal effects were found on the boat.
Months after their disappearance, Tom's dive slate was found 100 miles north of their original disappearance. He had written "We have been abandoned" by the diving company, adding "Help!"
Their dive jackets and one of Eileen's fins eventually washed ashore, but there were no signs of a shark attack or any other violent activity.
Some believe they were eaten by sharks, while others maintain that it was a murder-suicide pact.
Their bodies were never found.

New Line Cinema
The idea for this iconic franchise came from a Los Angeles Times article that Wes Craven, the film's writer and director, read about a boy who was too terrified to sleep after surviving the Killing Fields in Cambodia.
Here's what Craven said to Vulture about his inspiration: "He told his parents he was afraid that if he slept, the thing chasing him would get him, so he tried to stay awake for days at a time."
Craven continued, "When he finally fell asleep, his parents thought this crisis was over. Then they heard screams in the middle of the night. By the time they got to him, he was dead. He died in the middle of a nightmare. Here was a youngster having a vision of a horror that everyone older was denying. That became the central line of 'Nightmare on Elm Street.'"

Tristan Fewings/Getty Images for BFI
The Marvel Cinematic Universe has been a huge box-office force ever since its first film, "Iron Man," debuted in 2008.
Eighteen years and 37 more films later, the MCU has experienced its fair share of ups and downs, both critically and commercially.
This year's first MCU film, "Spider-Man: Brand New Day," has garnered strong reviews (and an even stronger box office), while the studio's most-anticipated film of 2026, "Avengers: Doomsday," is yet to come.
The two TV shows Marvel released this year have both fared well with critics: "Wonder Man" and the latest series, "VisionQuest."
We used Rotten Tomatoes scores to rank every single MCU project — including movies, TV series, animated series, and special presentations — from worst to best.
See how each hero stacks up.

Marvel Studios
The best part of "Quantumania," the third installment in the Paul Rudd-led "Ant-Man" series, was Jonathan Majors' introduction as the MCU's next big bad, Kang, audiences and critics agreed — although, Majors' time in the MCU was short-lived as a result of his legal troubles.
While critics had a tougher time with the miniature film, the audience score of 81% shows that fans had a good time with Scott, Hope, Hank, Janet, and Cassie down in the Quantum Realm.
"The general color-drenched too-muchness of it all might be tolerable if the plot wasn't such a by-the-numbers slog, alternating hyperkinetic action sequences with draggy recitations of exposition," wrote Decider's John Serba.

Eli Adé/Marvel Studios
"Brave New World" sees Sam Wilson (Anthony Mackie) officially take over for Steve Rogers (Chris Evans) as Captain America on the big screen, while his old friend Joaquin Torres (Danny Ramirez) is the new Falcon.
Sam must go up against President Thunderbolt Ross — with Harrison Ford taking over for William Hurt, who died in 2022 — who has somehow turned into, you guessed it, Red Hulk.
"Though it ties together threads from the Marvel Cinematic Universe as a whole, 'Brave New World' is neither particularly good or bad. It's just another Marvel movie," wrote Dylan Roth for the Observer.

Marvel Studios
"Eternals," directed by Oscar winner Chloé Zhao, attempted to introduce an entirely new team of superheroes, an alien race called the Eternals, to the MCU, and followed them from prehistoric times all the way through the present day. Your mileage may vary on how successful she was — but "Eternals" did introduce Harry Styles to the MCU, so there's that.
"Zhao ultimately robs the artist's comic of its sweep by constantly turning a space opera into a repetitive character drama," wrote Ed Gonzalez for Slant Magazine.

Gareth Gatrell/Marvel
"Secret Invasion" continues the story of the Skrulls, a few decades after we last saw them in "Captain Marvel," as they search for a new planet with the help of Nick Fury, played by Samuel L. Jackson.
But not even the all-star cast of Jackson, Emilia Clarke, Olivia Colman, Don Cheadle, Kingsley Ben-Adir, Cobie Smulders, Martin Freeman, and more could save this show from getting torn apart by critics.
"If a series about Nick Fury doesn't feel urgent or crucial, then the MCU is losing the battle for our attention," wrote Melanie McFarland for Salon.

Laura Radford/Marvel Studios
"The Marvels," the long-awaited follow-up to 2019's "Captain Marvel," sees Brie Larson's Carol Danvers team up with Monica Rambeau, aka Photon (Teyonah Parris), and Kamala Khan, aka Ms. Marvel (Imani Vellani) to take down a new threat.
"It might not have the overwhelming impact of an 'Endgame' or even a 'Guardians 3,' but this is the MCU back on fast, funny form," wrote Empire Magazine's Helen O'Hara.

Marvel Studios
The follow-up to smash hit "Thor: Ragnarok" and the first-ever fourth solo film for an MCU hero didn't live up to expectations, at least according to critics. But we did get to see Natalie Portman return to the MCU as her version of the Mighty Thor, a couple of screaming goats, and a jaw-dropping post-credits cameo.
"Though Chris Hemsworth, as usual, has a lot of fun in the title role, the film around him too often strains to provide excitement and laughs," wrote Wall Street Journal's Kyle Smith.

Disney+
A successful stand-alone episode in "What If…?" season one, where the Watcher asked viewers to consider one thing — zombies — inspired a four-part animated special that followed a group of ragtag heroes as they tried to save the world from a zombie apocalypse.
"Even with the zombie apocalypse there to spice up their lives, Marvel's newest heroes are less lively than the arm-munchers surrounding them," wrote AV Club's Jarrod Jones.

Marvel Studios
"Thor: The Dark World" — the 2013 sequel to the 2011 film — stars Chris Hemsworth as the titular Norse god, Tom Hiddleston as his mischievous brother Loki, and Natalie Portman as Thor's Earth-bound love interest Jane Foster. It wasn't as well-received as its predecessor, but it has its defenders. And now, it's been ranked better than "Love and Thunder."
"This feels like a really, really, expensive episode of 'Doctor Who.' In a good way," wrote Larushka Ivan-Zadeh for Metro.

Universal Pictures
Edward Norton took over from Eric Bana for "The Incredible Hulk," which was plagued with rumors of behind-the-scenes drama, reported by Collider, including that Norton rewrote much of the movie while it was shooting, and that there were many clashes between Norton, director Louis Leterrier, and Marvel Studios.
Those dueling visions led to a moderately received comic-book film.
"The climax is a bit of a yawn, but most of what precedes it is vigorous and sharp," wrote Tom Charity of CNN.

Disney+
"Echo" is a five-episode series following Maya Lopez, aka Echo, a character first introduced in "Hawkeye." After the events of "Hawkeye," when she learned that her adoptive father, Wilson Fisk, was responsible for the death of her real father, Maya returns home to her small town in Oklahoma to reckon with her mysterious past.
"'Echo' resists pandering in its celebration of female, Indigenous, and disabled identities, keeping it all rooted in character moments that are organic and well earned," wrote Jen Chaney for Vulture.

Marvel Studios
In retrospect, "Iron Man 2" had an impossible job: to build upon what is still regarded as one of the finest superhero films of all time. Perhaps that's why critics weren't too kind to "Iron Man 2," which focused on Tony Stark, aka Iron Man, being rude to everyone around him while covering up his own impending death. Oh, and Mickey Rourke is there playing Whiplash, a Russian villain who loves his bird.
"Casting the likes of Downey and Rourke and then imprisoning them in jointed refrigerators is resource-squandering of the highest order," wrote Dana Stevens for Slate.

Marvel Studios
After the events of the Disney+ miniseries "WandaVision," Elizabeth Olsen's Wanda Maximoff has been taken over by the dark forces of the Scarlet Witch, putting her on a collision course with Benedict Cumberbatch's Doctor Stephen Strange as he works to protect a new teenage friend, America Chavez (played by Xochitl Gomez), from Wanda's plans.
"It might be Marvel's multiverse, but 'Doctor Strange in the Multiverse of Madness' is [director Sam] Raimi's plaything. And we wouldn't want it any other way," wrote Kristy Puchko for Mashable.

Disney+
"One Last Kill" was billed as a special presentation that aired on Disney+ in May 2026. It picks up with Frank Castle (Jon Bernthal) shortly after his escape from prison at the end of the first season of "Daredevil: Born Again," and sees him try to find a purpose after getting revenge on the criminals who killed his family.
Notably, Bernthal is a co-writer on the special.
"The special is ultimately a mixed bag, doing little to elevate the character or engage the audience that's already deeply familiar with The Punisher," wrote Amelia Emberwing for The Wrap.

Disney
The Avengers team up once again in "Age of Ultron" to take down the nihilistic AI known as Ultron, designed as a "suit of armor around the world" by Tony Stark and Bruce Banner, aka Iron Man and the Hulk, who is hell-bent on destroying the planet at all costs.
"The sharp, interpersonal dramedy that made the first movie such a delight is again present in flashes, but not infrequently it is drowned out by the noisy, inevitable need to Save the World," wrote Christopher Orr for The Atlantic.

Disney+
"Ironheart" stars Dominique Thorne as Riri Williams, a character first introduced in "Black Panther: Wakanda Forever" as a genius-level engineering student at MIT. In the film, she built her own suit of Iron Man-esque armor and helped Shuri defeat Namor.
"Ironheart" picks up with Riri as she returns home to Chicago and gets mixed up with a local gang leader, Parker (Anthony Ramos), who uses a mysterious hood that allows him to use magic. Alden Ehrenreich, Manny Montana, Lyric Ross, and Sacha Baron Cohen also star.
"'Ironheart' is everything I love about the MCU when they let themselves have fun," wrote Nic for Autostraddle.

Marvel Studios
Chris Hemsworth and Tom Hiddleston were both nearly unknowns when they were cast as Norse gods Thor and Loki — and this movie catapulted them both to the A-list almost immediately.
Both Hemsworth and Hiddleston are still involved with the MCU, and seeing their chemistry as brothers in this first film explains why.
"The new Marvel Comics movie 'Thor,' directed by Kenneth Branagh, is equal parts trippy, tacky, and monumental, the blend surprisingly agreeable, a happy change from all those aggressively down-to-earth superhero flicks like 'Iron Man,'" wrote David Edelstein for Vulture.

Marvel Studios
Uncanny valley visual effects aside, "She-Hulk" was simply a lot of fun, led by the talented Tatiana Maslany as Jennifer Walters, cousin of Bruce Banner (aka the Hulk), gifted lawyer, and reluctant superhero.
Plus, fans got to see the official reintroduction of Charlie Cox's Matt Murdock, or Daredevil, into the MCU.
"'She-Hulk: Attorney At Law' was a massive success. It had a little bit of a bobble on the dismount, but it stuck the landing all the same. Here's hoping we see way more of Jennifer Walters in the MCU to come," wrote IGN's Amelia Emberwing.

Jay Maidment/20th Century/Marvel Studios
After the 2019 acquisition of 21st Century Fox by Disney, the X-Men are now finally able to become part of the MCU — and the very first X-Men story brought into the universe brings Hugh Jackman as Logan/Wolverine back to the big screen. This time, he teams up with Ryan Reynolds as Deadpool, also known as the Merc with a Mouth.
The two go on a rambunctious cameo-filled ride throughout the multiverse to try and save Deadpool's friends from total destruction.
"'Deadpool & Wolverine' is the ultimate love letter to Marvel fans: The cameos and references are aplenty and brilliant, the source material is treated with respect and, best of all, it's pure, unadulterated fun," wrote The Seattle Times' Dominic Baez.

Walt Disney Studios Motion Pictures
"Iron Man 3" focuses on Tony Stark dealing with his PTSD after the events of "Avengers" — aka his near-death experience flying a nuclear bomb through a wormhole in space. But the big twist of this movie, the bait-and-switch identity of the Mandarin, played by Ben Kingsley, remains this movie's biggest legacy.
"A thrilling film and a somewhat satisfying conclusion to the 'Iron Man' trilogy," wrote Nicolás Delgadillo for Discussing Film.

Disney/Marvel
Brie Larson stars as Carol Danvers, a former US Air Force pilot who is exposed to a blast of cosmic energy in the '90s, experiences memory loss, and is taken in by an alien race called the Kree. As Carol tries to remember her past, she's introduced to a young(er) S.H.I.E.L.D. agent, a digitally de-aged Samuel L. Jackson as Nick Fury.
"The main strength is a core of female friendship: Carol Danvers is the only Marvel hero you could imagine getting hammered and belting out songs by No Doubt," wrote The Observer's Wendy Ide.

Marvel/Disney
Set between the events of "Captain America: Civil War" and "Avengers: Infinity War," and exactly a decade after her introduction as Natasha Romanoff in "Iron Man 2," Scarlett Johansson finally starred in her own solo film with "Black Widow."
The film also introduced actors Florence Pugh, David Harbour, and Rachel Weisz to the MCU. (We just saw Pugh and Harbour again in "Thunderbolts," and will see them again in "Avengers: Doomsday.")
"In all the ways that matter to an MCU fan, 'Black Widow' the film meets or exceeds all expectations. It is a killer action flick, and a unique viewing experience... in that I loved it, and the fact that I loved it also makes me livid," wrote Salon's Melanie McFarland.

Disney+
The final installment of the WandaVision trilogy, "VisionQuest," picks up with White Vision (Paul Bettany) after he flew away to discover himself at the end of "WandaVision."
Now, he's living in Edinburgh and trying to deal with all the other AIs who are manifesting inside his head, including JARVIS (James D'Arcy), Ultron (James Spader), and FRIDAY (Orla Brady).
"For a series that could be as banal as the ones and zeros that power it, 'VisionQuest' is among the more humane and hopeful things Marvel has produced, and gives the 'Wandavision' trilogy a sendoff as solid as the vibranium build of its hero," wrote The Wrap's Hunter Ingram.

Marvel Studios
Simply put, Steve Rogers, aka Captain America, is the role that Chris Evans was born to play. Audiences see Evans first as a digitally altered scrawny kid from 1940s Brooklyn who, against all odds, is chosen to receive a "super soldier serum" and become Captain America due to his pure heart. With anyone else, it'd be unbearably cheesy, but Evans sells it.
"No clever messages here, just bang-on romance and action, with another fresh twist on 20th-century history woven in for the kids to dive into after the credits have rolled," wrote Ed Gibbs for The Sydney Morning Herald.

Marvel Studios
"Vol. 3's" 82% score makes it the lowest-rated "Guardians" movie, though it has a high 94% audience score.
The film serves as a swan song for this version of the Guardians, comprised of Star-Lord (Chris Pratt), Drax (Dave Bautista), Rocket (Bradley Cooper), Nebula (Karen Gillan), Groot (Vin Diesel), Gamora (Zoe Saldaña), Mantis (Pom Klementieff), and Kraglin (Sean Gunn), as well as director James Gunn in the MCU.
He's now co-running DC Studios and will direct the "Superman" sequel, "Man of Tomorrow," which is set to release next year.
Richard Roeper called the film "a funny, big-hearted adventure" in the Chicago-Sun Times.

Marvel
Rudd plays Scott Lang, a white-collar criminal who is enlisted to take on the mantle of Ant-Man, a shrinking superhero who used to be Michael Douglas' Hank Pym. But, as Pym is too old to suit up, he and his daughter Hope van Dyne (Evangeline Lilly) teach Lang how to control ants, shrink and grow at will, and how to break into Pym's lab to take down Darren Cross (Corey Stoll).
"Paul Rudd stars in a formulaic but consistently entertaining and likable Marvel summer blockbuster," wrote NME's Nick Levine.

Chuck Zlotnick/Marvel Studios/Disney+
"Agatha All Along" is a spin-off of one of the most successful Marvel Disney+ shows, "WandaVision." Now, the spotlight is on Agatha Harkness, a formerly powerful witch whose powers were stripped and memories stolen by Wanda.
But you can't keep a good witch down — in this show, she teams up with an all-star cast (Patti LuPone, Aubrey Plaza, Joe Locke, Sasheer Zamata) to get her magic back at any cost.
"A charming concoction of snappy humor, strong performances, and enchanting nostalgia that makes for perfect pre-Halloween viewing. Kathryn Hahn's sheer magnetism alone will have you spellbound," wrote Empire Magazine's Sophie Butcher.

Marvel Studios
After the tragic (and unexpected) death of Chadwick Boseman in 2020, the highly anticipated "Black Panther" sequel was rewritten to be a story of grief and mourning, while also setting up the future of Wakanda in the MCU for years to come.
Lupita Nyong'o, Letitia Wright, Winston Duke, and Angela Bassett all put in stellar performances, with the latter receiving an Oscar nomination, while Tenoch Huerta introduced viewers to the underwater king Namor with a bang.
"A thoughtful and mature exploration of communal grief in the Marvel Cinematic Universe, 'Black Panther: Wakanda Forever' is a fitting tribute to the legacy of Chadwick Boseman," wrote Chicago Reader's Sheri Flanders.

Marvel Studios
"Falcon" was the second MCU series to drop on Disney+, after "WandaVision," and the hype was high. While this series is charming thanks to the hilarious chemistry between stars Anthony Mackie (Falcon) and Sebastian Stan (the Winter Soldier), the series' two antagonists, Karli Morgenthau and John Walker, brought down the material.
Glad Sam finally got the shield, though!
"It's far from a perfect show, but it had moments of emotion and connection that have often been lacking in the MCU as a whole," wrote Polygon's Tasha Robinson.

Marvel
"GotG Vol. 2" delves into the true parentage of Peter Quill, aka Star-Lord, as played by Chris Pratt. In addition to the rest of the stellar returning cast, Kurt Russell was added to play Peter's biological father, Ego the Living Planet, and Pom Klementieff joined the team as the empathic alien, Mantis.
"In Marvel lingo, 'Guardians 2' feels like a great six-issue arc, the kind of storytelling that used to be the backbone of superhero comics," wrote The Atlantic's David Sims.

Disney
"Avengers: Infinity War" is the first part of the culmination of the first 10 years of the MCU, which concluded one year later in "Avengers Endgame."
The film "Infinity War" follows Thanos, an alien who is dedicated to erasing half of the universe's population, as he scours space for the six Infinity Stones. Meanwhile, the Avengers stop at nothing to prevent him from getting all six with disastrous consequences.
"The conclusion of 'Infinity War' is so shocking because it doesn't feel like a cliffhanger, more like a drastic wiping clean of the slate before the whole cycle starts again, with whatever reversal of fortune or comprehensive reboot it may be," wrote Film Comment Magazine's Jonathan Romney.

Marvel Studios
"What If...?" is based on the popular Marvel comic series of the same name. Each episode explores what would've happened if one small (or huge) thing had changed in the MCU, like what if T'Challa had become Star-Lord instead of Peter Quill, or what if Peggy Carter had received the super soldier serum instead of Steve Rogers?
It lasted for three seasons.
"For dedicated Marvel enthusiasts, on the other hand, 'What If...?' might feel inessential. But the prospect of speculative fan fiction with a stamp of approval will be hard to resist," wrote The Guardian's Jack Seale.

MARZ VFX / Marvel / Disney+
"Moon Knight" focuses on Isaac's truly impressive performance as mercenary Marc Spector ... and museum gift shop employee Steven Grant ... and the super-powered avatar of the Egyptian god Khonshu.
Things might have gotten a bit confusing by the end, but episode five remains a high mark in MCU acting, thanks to Isaac.
"Isaac's having fun and that fun is infectious whenever Steven is on screen. Accuracy is overvalued in acting, innit? I'd much prefer watching Steven Grant destroy a loo," wrote Esther Zuckerman for Thrillist.

Marvel Studios
Marvel's first family made its way to the big screen for the fourth time last July, but "First Steps" was the first time that Reed, Sue, Ben, and Johnny were part of the MCU proper.
Much was said about how this was a make-or-break movie for Marvel Studios, and now we can say for certain that it did not "break" Marvel. It's been a hit with critics and audiences alike.
"These are the first steps for a refreshingly new direction for Marvel, even if they're imperfect ones," wrote The New York Times' Brandon Yu.

Marvel Studios
By adding the Wasp to the title of the film, Evangeline Lilly is the true first woman to play a titular superhero in the MCU, though she still shares top billing with Paul Rudd as Ant-Man. In "Ant-Man and the Wasp," the two insect-themed heroes reunite to rescue Hope's mom, played by the radiant Michelle Pfeiffer, from the mysterious quantum realm after an accident decades prior.
"Its intent is limited to amusing and diverting for a couple of hours of high-summer fun. That it does," wrote Matthew Norman of the London Evening Standard.

Marvel/Disney
The first season of "Loki" premiered in June 2021, bringing back one of the most beloved MCU characters from the dead. Sure, this Loki is technically Loki at his most evil, right after the events of 2012's "The Avengers," but it's always nice to see Hiddleston don his golden horns.
However, "Loki" evolved into a genuinely moving story about self-love, destiny, and the capacity to change for good, when given the opportunity.
Season two premiered in October 2023.
"The new Marvel series combines the inventiveness of 'WandaVision' with the buddy-comedy repartee missing from 'The Falcon and the Winter Soldier,'" wrote The Daily Beast's Nick Schager.

Giovanni Rufino/Marvel Studios
Seven years after the original Netflix "Daredevil" series was canceled, the Man with No Fear is back, and this time he's on Disney+.
Matt Murdock (Charlie Cox), Wilson Fisk (Vincent D'Onofrio), Karen Page (Deborah Ann Woll), Foggy Nelson (Elden Henson), Frank Castle (Jon Bernthal), Bullseye (Wilson Bethel), and Vanessa Fisk (Ayelet Zurer) all returned for this continuation of Daredevil's story.
The blind lawyer-turned-vigilante is once again facing off against Fisk, who was somehow elected the mayor of New York City.
Business Insider's Eammon Jacobs called the show "the best Marvel project in years."

Marvel Studios
Marvel's second film of 2025 sees a bunch of B-list antiheroes (sorry, but it's true!) led by Florence Pugh (Yelena Belova/Black Widow) come together to fight a mysterious, shadowy new villain known as the Void (or Bob, depending on the day).
"That's why 'Thunderbolts*' is so much better than most of Marvel's post-Endgame films. It's not just because it's a rough-edged, big-hearted spy thriller about lovably clueless anti-heroes. It's because it has an actor as charismatic as Pugh at its center," wrote Nicholas Barber for the BBC.

Disney/Marvel
Cumberbatch joined the MCU to play Dr. Stephen Strange, a hot-shot surgeon who loses the use of his hands after a brutal car crash and seeks out sorcerers who can help him regain his strength.
As Richard Brody wrote in The New Yorker, the film "lives up to its title, in mostly good ways."

Disney/Marvel
If "Captain America: The First Avenger" was Marvel's take on a WWII drama, "Winter Soldier" is the MCU's version of a tense, political thriller as Cap uncovers multiple layers of conspiracy within the US government, and must go on the run from his presumed-dead best friend Bucky Barnes (Sebastian Stan), now brainwashed into the murderous assassin the Winter Soldier.
"'Captain America: The Winter Soldier' delivers the superhero movie goods, but it does so with a grin and a wink, and that seems more and more like the right way to approach these things," wrote Jason Bailey for Flavorwire.

Marvel Studios
Essentially an "Avengers" movie, "Captain America: Civil War" sees Captain America team up with his friends Falcon (Anthony Mackie), Hawkeye (Jeremy Renner), Wanda Maximoff (Elizabeth Olsen), and Ant-Man (Paul Rudd) to save his friend Bucky Barnes (Sebastian Stan) from getting wrongfully convicted for a bombing at the United Nations.
Cap goes up against Iron Man (Robert Downey Jr.), Black Widow (Scarlett Johansson), Vision (Paul Bettany), and War Machine (Don Cheadle) in order to save his friend.
Of course, this movie is also famous for introducing Chadwick Boseman as T'Challa, aka Black Panther, and Tom Holland as the MCU's version of Peter Parker, aka Spider-Man.
"It is one of the best movies to ever come out of the Marvel Cinematic Universe, balancing engaging action set pieces and witty dialogue with intelligent character studies and ethical debates," wrote Salon's Matthew Rozsa.

Marvel Studios
Gael García Bernal entered the MCU as Jack Russell, an apparent monster hunter who's actually hiding a secret: Every full moon, he turns into a full-on bloodthirsty werewolf. Shot entirely in black and white, "Werewolf by Night" successfully evoked the monster movies that Universal Studios became famous for.
"'Werewolf By Night' is a charming tribute not only to the pulpy horror comics on which it's based but to the scary and silly classic cinema that a generation of film lovers grew up watching late at night on local television," wrote Dylan Routh for the Observer.

Sony Pictures Releasing
The fourth installment in Tom Holland's "Spider-Man" saga premiered on July 31, 2026, a full decade after his first appearance as the web-slinger. This film picks up after the events of "No Way Home," in which a spell caused everyone on Earth to forget about Peter Parker.
In it, Peter is living mainly as Spider-Man, but burnout and a new foe played by Sadie Sink threaten to upset the already precarious balance Peter has achieved in his life.
"Once again, Spider-Man proves to be the best reason to keep invested in the MCU," wrote Dominic Baez for the Seattle Times.

Marvel Studios
After four years of teasing out the six main Avengers (Iron Man, Captain America, Black Widow, Thor, Hawkeye, and Hulk), they all met up on the big screen for the first time in "The Avengers."
Under the watchful eye of Samuel L. Jackson's Nick Fury, viewers saw Earth's mightiest heroes team up for the first time to take out Thor's brother Loki as he attempted to conquer the world on behalf of a mysterious purple alien.
"A mega-budget action extravaganza that succeeds on just about every level, and it's one you should certainly go and see as soon as possible," wrote Luke Holland for NME.

Columbia Pictures
Picking up a few months after the events of "Avengers: Endgame," Peter Parker/Spider-Man must figure out how to balance his life as a web-slinging superhero and a simple teenager with a crush on his friend MJ, played by a delightful Zendaya. Add in a truly unhinged Jake Gyllenhaal performance as Quentin Beck/Mysterio, and you have the makings of a solid Spidey film.
"The stakes this time turn out to be considerably lower, and your friendly neighborhood Spider-Teen is arguably just the guy to bring things down to Earth and reestablish a human scale," said NPR's Bob Mondello.

Walt Disney Studios Motion Pictures
At the time, it was a huge swing for Marvel to entrust writer/director James Gunn with bringing one of the lesser-known superhero teams into the MCU — but, as we know, it was one of the smartest gambles Marvel ever made.
"Guardians," led by the ever-charming Chris Pratt as Peter Quill, combines hilarious jokes with a genuinely sweet story about found family: In this case, Peter finds Gamora, Drax, Groot, and Rocket.
"Blessed with a loose, anarchic B-picture soul that encourages you to enjoy yourself even when you're not quite sure what's going on, the scruffy 'Guardians' is irreverent in a way that can bring the first 'Star Wars' to mind," wrote Kenneth Turan of the Los Angeles Times.

Disney+
"Wonder Man" stars Yahya Abdul-Mateen II as Simon Williams, a struggling actor who has super-powers but doesn't want any part of them, since super-powered individuals in the MCU's version of Hollywood can't be actors.
Abdul-Mateen II was nominated for an Emmy for his performance.
Nadira Goffe of Slate wrote, "Despite it getting occasionally bogged down, 'Wonder Man' is a good show with a hero who is engaging to watch because he shows no interest in being one, and Abdul-Mateen II is excellent in it."

Marvel/Sony
"Spider-Man: Homecoming" was the third reboot of Spider-Man in 15 years, but somehow, once again, the powers that be managed to find a third actor who was just as qualified as his predecessors Tobey Maguire and Andrew Garfield to bring Spidey to life.
After his introduction in "Civil War," "Homecoming" focuses on Peter Parker's sweet bond with Tony Stark/Iron Man, and his realization that being a hero is about more than a cool suit.
"The youthful vibe of this character reset, with its sense of humor and its light touch, makes 'Spider-Man: Homecoming' one of the most enjoyable Marvel movies in years," wrote Chesapeake Family Magazine's Roxana Hadadi.

Marvel Studios
After years of being side characters, Wanda Maximoff and Vision, who are played by Elizabeth Olsen and Paul Bettany, respectively, were finally able to step into the spotlight.
And how lucky we were to see it. "WandaVision" remains one of the weirdest projects the MCU has put out, as the first few episodes skip through decades of sitcom classics like "Bewitched," "Malcolm in the Middle," and "Modern Family."
Olsen and Bettany were both nominated for Emmys for their performances in "WandaVision," and we couldn't agree more with the honor.
Richard Roeper wrote for the Chicago-Sun Times, "If you're one of those Marvel Cinematic Universe fans who feel it's time for something truly unique and different: Meet 'WandaVision.'"

Marvel Studios
Simu Liu mentioned Marvel in a post on Twitter (now X) back in 2018, asking if they were "gonna talk or what #ShangChi."
Three years later, Liu debuted in his own solo film as Shang-Chi in "Shang-Chi and the Legend of the Ten Rings." In it, Shang-Chi comes to accept his past as a member of his father's (played by the always wonderful Tony Leung) criminal organization, the Ten Rings, while protecting his mother's village from the attacks of a demon known as the Dweller-in-Darkness.
"It's a good movie. It's got a plausibly fearsome villain by way of Leung, a nice ensemble of heroic personalities, and a dose of actually-poignant family drama undergirding all the rest," wrote K. Austin Collins for Rolling Stone.

Marvel Studios
"Hawkeye," starring Jeremy Renner and Hailee Steinfeld as two of the most talented archers in the world, was a refreshing change of pace; the stakes weren't cosmic.
Instead, it came down to Renner's Clint Barton and Steinfeld's Kate Bishop battling it out against a Russian mob with an affinity for tracksuits while dodging Wilson Fisk, aka Kingpin, played by Vincent D'Onofrio, brought back from the Netflix Marvel series limbo.
"The series was loosely inspired by the excellent Matt Fraction and David Aja run of 'Hawkeye' comics, and some of that fun makes its way into the show," wrote Vanity Fair's Sonia Saraiya.

Disney+
"Eyes of Wakanda" was released on Disney+ in August 2025 as a four-part animated event. It spans thousands of years of Wakandan history, showcasing various heroes who have held the mantle of Black Panther.
"Without a popular hero to lead with, 'Eyes of Wakanda' instead relies on the infinite potential of the Wakandan brand to great effect; the result is beautifully crafted but feels somewhat incomplete," wrote David Opie for Empire.

Marvel Studios
"Ragnarok" was one of the most impressive feats in MCU history — the other three "Thor" movies are among some of the lowest-rated MCU movies, while "Ragnarok" is in the top 10 of all Marvel movies, period.
This comes down to director Taika Waititi, who was able to infuse his signature style and tone into the MCU in this cosmic adventure that's also a straight-up comedy, following Thor on his journey to prevent the total destruction of his home world, Asgard.
"Beautifully filmed with serious kinetic energy by director Taika Waititi, with a crackling script, 'Thor: Ragnarok' is a heap of fun. Cue 'Immigrant Song,'" wrote Kristen Lopez for Culturess.

Sony Pictures
"Spider-Man: No Way Home's" charms are impossible to deny, even if the plot has more holes than Swiss cheese.
For Marvel movie fans, it's hard to imagine something more satisfying than seeing Tom Holland, Andrew Garfield, and Tobey Maguire together on screen, discussing their rogues' galleries, Tobey's weird web situation, or how with great power comes great responsibility.
"Throughout all of it, the weird and complex history of Spider-Man as a cinematic icon isn't a hindrance to the story; instead, it's an enhancement, using the quirks of the character's legacy as a source of illumination into why he has endured so long," wrote Liz Shannon Miller of Consequence.

Marvel Studios
The reason that pop culture is what it is today can be boiled down to the mega-success of this movie, which set up an entire cinematic universe, revived Robert Downey Jr.'s career, and boosted director Jon Favreau's status so high that he's now basically one of the auteurs of the entire "Star Wars" universe.
But this film is simple: Billionaire weapons manufacturer Tony Stark (Downey) is kidnapped by a group of terrorists, who lead him to discover that his weapons are landing in the wrong hands. So, he builds a suit of armor and becomes a superhero.
"Led by Downey's career-resurrecting performance as billionaire weapons peddler Tony Stark, it proves just as indispensable to the movie's giddy escapist appeal as the seamless CGI effects and eye-popping pyrotechnics," wrote Craig Outhier of the Orange County Register.

Marvel Studios
"Endgame," as a movie, is a magic trick. Somehow, this movie crams in 11 years of MCU storytelling, every major character from all of the films, travels back in time to essentially walk through the universe's greatest hits, has real stakes, and makes a three-hour movie fly by.
When the Avengers decide to try to undo Thanos' universe-shattering snap, the original crew from the 2012 movie (with a few notable additions like Karen Gillan's Nebula, Paul Rudd's Ant-Man, and Don Cheadle's War Machine), travel through Marvel history to find the Infinity Stones.
"Eleven years of Universe building, and this is the crescendo. It really pays off, I've never seen anything quite like it," said James Luxford on the BBC.

Marvel
Marvel's second special presentation was this 44-minute holiday special focusing on the Guardians trying to give the still-mourning Peter Quill the perfect Christmas with the help of his hero Kevin Bacon.
"Adept at taking B-level comic book characters and turning them into franchise hits, [director James] Gunn does a lot with a little here with Marvel's first-ever holiday special," wrote The Wrap's Karama Horne.

Walt Disney Studios Motion Pictures
After Chadwick Boseman was introduced in "Captain America: Civil War" as Black Panther, fans were waiting with bated breath for his solo film — and they weren't disappointed. "Black Panther" is a riveting story, where the "villain" (a supremely cast Michael B. Jordan as Killmonger) has a very compelling point and even gets the hero, T'Challa, to change his mind.
Supported by all-stars like Angela Bassett, Forest Whitaker, Daniel Kaluuya, Lupita Nyong'o, Danai Gurira, and Sterling K. Brown, along with newer finds like Letitia Wright and Winston Duke, "Black Panther" is special. To date, it's the only Marvel movie to be nominated for best picture at the Academy Awards.
"'Black Panther' is a revelation, the first film from the Marvel Cinematic Universe that truly feels like an of-the-moment masterwork that also happens to be a comic-book movie," wrote Roxana Hadadi of Chesapeake Family Magazine.

Disney+
"Your Friendly Neighborhood Spider-Man" is an animated series set in an alternate reality. It tells the origin story of yet another Peter Parker, this time voiced by Hudson Thames.
"'Your Friendly Neighborhood Spider-Man' is surprisingly mature for being this energetic and squishy, a PG-rated take that treats its teen characters with respect by not insulting their intelligence or limiting their growth," wrote Jarrod Jones for The AV Club.

Marvel Studios
"Ms. Marvel" stars newcomer Iman Vellani as Kamala Khan, a normal teenager who stans Captain Marvel (aka Carol Danvers) — and when she finds an otherworldly bangle connected to her family history, she's able to become more similar to her favorite heroes than she ever thought possible.
With a distinct, fun visual style and amazing supporting performances across the board, "Ms. Marvel" has established a high benchmark for the MCU Disney+ series.
"'Ms. Marvel' doesn't reinvent the superhero wheel. Instead, it dips it in gold and bedazzles it with eye-melting visuals," wrote Eric Francisco of Inverse.
All scores mentioned above are accurate at the time of publication, but are subject to change.
We all know Elizabeth Holmes is a villain.
She promised a radical new technology—bloodwork performed in a countertop-sized machine from a single droplet taken from your finger. She was young, photogenic, and self-possessed; she dressed like Steve Jobs. Her invention would disrupt the $60 billion bloodwork industry, bringing cheap, frictionless health monitoring to the masses. Or it would have, if it worked. Holmes was convicted of defrauding investors of nearly $500 million; she's currently serving an 11-year prison sentence. Holmes has been written about extensively, and her story was turned into an Emmy-winning Hulu series starring Amanda Seyfried. She is an avatar of Big Tech mendacity, a cautionary tale as much as a person.
Everyone knows the story. You would think there is nothing left to say. But you'd be wrong.
Just before she entered prison, Holmes invited documentarians Nathan Fielder and Lance Oppenheim to live with her, her boyfriend Billy Evans, and their two young children in their beachfront San Diego rental unit, promising them full access, complete transparency. The result is this year's most entrancing documentary, You Can See Everything. When the camera captures Billy in the shower, the movie delivers on its titular promise; you, uh, really can see everything.
Yet what you cannot see is who Holmes really is. The mystery of the era's most famous fraudster is the movie's central riddle: Is she cynical, calculating, a stone-cold liar and psychopath? Or is she something stranger—a damaged and delicate person who genuinely believes her lies, or at the very least, genuinely believes the stories she tells herself to justify those lies after the fact?
Fielder and Holmes seem uncertain themselves; the movie is, in part, their own attempt to wrestle with their own ambivalence, their own inability to come to a conclusion. It's a hall of mirrors about the infinite unknowability of a person, even given unfettered access.
The documentarians do not absolve her of her villainy; the movie is not an attempt to excuse her fraud or build a case for her innocence. But they offer something exceptionally rare in this era of simplistic hero and villain narratives: genuine and deeply felt empathy for someone on whom the culture (not to mention the legal system) has cast final judgment. In the process, they have given us one of the strangest, most unsettling, and most poignant films of the year. You Can See Everything is a small miracle of a movie.
It's sometimes said that the most compelling villains don't believe themselves to be villains. They have an internally coherent story to tell that excuses their actions, makes them the heroes in their own minds. Fielder and Oppenheim have given Holmes, and viewers, the gift of allowing Holmes a measure of psychological complexity. You don't see into her mind, because that's impossible. But you see that the story she tells herself is different from the story the world tells us about her. It's surprisingly kind and generous; it's also tricky as hell—to the point where you, the viewer, might wonder if you're the one being tricked.
Halfway through, the movie takes a meta-turn that I won't spoil, entering into high-concept territory in an attempt to more deeply explore what art and images can reveal about a human psyche. It's formally audacious, often funny, and actually justifies the three-hour running time. I've never seen anything quite like it.
The exercise left me just as unsettled as the documentarians seem to be themselves; uncertain about Holmes and her motives, and nearly as uncertain about Fielder and Oppenheim, two talented filmmakers who appear to be questioning not only the nature of their chosen form, but of reality, especially psychological reality, themselves. There are times when You Can See Everything borders on magical realism, except the magic comes from the complexity of human nature and storytelling, as if Gabriel García Márquez had written a story about a man with a camera that could see into souls. It's dizzying, dazzling, a sort of postmodern Rashomon of perspective shifting.
As I left the theater, in something of a daze, I found myself thinking of a line from the great Saul Bellow novel The Adventures of Augie March, "Nobody should be a mystery intentionally. Unintentionally is mysterious enough." In the case of Holmes, it's impossible to tell which it is. All we can say is this supposedly one-note Big Tech villain, like perhaps everyone, is better understood as some kind of mystery, even to herself.
The post The Elizabeth Holmes Documentary <i>You Can See Everything</i> Is an Act of Radical Empathy appeared first on Reason Magazine.
On a perilous climb across Thailand’s Mount Kwan, two climbers become trapped thousands of feet above the ground, where vertigo-inducing heights, sheer exposure, and impossible odds turn every moment into
The post Cinema: Fall 2: Deadpoint appeared first on Portugal Resident.
While trapped inside its belly with only one hour of oxygen left, Jay comes to realize that the hard-earned lessons his father imparted may be the key to his escape.
The post Cinema: Whalefall appeared first on Portugal Resident.
Tom Cruise's new climate film Digger is turning into the "biggest flop of his career" and could lose $150m in a "historic disaster", leading Warner Bros to try a bold new marketing strategy: implying Americans are dumb.
The post Tom Cruise Climate Film Digger is “Biggest Flop of His Career” and Could Lose $150m in “Historic Disaster” appeared first on The Daily Sceptic.
Kevin Dupzyk’s profile of Sam Rockwell, a “legendary scene-stealer” now in his fourth decade of work, is a crisp and entertaining one-act, with journalist and actor holed up in a spare Manhattan greenroom. Dupzyk studies Rockwell while Rockwell studies the room, testing the durability of his own idiosyncratic observations—about Red Bull and loss and rain—to see what they might yield in a conversation with a stranger. Dupzyk had wanted to “gin up some action for this story,” but it’s strangely compelling to watch Rockwell’s gaze prowl the room, to see what lodges in the filter of his creative process.
Rockwell is a good tennis player. And like any good athlete, he trains. For as much as he appears to get by on natural charm and charisma, he is an actor’s actor, a true believer, in his words, an “acting nerd.” Research. Running lines. Exerci—
“Do you know what a gibbon is?” Rockwell asks.
“Like, a monkey?” I say, confused.
Pat Caldwell is 69 years old and, as Chris Stanton gushes in this uproarious Q&A, “a legend to IMAX nerds.” Caldwell loves Vision3 film stock, hates Joker: Folie à Deux, and has discovered more than one dead body in a movie theater. His decades-long career as a projectionist includes a stint at a Tennessee porn theater with “very good equipment,” and he once spent half a year screening Lawrence of Arabia four times daily. When Stanton reached out to Caldwell on the occasion of The Odyssey, he may have landed the year’s most entertaining interview.
So Sam taught me how to run the projectors, and he got drunk, passed out on the couch. And after the concession stand in the box office closed, I would go up and run the rest of the movies for him. This went very nicely until one night there’s a knock at the door. I opened the door and here’s this old man standing there. And I said, “Well, who are you?” He says, “I could ask the same question. Who are you? I’m the business agent of the local projectionists’ union.” I explained what was going on. He woke up Sam, chewed him out. And the next day they made me an apprentice. I trained for a year with no pay at all the local theaters in Nashville.
Ahead of the 40th anniversary of Stand By Me, Alec Joyner takes up Rob Reiner’s classic film and considers it from a few dozen angles. It’s a canny piece of critical writing on time, memory, masculinity, and tenderness, forces that often work against each other. (Joyner doesn’t raise the subject of Reiner’s violent death last year, though he pauses briefly on Chris, a character “freakishly knifed to death . . . trying to break up a fight.”) Stand By Me‘s two days of summer are a “vital pause” in the life of its characters, a “portal . . . into the expanse of time.” Here, Joyner illuminates that pause, and captures some of its elusive grace.
Stand by Me was slapped with an R rating, for the boys’ profanity, as well as the prominence of child abuse and death. This may have hampered ticket sales, but it also made it the first R-rated movie that many ’80s and ’90s kids saw. It made it a fitting rite of passage.
Still, there’s something lamentable in the verdict, the MPAA telling a faulty story much like the fictional adults of Castle Rock. How many blockbusters have promoted horrendous violence, only to make the PG-13 grade because they feel safely unreal? Stand by Me was received as dangerous because its horrors and its dirt live at home.
First off: This isn’t a Rick Moranis profile. I know you want it to be—we all want it to be—but it’s not. Maybe one day we’ll get the deep, rich look at a man who’s beloved by millions of comedy fans but who also stepped out of the public eye more than 30 years ago. Until then, there’s the fact that Moranis will be part of next year’s Spaceballs sequel, and as such was game enough to show up at San Diego Comic-Con over the weekend (where, predictably, Hall H chaos ensued). Anthony Breznican was there, shadowing the proceedings. Read it at ludicrous speed, obviously.
Even in this holding area, Moranis is already getting a sense of the excitement building around him. Among the first people to have their socks knocked off is Clerks and Mallrats filmmaker Kevin Smith, the moderator of the presentation and a Comic-Con stalwart for decades. “I came for the panel because of Rick Moranis,” he tells me, invoking the name of the actor’s beer-swilling duo with Dave Thomas from their SCTV days. “Jay and Silent Bob doesn’t exist without Bob and Doug McKenzie. Having him at Comic-Con is like having geek royalty here. You’re talking about a dude who, for most of us, was there as we grew up. He was part of the fabric of the culture since we were kids.”