• Matthew Guerrero says gas costs eat up much of his pay as an Uber driver in Southern California.
• He prioritizes giving rides to weekend barhoppers who tend to tip well, he said.
• Uber says that one driver's experience isn't representative of the broader platform.

This as-told-to essay is based on a conversation with Matthew Guerrero, a 41-year-old Uber driver in Southern California. It has been edited for length and clarity.

I worked as a firefighter for about four years before I got injured on the job.

I've been seeking a workers' comp settlement that should be settled soon. In the meantime, my lawyer said that I could start working again. I needed a job really quickly, especially with three kids, so I started driving with Uber.

I've been driving with Uber for about five weeks. So far, it hasn't been very successful. For example, one week, I made $600 working 30 hours. To make that, I spent about $300 in gas driving my SUV.

Then, I have to put between 20% and 30% of what's left aside for taxes. That comes out to about $210 for 30 hours of work. That doesn't even include wear and tear on my car. I don't understand how anybody can do this long-term. It's not sustainable.

The pay is better if you drive in Los Angeles or San Diego. But I'm in Riverside County, and the pay seems to be lower here.

To get better-paying rides, you have to be strategic. Sometimes, I try to get a ride with a passenger who's headed to an airport in one of the big cities. Then, I stay there all day and take rides. That's not always feasible, though.

When I started with Uber, I realized that there were a lot of rides that involved taking people to morning doctor's appointments. Most of those people didn't tip well, though, and tips are key to making money.

Instead, I like to work Friday and Saturday nights around bars in Temecula. I usually log on around 4 pm and head home around 3 am. The pay is good, and the tips are a lot better than other rides in my area. Sometimes you have to deal with drunk people throwing up, but it's worth it.

I've given some rides to veteran Uber drivers — people who were working on the app back in 2015 and 2016. They said that they used to make better money than I do, and that they quit after they saw pay fall.

That was eye-opening for me. I don't understand how a company like Uber can pay as little as they do.

An Uber spokesperson said drivers in Riverside County, California make "at least $20.28 per engaged hour, plus $0.37 per engaged mile for vehicle expenses, with tips on top of that."

"While this guarantee doesn't cover time spent waiting for trips, it's important context when discussing driver compensation," the spokesperson said. Driver earnings can vary based on when drivers decide to work, where they drive, and rider demand.

"One driver's experience isn't representative of the broader platform," the spokesperson said.

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We went aboard a cruise ship navigating some of the world's most dangerous waters. In the Arctic, drifting icebergs, sea ice, sudden storms and fierce winds make sailing unpredictable. Yet every year, around 100,000 cruise passengers travel to Greenland to explore its remote coastline and experience one of the world's last great wildernesses.

A Russian attack on Sloviansk on 13 October wounded members of a Ukrainian Red Cross team, the Ukrainian Red Cross Society reported. The same day, a Russian bomb hit the city’s invincibility point, one of the state-run hubs where residents warm up and charge phones when power goes out.

Help is getting harder to reach in Sloviansk. Public transport stopped after a Russian strike on two buses in nearby Kramatorsk killed 30 people on 8 October. From 1 November, a curfew from 16:00 to 11:00 will cover nearly all of Donetsk Oblast’s free territory. The people providing help are hit too. Russian drones struck three ambulances in Kramatorsk on 5 October. In August, a Russian strike destroyed a World Health Organization humanitarian warehouse in Dnipro.

Team had moved from Lyman

Three members of the society’s Lyman city branch were hurt. The branch had moved to Sloviansk because of the security situation and kept working there. All three were hospitalized with shrapnel wounds and burns. The building where the team worked took heavy damage, and a fire caused by the attack damaged the organization’s property.

The society’s Donetsk Oblast branch later added that a fourth person suffered a concussion, and that all four were hospitalized. The Red Cross condemned attacks on civilian infrastructure and humanitarian workers.

Bomb hit the warming center

The strike came at 12:45 in the Lisnyi microdistrict, Sloviansk city military administration head Vadym Liakh wrote. He later identified the weapon as a FAB-250, a 250-kg air-dropped bomb. Eight people were injured, and five apartment blocks were damaged, Liakh said. He described the warming center’s building as damaged, while Suspilne Donbas reported it destroyed.

Two Russian strikes on Sloviansk that day killed at least one person, Donetsk Oblast head Vadym Filashkin wrote. Liakh said a Russian attack on the Semenivka neighborhood killed a 55-year-old woman. On 14 October, Filashkin reported that Russian attacks killed three people across Donetsk Oblast on 13 October, in Sloviansk, Druzhkivka, and Starovarvarivka.

No doubt Ed Davey lovingly cares for his disabled son, says Joanna Gray. But he's not his "carer"; he's his father. It's a distinction Britain is fast losing sight of, to the detriment of us all.

The post No Ed Davey, You’re a Father, Not a “Carer” appeared first on The Daily Sceptic.

It is fitting that DreamWorks’ “Forgotten Island” carries a title that evokes memory and loss. The film, released globally in September, is on the surface a coming-of-age adventure about friendship. Look a little closer and it is a poignant meditation on separation – a theme that speaks deeply to the Philippines and its diaspora, whose […]

The post ‘Forgotten Island’: joyous, painful love note to Filipino diaspora appeared first on Asia Times.

The European Parliament has backed calls for an EU-wide strategy to tackle worsening shortages of healthcare professionals, including an ambition to increase the health workforce by one million, as doctors, nurses, pharmacists and dentists urged the European Commission to turn the recommendations into concrete action.

The own-initiative report, led by MEPs Loucas Fourlas (EPP, Cyprus) and Ruggero Razza (ECR, Italy), warns that shortages of doctors, nurses, carers and other professionals are becoming structural, driven by ageing populations, rising demand for care and persistent burnout...

In the year of the 250th anniversary of US independence, the bipartisan US Semiquincentennial Commission released “America’s Soundtrack: The Sound of 250 Years.” Perhaps unsurprisingly – because the initiative was planned over the course of a decade with the support of corporations like Amazon, Oracle, and Palantir – the playlist is a romantic ode to the most paternalistic and militaristic sides of the United States.

However, activists have pointed out that there are “Two Americas at 250.” In other words, there is a working-class history and culture that directly contradicts the imperialist project of the billionaire class. Therefore, we must study another soundtrack: one based on the struggles, desires, and traditions of the people. One person that represents this soundtrack is “America’s favorite blues man,” 34-year-old Buffalo Nicols.

Music characterized Carl Nichols’s upbringing in Milwaukee, Wisconsin. Though not surrounded by musicians, he always had the sounds of jazz on the radio, his mother‘s music collection, his older brother’s hip-hop, and his older sisters, R&B, punk, and metal. This was the context in which he taught himself to play his sister’s guitar at the age of 12.

Performing with bands throughout high school, Carl found kinship among the West African community. As he played a cheap banjo along with a friend on the instrument known as the xalam, he embraced music as an opportunity to learn about other cultures. Traveling through countries like Senegal, Romania, Hungary, and Ukraine in his early 20s and learning their sonic traditions, motivated him to study Black American music with the same rigor.

Performers like Lead Belly, Pete Seeger, and Woody Guthrie left a lasting mark on him, specifically relating to communal and commercial music. Similarly, the writing of Etheridge Knight, Langston Hughes, Zora Neale Hurston, and Amiri Baraka helped him understand the blues as “a living thing” rather than a set of important names and dates. He said, “There’s always been this connection between activism and folk music because I think trying to exist as an artist in America has been a political thing.”

His 2025 song “Belly of the Beast“ is one example of this because it asks about the responsibility which domestic victims of US imperialism have for protecting victims abroad. Written during the heightened media coverage of the Israeli genocide in Gaza, the song calls attention to the relationship between Black Americans and Palestinians. He conceptualized the song following a period of political education defined by a collection of Malcolm X speeches and Régis Debray’s 1967 “Revolution in the Revolution?”

I live in the belly of the beast

Though I only meant to look into his mouth

It was not opportunity but chains he used to capture me

And every day I’ve tried to get back out

While these lines of the chorus speak from the individual or first person perspective, Nichols uses them to describe a common experience.This is why the song ends with the collective “we live in the belly of the beast.” The song is neither nihilistic or romantic in its allusion to topics like police killings, occupation and ethnic cleansing. Rather, in verse four, the singer puts his hope for change in the hands of the people, saying “we cannot win ’till we get organized.”

Read more: Studying the changes: a Palestinian music teacher’s lesson on will

Some, who mistake folk music as apolitical, took offense to this song. They attack him in social media comments, direct messages, and hate mail. In the spirit of the blues, Nichols said he laughs at their assumption that they can hurt him. The same minority of listeners attacked him for his 2025 song “Ice Age Blues.”

He wrote the song in response to the second Trump administration’s escalation of ICE terror. Specifically, on the widespread sense of surprise that law-enforcement would use deadly force against the US residents. He said that it reminded him of the same realization among new activists during the 2020 uprising for George Floyd. However, Nichols shows that he was not shocked by the contradiction – he ends the song by asking,

You think all that money is for war fought abroad?

They won’t hesitate to kill you in your own backyard. 

They’d be happy to kill you in your own backyard.

Nichols said that political finger pointing will not help identify the common perpetrator of a shared oppression. Instead, he urges readers to understand the state and how it works against the people; to study the basis of its patterns and changes. By doing so, he calls listeners attention to the basis of repression rather than simply what accelerates it. 

Similarly, he recommends the new generation of blues people to “return to the root.” That is, to disregard stereotypes about their Black art and study those – like Zora Neal Hurston – who preserved long-standing traditions. By reclaiming their legacy, he said that culture workers can affect consciousness on a mass level.

I know no artist really wants to be a role model or to be representing an entire people but the reality is that Black culture is such a fragile, delicate and important thing that we have to be more mindful of how we share it and how we interact with it. 

Buffalo Nichols is currently touring through states like West Virginia, North Carolina, Illinois, and Minnesota.

If you spend your day in front of a computer, you may ask yourself, at times, why you do it. What’s it all for? Who benefits? For Noēma, Aaron Horwath suggests that the crisis confronting knowledge workers these days isn’t strictly economic, it’s also existential. He explores the pitfalls of work-as-performance and wonders whether the “messy middle,” which embraces human interaction and collaboration over an army of agents, might offer more for workers and employers alike.

But perhaps the most powerful action of all is simply to maintain an awareness (and remind others) that Workism is a spectacle. For most employees, we owe it to each other to remind one another that this work is not, in the grand scheme of things, all that important. It is illusory. No one has ever died over a spreadsheet. The world does not wait with bated breath for product launches. A marketing campaign will not change the world. Almost no one will remember all the work we do. But they might remember the types of people we were, the relationships we had and how we treated the people we worked with.