After 92 years, Agatha Christie’s most famous story finally arrives on the Australian stage



Subject to Change: A Dance for David Bowie will explore how the musician ‘practised a form of artistic reincarnation’, says choreographer Marcos Morau
‘Let’s dance,” sang David Bowie in 1983, commanding: “Put on your red shoes and dance the blues.” That call is to be answered – with footwear TBC – by an international dance production featuring new choral arrangements of songs from throughout his career.
Subject to Change: A Dance for David Bowie will be staged at Sadler’s Wells in London in autumn 2028 after a world premiere in Luxembourg. It will visit Tokyo in 2029. The show will explore how Bowie “practised a form of artistic reincarnation” according to Spanish choreographer Marcos Morau who is taking inspiration from the superstar’s transformations into personas such as Aladdin Sane and the Thin White Duke.
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© Photograph: Ilpo Musto/Alamy

© Photograph: Ilpo Musto/Alamy

© Photograph: Ilpo Musto/Alamy
Subject to Change: A Dance for David Bowie will explore how the musician ‘practised a form of artistic reincarnation’, says choreographer Marcos Morau
‘Let’s dance,” sang David Bowie in 1983, commanding: “Put on your red shoes and dance the blues.” That call is to be answered – with footwear TBC – by an international dance production featuring new choral arrangements of songs from throughout his career.
Subject to Change: A Dance for David Bowie will be staged at Sadler’s Wells in London in autumn 2028 after a world premiere in Luxembourg. It will visit Tokyo in 2029. The show will explore how Bowie “practised a form of artistic reincarnation” according to Spanish choreographer Marcos Morau who is taking inspiration from the superstar’s transformations into personas such as Aladdin Sane and the Thin White Duke.
Continue reading...
© Photograph: Ilpo Musto/Alamy

© Photograph: Ilpo Musto/Alamy

© Photograph: Ilpo Musto/Alamy
Selina Cartmell announces season including Stockport-set version of Phaedra myth by Simon Stephens
A theatre boss has promised to channel the “pioneering spirit of Manchester” and be “brave and fearless” as she unveiled a new season of work, two years after a deeply damaging censorship row.
Selina Cartmell, the artistic director of the Royal Exchange in Manchester, revealed details of 2027-28 productions that include a retelling of the Munich air disaster and a modern Stockport-set version of the ancient Greek myth Phaedra.
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© Photograph: Christopher Thomond/The Guardian

© Photograph: Christopher Thomond/The Guardian

© Photograph: Christopher Thomond/The Guardian