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Could the Guggenheim in New York have been pink? Debunking the white and gray myths of modern architecture

This past May, an AI-modified image of the Geisel Library in San Diego led to a humorous architectural meme. Shared on X, it showed the exposed concrete walls of William Pereira’s imposing building (usually categorized as “Brutalist”) painted with garish colors, protective deities and classical Greek motifs. The image was accompanied by a message: “There’s a common misconception that Brutalist buildings were unpainted, but thanks to microscopic analysis of the exteriors we can now recreate what they looked like in their prime.”

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© Phenster/Mark Kuipers

The De Bijenkorf shopping center in Eindhoven, in the Netherlands.
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The perfect, affordable home: The utopia that architecture has been promising for a century

One of the industrialized, sustainable Tini homes by the Delavegacanolasso studio.

In 1927, the American architect and inventor Richard Buckminster Fuller proclaimed an idea that sounded like a joke: the possibility of owning a house for the same price as a car. Thus, the Dymaxion house was born: it had a hexagonal aluminum frame as light as a tent, and was designed to be manufactured on an assembly line, just like a Ford.

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 The exterior of Futuro House, designed by architect Matti Suuronen, in Marion Bay, Tasmania. Owned by David Walsh and Kirsha Kaechele. Photo provided by the Futuro House Archives. With their Tini Living homes, the architectural firm delaVegaCanolasso has managed to fast-track construction and get a handle on costs. 
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