For a brief time, Sacha Jafri was both the creator of the world’s largest painting and one of the world’s most expensive living artists, after his 17,000‑square‑foot work The Journey of Humanity was theatrically “sold” for $62 million at a Dubai charity auction. The buyer, French “crypto billionaire” André Abdoune, never paid a cent and, given his history as a serial fraudster, almost certainly never will—meaning no money ever reached the charities that were promised the proceeds. So what was the real story: a giant painting, or a giant scam?

Many of Jafri’s other claims do not stand up to scrutiny. He is often touted as an artist whose work sells in the millions, but publicly available commercial auction records are more modest. His most expensive painting before The Journey Of Humanity was a piece called Dance of the Midnight Samurai, which sold in 2019 for approximately $70,000. The previous year, another work, Dreamscape II, went unsold at two auctions, before eventually being acquired for $893. Newspaper articles document purchases by Kevin Spacey and Guy Ritchie, but there are no reports of sales to Bill Gates, Leonardo DiCaprio, Barack Obama or Bill Clinton. No pictures exist of their red-printed hands.

Egyptian blue predates the pyramids’ final form. Egyptian artisans were producing it before 3100 BCE, making it, as far as archaeologists know, the first pigment humans ever manufactured synthetically. It’s a compound called cuprorivaite (calcium copper silicate), made by firing silica, lime, copper compounds, and alkaline salts at high temperature until they crystallize into a […]

Two tombs, two very different experiences. Walk into one and the space narrows around you, guiding your eyes along a fixed sequence of images. Walk into the other and the sound itself seems to come apart: voices blur, echoes pile up, and a blue demon painted on the wall seems to lunge straight at you. […]

For decades, experts in ancient art have relied on techniques such as infrared spectroscopy or chromatography to determine what colors and adhesives the Egyptians used. But these tools only offer partial clues: they indicate that a protein is present, but do not reveal which animal or plant it comes from, nor whether it is original […]