It was all thanks to a small metal screw – an orthodontic mini-screw, to be precise – that was placed in the jawbone underneath José Antonio Jiménez’s gums. His wife, Priscila Murrieta, waited in the hallways of the Attorney General’s office in Mazatlán, a city in the south of the Mexican state of Sinaloa. Meanwhile, the forensic dentist went in and out of a room. Of the bodies recovered from the mass graves in the small town of El Verde, Jiménez could be one of them. With moles and tattoos ruled out, only two bodies remained with similar characteristics. Both of the victims wore braces on their teeth.

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The music industry has once again been forced to dance to a tune set by drug trafficking. Ismael Zambada Sicairos, the subject of several narcocorridos (a subgenre of corrido, a type of Mexican ballad, that glorifies or narrates the lives of drug traffickers and organized crime), is now accused of being the head of a sophisticated criminal network that, through organizing concerts in Baja California and other front-business activities, allegedly served to launder money generated illicitly across the border by Los Mayos, the Sinaloa Cartel faction he has led for two years.

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On the day of his sentencing hearing in New York this summer, Ismael “El Mayo” Zambada read a letter overflowing with remorse. After a decades-long career in drug trafficking, the former leader of the Sinaloa Cartel said his goodbyes with a mea culpa for everything he had done, without expanding greatly. Given his expected influence over the regional underworld, he dared to send a message to young people. “Choose a different path,” he said. “There is no honor in violence nor anything lasting in crime; they only bring pain and loss.” It is not known whether his second-born son knew about his father’s letter. But it is fairly clear that, if he did, he paid it no heed.

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