City’s Beatles Story museum to move to 100,000 sq ft new home and official ownership, along with Yellow Submarine makeover of Liverpool’s second-tallest building

Liverpool is to unveil a new 100,000 sq ft visitor attraction about the Beatles, in plans hailed as “extraordinary” by Paul McCartney, and by Andy Burnham as having “the kind of ambition I want to see more of across Britain”.

Opening in 2028, the project is a huge upgrade for the Beatles Story, a museum which opened in Liverpool’s Royal Albert Dock in 1990. Ownership will now pass to the Beatles company Apple Corps, making the Beatles Story the band’s first official fan experience in their home city.

The late Christoph Schlingensief was one of German art’s great provocateurs. Can his B-Movie horror aesthetics still shock us into thinking anew about media power, colonialism, and the far right?

Christoph Schlingensief certainly knew how to provoke. “Fury at German play that shows Queen as a Nazi,” read the Sunday Express’s headline after Kaprow City first premiered at Berlin’s Volksbühne theatre in 2006. Drawing on the happenings of US performance artist Allan Kaprow, the play turned its attention to Diana, Princess of Wales’s death. In one scene, the then queen performs a Hitler salute. Another re-enacts the paparazzi chase that led to Diana’s fatal crash. Diana appears in bed beside two men with Down’s syndrome; and Camilla is pelted with animal blood. Schlingensief insisted the work was not meant as provocation but as an investigation into how Diana turned into a modern icon. But his art thrived on outrage, exposing the absurdity of societies that glorify their idols while consuming their lives as entertainment.

Kaprow City is at the heart of a new Berlin show – It’s Not My Problem Anymore, Deal With Your Own Shit – that revisits the artist’s legacy. In the Gropius Bau’s grand neo-Renaissance atrium, visitors encounter remnants of the carousel-like rotating stage he called the “animatograph”. Looking at this installation today feels like a glimpse into Schlingensief’s mind: a messy collage of childhood memories, violent fantasies and royal glamour.