It is Sylvester Stallone’s fourth interview of the day. Is he tired of talking yet? “No, because this is the first one about my memoirs,” he replies from a hotel room in New York, his hometown, overlooking Central Park, where he is meeting with EL PAÍS.

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There is a generation of filmviewers that cannot separate Vincent Cassel, 59, from the 1995 movie La Haine (Hate), where he dominated the screen. Although more than three decades have passed, Mathieu Kassovitz’s film was already exposing the seams of modern France. A Jewish kid from the Parisian suburbs, inflamed by frustration, resentment, the poison of social exclusion, a constant sense of injustice and a desire for revenge after a friend gets killed by the police. Vince, but also Saïd and Hubert, his closest friends, formed a trio that would be unlikely today in the banlieues of the Paris periphery. An Arab, a Black man and a Jew united by that prescient smell of fracture, exclusion and identity conflicts that began to feed the hatred and stoke the fire of the far right.

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Production: Nono Vázquez. Photography assistants: Emilio Azevedo and Adrián Wong. Production assistants: Laura Gimenez and Isabel Orozco. Makeup and hair: Anne Bochon. Movement direction: Pauline Gudet. Video: Daniele Vaia. Studio: Paul Le Cacheux Photographer.