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‘Tough to watch, impossible to ignore’: reviewers on NAZA documentary

Film interviewing military insiders about mass killing of civilians in Gaza wins widespread praise around the world

Critics around the world have hailed the award-winning documentary NAZA as a “brilliant and harrowing” film that is “impossible to ignore”.

NAZA, which is produced by the Guardian and details Israel’s mass killing of civilians in Gaza, was released in UK cinemas this week and will be shown in more than 50 countries. As well as its global cinema releases, NAZA will be available free on the Guardian’s website from late November.

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© Photograph: NAZA/The Guardian

© Photograph: NAZA/The Guardian

© Photograph: NAZA/The Guardian

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‘Opening the lid of a horrible secret’: Jamaicans confront enslavement with taboo-busting stories on screen

As violent spirits are unleashed in Sky’s Possession, observers see confident creatives reclaiming the island’s narratives in a form of ‘cultural reparation’

A woman opens a 300‑year‑old box, unleashing a violent spirit – it is the spirit of colonialism and oppression roaring back to life. It is a pivotal scene in Sky’s supernatural series Possession and symbolises a wider shift in Jamaica’s film industry, where directors are increasingly using the landscape to tell Jamaican stories – including those that confront enslavement, trauma and historical memory.

The series is about a biracial British lawyer who travels to Jamaica to investigate a multimillion-pound inheritance dispute, only to uncover a dark, vengeful spirit tied to the plantation’s brutal colonial past.

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© Photograph: Des Willie

© Photograph: Des Willie

© Photograph: Des Willie

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Dogmatic Nordic liberals v eastern family values: culture-clash drama Fjord touches nerves in Norway and Romania

Cristian Mungiu’s Cannes winner echoes the news story of a Romanian couple whose children were taken by the Norwegian government. As it heads to London film festival, two writers explain how the film exposes real hypocrisies

When Cristian Mungiu’s Fjord was shown in Romania as a one-day preview this June, the reception was extraordinary. Across 53 towns and 96 cinemas, the film reportedly pulled in over 40,000 viewers in a single night, a number arthouse cinema rarely sees in Romania. But the response here had little to do with cinema. It felt instead like a reopening of a familiar fault line about the clash of values within the EU itself.

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© Photograph: ©Tudor Panduru

© Photograph: ©Tudor Panduru

© Photograph: ©Tudor Panduru

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