Eva Marie Saint, one of the last great actresses from Alfred Hitchcock’s universe, died on Tuesday, October 6 at her home in Los Angeles, family representatives said. She was 102.
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Kaliningrad, the militarized Russian exclave wedged between NATO and EU members Poland and Lithuania and a constant flashpoint between the Kremlin and the Atlantic Alliance, has become the center of Vladimir Putin’s nuclear threat against Europeans. Last week Moscow accused NATO of seeking to block Kaliningrad and threatened to use nuclear weapons if the military organization moves forward with that alleged plan. For the Kremlin, the exclave, which gives it a strategic outlet to the Baltic Sea (it is the only port it can use year-round) and is a key node in its hybrid war against Europe, is an advanced bastion. For NATO, it is a piece on the board that shapes any crisis in the Baltic because it could hinder allied military movements.
Russia is stepping up its hybrid war against Europe. From sabotage, drone incursions, and arson to plots (mostly foiled) to assassinate pro‑Ukraine activists and Russian dissidents on European soil, the Kremlin is testing the allied response, and incidents against NATO’s European partners are becoming more serious, such as the explosive‑laden drones found this summer at Leipzig Airport in Germany. That gray line between a hybrid attack and a conventional one is blurring, and several European intelligence sources warn of the risk that one of those incidents could escalate — either by a deliberate Kremlin decision or a miscalculation.
© Kateryna Klochko (AP/LaPresse)
Digger is like a mango. It’s an acidic film, but also a bit sweet; outwardly it seems one thing but inside it contains surprises, and it needs time to ripen. Like a mango, its flavor can’t be explained. In fact, it’s better not to even try, says its director, Alejandro González Iñárritu: “The only way to know what a mango tastes like is to put it in your mouth. And you have to put this film in your eyes to understand it, because if I explain it to you, you won’t get it.”
© Mario Guzmán (EFE)
In another life, Johnny Cross (Clovenfords, Scotland, 34) might have become a sports journalist covering British football teams, but an Erasmus year in Seville during his final year of university changed everything. There he met Marta, his partner, with whom he now has two children, and he decided to stay in Spain. He also realized sports journalism wasn’t for him, so he began teaching English to make some money — “very typical of the guiris [a Spanish term for British people] here,” he says with a laugh.
One week after Chile joined the Shield of the Americas, the regional alliance promoted by U.S. President Donald Trump, domestic resistance against the move has not let up. On the contrary, the membership documents ratified by the government of José Antonio Kast in New York on September 22, along with 14 other countries, have raised new questions about the scope of the initiative.
© Presidencia de Chile (EFE)
All three are well-known, globally recognized, and outstanding women in their fields. All three became mothers just days ago, almost simultaneously. All three had children without giving birth to them: one adopted, two used a surrogate. And all three, despite their different methods and the ways they told their stories, received the same warm congratulations. But are the three cases the same? In the United States, for a large majority, the answer is yes.
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It has been 42 years since MTV began honoring what it knows best and what, at the time, few people valued: music videos. Four decades have passed and much has changed in the industry. There is no self-respecting artist today who does not present their projects visually, especially in this internet era. A lot has changed since 1984, but only to grow bigger. On Sunday night, artists once again proved it.
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It has been referred to as the “Doomsday Vault” or the “End of the World Vault.” But Fuad Gaši, who has been in charge of the Svalbard Global Seed Vault’s coordination since June of this year, prefers to speak about this seed bank in a somewhat more poetic and hopeful way. He sees the institution — which is located in the Norwegian archipelago of Svalbard — as a repository of knowledge that ensures the biodiversity of our planet’s crops.
© KIKE TABERNER
There is nothing a good plate of lechón (piglet) can’t achieve. So can a story that has been in the works for a decade and speaks of friendship, migration, change, roots and food (yes, lechón too), one that is animated and aimed primarily at children, yet carries a message not only for kids. It was over dishes like that and other traditional Filipino foods that Forgotten Island was cooked up for years. Joel Crawford and Januel Mercado, who are friends, colleagues and something like compatriots, have been passionately shaping the story all these years, and finally on September 25, 2026, it is opening in movie theaters worldwide.
© Cortesía de Dreamworks
Explaining the world through images. Humanity has been doing it for millennia: from cave paintings to photography, cinema, living-room television and the omnipresent screens of today. Over the past decades, if there is anyone who has known how to create emotion through images, that is George Lucas, 82, director, writer, producer and the creative mind behind phenomena that have shaped contemporary culture, such as the Star Wars and Indiana Jones franchises. And his eye for visual narratives has not been limited to film: for decades (funded by the lucrative returns of cinema), he has also devoted himself to art collecting, and possesses an immense collection of roughly 40,000 works that he has now decided to share with the world.
© Eric Thayer (Los Angeles Times via Getty Images)
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