• Some of the most hyped films of 2026 are based on blockbuster novels.
• You still have a few weeks to read "Dune Messiah" before "Dune: Part Three."
• There are a couple of holiday books getting adapted, too.

Any booklover knows that news of an adaptation can be complicated: Can we trust the directors, screenwriters, and actors to bring our favorite stories to life?

This year's movie slate is filled with books that are near and dear to thousands of readers, including classics that are decades (or centuries) old, like "Pride and Prejudice, "A Christmas Carol," and "Dune Messiah."

There are also some new classics set to be adapted this year, including "Klara and the Sun" and "Sunrise on the Reaping."

We've compiled a list of 13 must-read books that you should crack open before they're adapted this year.

'Whalefall'

Release date: October 16 in theaters

Daniel Kraus published "Whalefall" in 2023. It's a pretty self-contained, if wild, story: What would happen if you got swallowed by a whale? And not in a biblical, Jonah sense — in a literal, swallowed-while-scuba-diving sense.

The film stars Austin Abrams as Jay (get it? J as in Jonah?) and Josh Brolin as Mitt, Jay's deceased father, from whom he was estranged. That's the whole reason he dives in the first place; he's diving to find his father's remains.

'Wildwood'

Release date: October 23 in theaters

Stop-motion studio LAIKA's latest film, "Wildwood," is based on the 2011 novel of the same name, written by Colin Meloy and illustrated by Carson Ellis.

Both the film and the book follow Prue, a teenager, whose baby brother, Mac, is stolen by a pack of birds and taken into a mystical forest. She, along with her classmate Curtis, ventures into the woods to rescue Mac and perhaps save this magical land.

Prue is voiced by Peyton Elizabeth Lee and Curtis is voiced by Jacob Tremblay. Carey Mulligan, Mahershala Ali, Awkwafina, Jake Johnson, Angela Bassett, Charlie Day, and Amandla Stenberg also star.

'Klara and the Sun'

Release date: October 23 in theaters

Kazuo Ishiguro's 2021 novel "Klara and the Sun" was longlisted for the Booker Prize upon its publication.

The book takes place in a not-too-distant dystopian future where rich children can be gifted "Artificial Friends" to help them socialize, since now all schooling is done at home, online. Klara, the narrator, is purchased for a sick girl named Josie.

In the film, which was cowritten and directed by Taika Waititi, Klara will be played by Jenna Ortega, Josie will be played by Mia Tharia, and Josie's mom, Chrissie, will be played by Amy Adams.

'The Good Daughter'

Release date: November 12 on Peacock

Karin Slaughter's "The Good Daughter" is a bestselling thriller that was published in 2017.

It follows two sisters, Charlotte and Samantha, whose lives were shattered as kids when their mother was murdered and their father was traumatized. Now, as adults, Charlotte has followed in her dad's footsteps and tried to be the perfect daughter. Samantha chose to deal with her grief in a, shall we say, different way.

In the Peacock series, Rose Byrne plays Samantha and Meghann Fahy plays Charlotte.

'Being Heumann: An Unrepentant Memoir of a Disability Rights Activist'

Release date: November 13 on Apple TV+

Director Siân Heder's follow-up to best picture winner "CODA" is "Being Heumann," a biopic about Judith Heumann, who is known as the "Mother of the Disability Rights Movement." It's based on her 2020 memoir of the same name.

The film stars Ruth Madeley as Judith, Mark Ruffalo as United States Health and Human Services Secretary Joseph A. Califano Jr., and Dylan O'Brien as a reporter who covers Judith's protests.

'Victorian Psycho'

Release date: November 13 in theaters

"Victorian Psycho" was written by Virginia Feito and published in 2025.

The story follows Winifred Notty, a governess sent to Ensor House (a gothic dream), who seems more like Patrick Bateman than Maria von Trapp.

Maika Monroe will play Winifred.

'A Christmas Carol'

Release date: November 13 in theaters

Yet another adaptation of Charles Dickens' "A Christmas Carol," originally published in 1843, is hitting theaters this year.

This time it's called "Ebenezer" and stars Johnny Depp as Scrooge. He'll be joined by Rupert Grint as Bob Cratchit, Scrooge's long-suffering employee, Andrea Riseborough as the Ghost of Christmas Past, Tramell Tillman as the Ghost of Christmas Present, Ian McKellen as Scrooge's dead business partner Marley, Sam Claflin as Scrooge's nephew Fred, and Daisy Ridley as Fred's wife Clara.

This version of the story will be helmed by director Ti West, so it might be a more horror-forward version of the classic.

'The Bodyguard'

Release date: November 18 on Netflix

Netflix first announced that Katherine Center's novel "The Bodyguard," published in 2022, will be adapted for the streamer in September 2025.

The story follows Jack Stapleton, a famous actor with a stalker, who hires bodyguard Hannah Brooks to protect him. But since he doesn't want to worry his sick mother, the two instead pretend to date.

The catch with this adaptation? Since there's already a quite famous film called "The Bodyguard," Netflix, along with stars Leighton Meester (Hannah) and Jared Padalecki (Jack), asked fans to come up with a new name for the film, and they landed on "Guarding Stars."

'Sunrise on the Reaping'

Release date: November 20 in theaters

For years, fans begged "Hunger Games" author Suzanne Collins to tell the story of Haymitch Abernathy's games. In March 2025, she obliged, publishing "Sunrise on the Reaping," a "Hunger Games" prequel that takes place 24 years before the first novel.

It tells the story of the 25th Hunger Games, which Haymitch, the future tribute mentor for District 12, won. As with all "Hunger Games" books, it's devastating.

"The Hunger Games: Sunrise on the Reaping" boasts an all-star cast of Mckenna Grace, Jesse Plemons, Ralph Fiennes, Glenn Close, Kieran Culkin, Elle Fanning, Billy Porter, Maya Hawke, Lili Taylor, Kelvin Harrison Jr., Whitney Peak, and newcomer Joseph Zada as Haymitch.

'The Titan's Curse'

Release date: November 20 on Disney+

Season three of "Percy Jackson and the Olympians" is set to premiere on November 20. This season consists of eight episodes and concludes on December 11.

This season is based on the third installment in Rick Riordan's books: "The Titan's Curse." It sees Percy (Walker Scobell) go on a mission to rescue his friend, Annabeth (Leah Sava Jeffries), and the goddess Artemis (Dafne Keen) after they're kidnapped by mysterious forces.

'In a Holidaze'

Release date: December 2 on Netflix

Romance powerhouse duo Christina Lauren published their first holiday romance in 2020, called "In a Holidaze."

This is a classic time-loop story that follows Mae (Maddie Ziegler) as she returns home for Christmas, determined to tell her longtime crush Andrew (Graham Phillips) how she really feels. But when everything goes wrong, instead of dealing with the fallout, she relives the same day over and over.

'Pride and Prejudice'

Release date: December 3 on Netflix

"Sense and Sensibility" wasn't the only Jane Austen novel getting adapted this year — over 20 years after Keira Knightley and Matthew Macfadyen played Elizabeth Bennet and Mr. Darcy, there's a new duo in town that's ready to play these iconic yearners.

In this Netflix miniseries, adapted by Dolly Alderton, Emma Corrin and Jack Lowden will play the two. They'll be joined by Olivia Colman, Rufus Sewell, Daryl McCormack, Louis Patridge, Jamie Demetriou, Fiona Shaw (who was also in "Sense and Sensibility" this year), and Freya Mavor.

'Dune Messiah'

Release date: December 18 in theaters

After the two-part adaptation of "Dune," the third film in the series is set to adapt Frank Herbert's second novel, "Dune Messiah," published in 1969.

Picking up after the events of "Dune: Part Two," "Dune: Part Three" will follow Paul Atreides (Timothée Chalamet) as he struggles to control the galaxy, prevent the death of millions, avenge his father, and juggle relationships with Princess Irulan (Florence Pugh) and his love Chani (Zendaya).

Editor's Note: This story was first published in December 2025 and was last updated in October 2026.

Pierce Brosnan is opening up about how he has prepared his sons for the acting world.

The 73-year-old actor spoke with Fox News Digital at the premiere of his son Paris' new film, "Seniors," about Paris' acting career and how he's warned his sons about how "tough" the entertainment industry is.

"No, it's a very tough business, it is a very capricious business at times, but Paris has the strength and the stamina, he has a talent there, he's got a charisma, and he's got good sense and intuition, he really has a talent there that will need to be nurtured and worked on," he said. "The work that you need to do, the discipline it takes to be an actor, to work on your voice, to work on your body, to work on your mind and the discipline of reading and studying. So he has all of that."

The "Die Another Day" star shares two sons with his wife, Keely Shaye Smith — Dylan, 29, and Paris, 25 — and welcomed Sean, 43, with his late first wife, Cassandra Harris. He also adopted Harris' two children from a previous relationship, Christopher, 53, and Charlotte, who died in 2013 at the age of 41.

SCOTT EASTWOOD CREDITS HIS FAMOUS FATHER'S WORK ETHIC FOR MAKING HIM AWARE OF 'BULLS---' IN THE FILM INDUSTRY

Brosnan credited the "simple life" he and Smith provided for their two youngest sons with keeping them grounded despite growing up with a famous father.

WATCH: Pierce Brosnan kept his children grounded by keeping them close

"We kept them close," he said. "We had family dinners, drive them to school, pick them up from school. We are very close, the whole family. My sons, Sean, Christopher, all of them. So, just keep them close."

"Seniors" stars his youngest son, Paris, as a teenager doing community service at a retirement home who forms an unlikely bond with one of the residents, played by John Rhys-Davies.

Brosnan described Rhys-Davies as "a dear friend from many, many years ago," sharing they met in 1976 at the York Theatre Royal, where Brosnan was working as an acting assistant stage manager, and Rhys-Davies was playing Macbeth.

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"It was such a pleasure and an honor to work with him on this first project," Paris said. "It's somewhat a full circle moment because my father started his career working with John and I got to begin mine and the experience was nothing short of a master class, truly. His method and his small bits of lore and inspiration and little details of how to be a better actor. I'll never forget the moments shared with him on set. So proud of this movie and to celebrate it with him."

Having worked with both Pierce and Paris, Rhys-Davies told Paris they "have differences, but he sees some similarities," with Paris noting that it was "a real lovely thing to hear from" someone he has been a fan of and respected since childhood.

WATCH: Paris Brosnan called working with John Rhys-Davies 'a masterclass'

While he may have seen some similarities, Rhys-Davies told Fox News Digital he doesn't "see Pierce there" when working with Paris.

"I think this man is already his own man. It's always very hard to come out under the shadow of a giant," he said. "What I see is a vulnerability and an innocence and a willingness ... an openness to evolve, adapt, and become. He's still defining what he really is and what he wants. And I think it's fascinating to watch. All credit to Pierce and his mum for bringing him up so well. But I think he's his own man."

WATCH: John Rhys-Davies gives Paris Brosnan credit for paving his own path

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Paris also touched on his decision to become an actor despite his father trying to deter him from going down that path, noting he always interpreted his dad's words not as a way of discouraging him from acting, but saying, "unless you love it, and you want it, then don't pursue it … just because it's on the table."

He explained he came into the industry with a love for it and revealed that his father has always preached about how much work it takes to be an actor.

WATCH: Paris Brosnan admits his father, Pierce, always encouraged him to 'study' his craft

"Go to class, read, learn from the greats. He's given me countless books on it," Paris said. "So I think he just means if you want it, you have to study it, and you have to earn your way and pave your own way."

The adventure-comedy movie "Seniors" is scheduled to hit select U.S. theaters on Oct. 23.

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Fjord is a movie about having your children taken by the state. The tone is calm, clinical, measured, and by the books. No violence is depicted on screen. People rarely even raise their voices. Everything unfolds in the distant and impersonal style of bureaucratic procedure. 

But the movie, which won the Palme d'Or at this year's Cannes Film Festival, is utterly enraging, a fierce, ferocious, gut-punch of a film. It's a haunting portrait of the consequences of unchecked state power, especially the kind that purports to be for one's own good.

Much of the film's power comes from the fact that it simply depicts what happens when a person, or a family, comes under suspicion by the state. There's no commentary, no lecturing, no big speech at the end. Instead, writer-director Cristian Mungiu, a Romanian filmmaker whose sympathies are clearly with the family, simply shows us, unblinking, what it's like to lose one's rights and freedoms at the hands of a bureaucracy that respects no power and no authority but its own. 

When the film begins, the Gheorghiu family—a mother (Renate Reinsve), father (Sebastian Stan), and their five children—moves from Romania to a small town in Norway. Soon, school authorities notice the children have bruises. We in the audience know the bruises weren't caused by the parents, but the children, who don't speak Norwegian, give conflicting statements. After being brought in for questioning by the police, the father admits to sometimes spanking or lightly slapping his children on the behind, for correction. In order to go free, he's required to sign a statement that contorts his words, making his admission of spanking sound like something more sinister and violent. 

He's also a conservative Christian, which has caused some social tension: He's played Christian music, without singing the lyrics, on a piano at school, a no-no in a state that strictly curbs proselytizing. School officials are concerned that he requires his children to pray and study the Bible; the children aren't allowed to play video games or watch YouTube. One of his children spoke out against homosexuality in school during a session on gender. There's suspicion among the teachers and administrators that he might be indoctrinating his kids.

So the school authorities alert Child Protection, Norway's powerful family bureaucracy. They remove the kids, including a breastfeeding baby, from their parents' custody and place them in three separate foster homes. At first the parents are allowed no visitation, and they are not told where the children are located.

Then they go to court, initially for a civil trial, but with a criminal trial for child abuse looming in the background. As the legal process proceeds, they are told repeatedly that essentially anything they do to fight for their children will make the outcome worse. The state wants compliance and admission that they wrongly abused their kids. But if they admit to abusing their kids, doesn't that give the state evidence they are unfit to parent? Doesn't that make the criminal trial more likely to go against them? As their own, mostly sympathetic lawyer, informs the two parents, "Frankly unless you convince them that you understand and regret it, the risk of you going to prison is considerable." 

Later, at the trial, a representative from Child Protection calmly says there's no reason to believe children might be better off with their biological parents, noting the family's restrictions on video games, internet, and YouTube. In their view, the state knows what's best for the kids; the culturally backward, religious conservative parents do not. It's not for nothing that one character, a conservative political figure from Romania who has come to help publicize the situation, analogizes the power of Child Protection to the power of the Soviet state. 

Part of what makes Fjord so effective is its lack of sermonizing. You don't have to be a trad, a conservative, a family values evangelical, to see that what's happening to the Gheorghiu family is simply wrong. They are railroaded by an imperious bureaucratic state that distorts reality to turn them into villains, with the goal of separating children from their parents and each other. Who are the real child abusers here? 

The story is fictionalized, but not hypothetical. Fjord is based on the true story of the Bodnariu family, conservative Romanian immigrants whose five children were taken from them by the Norwegian state in the 2010s on similarly flimsy justifications. The family eventually left Norway. After watching Fjord, it isn't hard to see why. 

The post Family Separation Drama <i>Fjord</i> Is a Haunting Depiction of Unchecked State Power appeared first on Reason Magazine.