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'Saturday Night Live' star would sit Shane Gillis down 'like a little kid' over provocative monologue

Longtime "Saturday Night Live" cast member Kenan Thompson said he would sit Shane Gillis down "like a little kid" to discuss the comedian's controversial joke about women's gym attire during his recent hosting stint, which drew criticism from fellow entertainers earlier this month.

Speaking at the Axios Media Trends Live summit on Tuesday, Thompson addressed the criticism of Gillis and discussed how he would handle the comedian's potential return to host the show for a fourth time.

"If he were to come back, I'm sure we would have a conversation of like, ‘How do you think that went?’ You know what I mean? And what do you think you could have done? Like a little kid, you know? Like I would just sit him down and be like, ‘Yeah, so what do you think we could change there, pal?’ And just figure it out," Thompson said.

BROADCAST BIAS: FEMINIST FREAKOUT OVER SHANE GILLIS COMMENT IS THE REAL JOKE

Thompson, who is now in his 24th season of the show, stopped short of condemning the routine, but suggested performers must strike a balance between taking "creative liberties" in comedy and avoiding "harmful words."

"I guess it's just finding the balance of both things, like allowing creative liberties, but also kind of like watching your step as far as harmful words are concerned," Thompson said.

"Because I think everybody's focusing in on this one specific word or one specific part of the monologue, and then the rest of the monologue, or even the rest of the show, is getting overshadowed."

SWIFTIES CLAIM TRAVIS KELCE DID THE UNSPEAKABLE BY LIKING SHANE GILLIS' 'SNL' MONOLOGUE & THEY'RE NOT HAPPY

Thompson also said the decision to invite Gillis back was not up to him, but he suggested the two would need to talk if the comedian returned.

"But if he were to come back, then yeah, I think we would have to have some sort of like, a real chat where, you know, people's actions don't, you know, kind of overly like wave pool the rest of us, if you will," he said.

Sitting alongside Thompson on the panel, Range Media Partners CEO Peter Micelli defended Gillis, arguing that fear of offending audiences is stifling comedy.

Calling Gillis a "lovely human being" and a "wonderful man" who spent most of his opening monologue poking fun at himself, Micelli argued that comedians need room to take risks without fear of backlash.

"There's so much focus on what makes you angry and afraid. And there needs to be more focus on what makes you laugh and love and enjoy life," Micelli said.

"Comedians need some space to do some stuff to make us laugh. And if every time they step a little too far, in your opinion ... then we're gonna shut the whole thing down, then what kind of world are we [going to] live in?"

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Gillis drew criticism from entertainment figures after joking during his opening monologue earlier this month that women at gyms "just dress like whores now." The appearance marked his third time hosting the NBC sketch series.

"I haven’t been to the gym in so long. I didn’t know women just dress like whores now?" Gillis said. "Look, I’m sorry, there’s no other way to describe [it]. Have you seen it? I’ve seen it. You’ve seen the shorts? They’re those neon, like, artificial bait-colored [shorts], and the wrinkles go around the cheeks and all combine at the butthole. And don’t look! You’re not allowed to look."

Among those who criticized the routine was "Schitt’s Creek" co-creator and star Dan Levy, who posted a video on social media condemning Gillis' remarks.

"Women wearing short shorts at the gym does not make them whores. It makes the men calling them whores misogynists," Levy said. "There’s a difference there. By the way, I’ve seen more men’s nipples at the gym than I’ve ever seen women showing their bodies off."

RICKY GERVAIS REJECTS CALLS TO TONE DOWN COMEDY: 'BE OFFENDED IF YOU WANT'

Other comedians, however, offered a different perspective. Fellow "SNL" cast member Michael Che addressed the controversy on NBC's "Today" show Thursday, arguing that jokes don't always land with audiences.

"That’s comedy. It’s like, you think it’s funny, and then some people don’t," Che said.

He said he did not initially see Gillis' monologue when the show aired. When he eventually watched it, Che said he "didn’t think about it, honestly." He added that his experience delivering jokes that haven't landed while co-anchoring "Weekend Update" with Colin Jost has kept him from criticizing other comics.

"That’s why I can’t criticize anybody for swinging and missing, because I’ve definitely swung and missed, too," Che said. "I try to keep that heat off of me."

Former "SNL" cast member Dana Carvey also questioned the criticism during Monday's episode of his "Fly on the Wall" podcast with David Spade, saying he didn't "understand the kerfuffle."

"When you say jokes, you’re not literally saying ‘women are whores.’ You are literally joking," Carvey said. "Isn’t that kind of the idea? No? Did I just get canceled?"

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Comedian and media analyst Tim Young had a similar take, telling Fox News Digital that the controversy surrounding Gillis reflects what he sees as a growing divide between comedy fans and audiences of traditional network television, including "SNL."

"Comedy is the last bastion of free speech. So if we’re [going to] start policing comedy, then we’re going to lose basically our First Amendment," Young said. He also pointed to Gillis' success selling out arenas outside traditional network television.

"This wasn’t for that audience in New York, and it wasn’t for the ‘SNL’ audience," Young added. "It was for his audience, and his audience, I think, is much larger than the ‘SNL’ audience."

Young also argued that comedians should resist pressure to apologize in response to criticism on social media.

"Never apologize, because the apology is never enough," Young said. "This audience, the leftists, they want this attention. They want to keep drowning out any other voices that they disagree with, and when you acknowledge that by apologizing, and you give them the power, they will never give it up and they will always want more. So it is very important to never apologize."

Fox News Digital reached out to Thompson's representatives for comment but did not receive a response. Gillis' team declined to comment.

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Fox News’ Lindsey Kornick contributed to this report.

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Taiwan charges five men over plot to run over comedian for his Xi Jinping jokes

Person named ‘K’ from China paid five defendants to injure Huang Yi-hao, New Taipei prosecutors say

Taiwanese prosecutors have charged five men over a plot to ram a car into a comedian who made fun of the Chinese Communist party and Xi Jinping.

Taiwan has repeatedly accused China of transnational repression to silence critics on the self-governed island, which Beijing claims as its territory and has vowed to take by force if necessary.

Continue reading...

© Photograph: Huang Yi-hao/Facebook

© Photograph: Huang Yi-hao/Facebook

© Photograph: Huang Yi-hao/Facebook

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Ilhan Omar vs. DHS, Russia vs. Ukraine, Shane Gillis vs. Women

This week, Robby Soave and Christian Britschgi discuss the federal government's raid of Rep. Ilhan Omar's Washington, D.C., residence and question the temporary pause of U.S. intelligence support to Ukraine. Next, the boys exchange mishaps—Robby lost his phone, and Christian had a bad experience at a local restaurant—before decrying the Pentagon's idea to livestream the execution of the Fort Hood shooter. Next, Christian gives a rave review for the new movie Primetime, and Robby shares a positive reaction to Greta Gerwig's first trailer for The Magician's Nephew. Finally, they wrap with some cultural commentary, striving to answer the age-old question of whether or not women dress like "whores" at the gym.

0:00—The politicized raid on Omar

12:40—U.S.-Ukraine dynamics

26:55—Do not lose your phone.

39:10—Christian might leave a two-star restaurant review.

46:00—Livestreaming the Fort Hood shooter's execution was a grotesque idea.

53:20—Christian wholeheartedly recommends Primetime.

1:02:40—Robby enjoyed the trailer for The Magician's Nephew. 

1:10:10—Shane Gillis' Saturday Night Live monologue

The post Ilhan Omar vs. DHS, Russia vs. Ukraine, Shane Gillis vs. Women appeared first on Reason Magazine.

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© Illustration: Fatima Ruiz

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The Shane Gillis SNL Backlash Is Really Stupid

Shane Gillis on SNL | SNL/Youtube

Shane Gillis is an actor and comedian. He first came to my attention in September 2019, when he was hired to be a new cast member on Saturday Night Live—and then abruptly fired after it was revealed that he had (gasp) told offensive jokes. (SNL creator Lorne Michaels subsequently said that the network forced him to fire Gillis, and he thought the whole controversy was stupid.)

Since then, Gillis's career has really taken off, to the extent that he has repeatedly returned to SNL as a guest host. He did so again on October 10, delivering a monologue in which he made the following observation: "I haven't been to the gym in so long, I didn't know women just dress like whores now."

Shane Gillis' monologue! pic.twitter.com/ky6fVtWBx9

— Saturday Night Live (@nbcsnl) October 11, 2026

Some people are really mad about that joke, including the actor Dan Levy, who called Gillis a misogynist and implied that this sort of joke was emboldening men to treat women as objects—and to sexually assault them.

"It's complacency that has created the environment in which women are sexually assaulted," said Levy.

He was not the only one to make this claim. On The View, Sara Haines echoed Levy's criticism and said that such language—the word whore in particular—was demeaning.

"I'm not saying a joke makes an assault, but it makes it much easier to look at another human as an object," she said.

This is unpersuasive.

I might understand why people would take offense if Gillis consistently singled out women for unrelenting abuse. When it comes to humor, context is everything, and a harmless joke can come off as mean-spirited if it seems targeted.

But in that very same monologue, Gillis denigrates men, gay men, his sisters, and himself—repeatedly. He admits that he's fat and ugly. That's the basis of the humor. It does not suggest that he has some problem with women or enjoys laughing at their expense and solely their expense. He's doing observational comedy, and no one is spared, not even Gillis. He even makes a joke about how he might unintentionally come off as threatening to women, because he's a big ugly guy.

It would be weird if women wearing skin-tight clothing at the gym was for some reason an off-limits subject for comedians. Why? It's OK to insult men's appearance, but not women's? Is that really the standard? Of course not.

Indeed, it is trivially easy to find examples of liberal-coded comedians (Gillis is one of those right-coded, anti–political correctness, Joe Rogan types), mocking the appearances of specific women. Jimmy Kimmel's recent monologue went after Katie Zacharia, the Trump administration's new press secretary, for her looks. Kimmel insinuated that she's a dumb blonde who was picked just because she's attractive. He even showed a photo of her at the gym, dressed semi-provocatively!

You know how the left is trying to cancel Shane Gillis for his SNL remarks about women at the gym, well, Jimmy Kimmel puts up a picture of Katie Zacharia at the gym, "Oh, wait, just kidding. This is the new press secretary, former Newsmax commentator Katie Zacharia, seen here,… pic.twitter.com/ANYeqhfVev

— Alex Christy (@alexchristy17) October 13, 2026

Was Kimmel inviting sexual violence against Zacharia? Of course not. It would be ludicrous to pretend that this joke was somehow out of bounds.

The same goes for Gillis, though.

The Hollywood Reporter writes that Gillis's brand of humor just isn't a good fit for SNL, which has become a show by liberals, for liberals, and aimed at skewering the Trump administration. That's fair enough: Personally, I didn't think the Gillis monologue was particularly funny, though I am well-accustomed to consuming SNL in stone-faced silence. I find about 99 percent of the skits are cringe and humorless. It's not for me.

But I do object to the assertion that a one-off joke about the way women dress is out of bounds. I thought we all agreed that Woke 1 was crazy?

The post The Shane Gillis <i>SNL</i> Backlash Is Really Stupid appeared first on Reason Magazine.

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The Tragedy of British Comedy

Comedy clubs are begging for taxpayer bailouts, the BBC is censoring classic sketches and Muslim activists are trying to ban John Cleese. British comedy is becoming less funny by the day, says Steven Tucker.

The post The Tragedy of British Comedy appeared first on The Daily Sceptic.

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“Spaceballs: The Clickbait”—Inside the Return of Rick Moranis at Comic-Con

First off: This isn’t a Rick Moranis profile. I know you want it to be—we all want it to be—but it’s not. Maybe one day we’ll get the deep, rich look at a man who’s beloved by millions of comedy fans but who also stepped out of the public eye more than 30 years ago. Until then, there’s the fact that Moranis will be part of next year’s Spaceballs sequel, and as such was game enough to show up at San Diego Comic-Con over the weekend (where, predictably, Hall H chaos ensued). Anthony Breznican was there, shadowing the proceedings. Read it at ludicrous speed, obviously.

Even in this holding area, Moranis is already getting a sense of the excitement building around him. Among the first people to have their socks knocked off is Clerks and Mallrats filmmaker Kevin Smith, the moderator of the presentation and a Comic-Con stalwart for decades. “I came for the panel because of Rick Moranis,” he tells me, invoking the name of the actor’s beer-swilling duo with Dave Thomas from their SCTV days. “Jay and Silent Bob doesn’t exist without Bob and Doug McKenzie. Having him at Comic-Con is like having geek royalty here. You’re talking about a dude who, for most of us, was there as we grew up. He was part of the fabric of the culture since we were kids.”

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Johnny Knoxville, America’s God of Mischief

What moves the star of Jackass to risk his life for our entertainment? This “very serious investigation” involves interviews with friends and family, a surf trip to Malibu, a gag with a fake raccoon, and a stop at In-N-Out:

He nosed the car into the drive-through line, drawing stares as he nosed—some for the vehicle, some for the driver. Mostly male stares. A teen-age boy stepped up to the passenger window and leaned in to take his order.

“One hamburger with tomato, lettuce, and mustard,” Knoxville said. “Fries, please. And a cup of water.”

“Onion?”

“No, sir.”

The teen-ager squinted. “You look familiar. Are you famous, by any chance?”

“Actually, completely by chance!” Knoxville improvised.

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