Hundreds of newsletters land in my inbox each week. I use Gmail filters to route most of them into one big feed, and only a handful go into a separate folder for easier visibility. Erika Hayasaki’s The Reported Essay is one of them. In each edition, Hayasaki—a professor at the University of California, Irvine’s Literary Journalism Program—writes about the craft of nonfiction and shares conversations with fellow journalists. She offers advice on the practice of reporting and storytelling and the business of freelancing, from balancing interiority and research to building a story’s structure to pitching stories.

Hayasaki is one of those writers whose new work I always make time to read. For Men’s Health, she told the intertwined stories of two men trying to understand and treat their long COVID symptoms. For The Cut, she wrote a memorable piece of romance and disaster about a Maui couple on the day Lahaina burned. For The Verge, she reported on an obsessive stalker who harassed Asian American professors online. Her narrative nonfiction illuminates the lives of individuals and communities, and the human connections within them. Her latest, for The Guardian, follows a New Jersey nurse assaulted by ICE, a woman she first wrote about in her book The Death Class. It’s yet another piece grounded in rigorous reporting.

After spending time with Hayasaki below, don’t forget to subscribe to The Reported Essay—it’s an indispensable resource for anyone who writes or reads the kind of nonfiction we recommend and celebrate at Longreads.

—Cheri Lucas Rowlands

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Where did you grow up? 

I was born in Champaign, Illinois, a college town surrounded by corn and soybean fields two hours south of Chicago. I lived there until I was 14, when my parents divorced and lost their home in a bankruptcy. I moved to Lynnwood, Washington, for high school, returning to Champaign for journalism school as an undergrad at the University of Illinois.

What places feel like home?

My current home in Southern California. I know it is my kids’ safe place. But I also think of my first childhood home, a one-story on Hathaway Drive in Champaign that my parents bought for $10,000 in the 1980s. When I am back in my hometown, I drive by it sometimes and glimpse the window I used to sneak out of, or the backyard jacuzzi deck that my dad built, or the strawberry patch where I winced eating unripened berries.

Other than family members, who or what has shaped you the most?

I often wonder how the same hometown that crafted my identity, and deepened my own humanity, could turn around and strip someone else’s away. Obviously, I haven’t let go of this place that shaped me. So for the last several years, I have been reporting and writing a book, College Town, which is based in Champaign. 

What is your favorite time of day?

Early morning writing time, 4:30 to 6:30 a.m, when the house is quiet and I am not checking messages or getting interrupted.

What are you really good at?

Connecting people to other people I think they might get along with, or appreciate, or learn from. Or connecting them to useful resources. I sometimes do mini one-on-one Zoom sessions with my Substack readers, and I like giving each person I meet their own individualized mini-syllabus at the end of it. 

What’s the best gift you’ve ever received?

The ability to communicate.

Describe your favorite meal.

Merkato Ethiopian food in Los Angeles: asa tibs (fried trout), injera, honey wine.

Sound or silence? (And if sound, what sound?)

Silence during writing time. But I love the sound of laughter with family and friends—it is everything.

Where do you do your best thinking?

Long car rides (allowing the mind to rest and wander is key for creatives).

What journey—physical, creative, intellectual, or otherwise—has meant the most to you?

Right out of college, I was hired at the Los Angeles Times into METPRO (the Minority Editorial Program), which is now the Los Angeles Times Fellowship. Miriam Pawel, who just released a new book, California Dreams, was the Metro editor who hired me, and I was also mentored by people like Richard Kipling, Randy Hagihara, Steve Padilla, Richard E. Meyer (who wrote the piece I will never forget, linked below), as well as many other incredible writers and editors. The program also connected me to people who would become some of my best friends. This experience, in many ways, is why I also believe so deeply in the importance of being a mentor and connector.

Where do you like to read?

Home office.

What’s the last rabbit hole you disappeared into?

Every story I report leads to a rabbit hole, and that is part of the joy of reporting. Since the summer, I have disappeared into reporting rabbit holes about meditation scams, Accutane (the acne drug), Illinois history, abuse by ICE agents, international students, and the future of college.

Name three publications you enjoy reading these days.

Longreads, of course. Scratch, a newsletter of interviews, essays, and conversations about how writers are surviving. I also like catching up on long reads via Apple News audio during commutes and housework.

What’s one longread that you can’t stop thinking about?

“Julia Understands Everything,” by Richard E. Meyer, in the Los Angeles Times Magazine. I often assign this story to students. It was a finalist for the Pulitzer Prize in Feature Writing in 1996. Reading it myself as a young journalist broke open what I realized is possible in nonfiction storytelling. Rick wrote about a woman paralyzed by a stroke that left her able to only communicate through eye and head movements. He spent nearly 450 hours interviewing her, as she raised her eyes while he pointed to letters of the alphabet on a card.

What was the last book you read?

California Dreams by Miriam Pawel, a fascinating historical portrait of the University of California told through a cast of compelling people. And The Black Shield by Wilbert L. Cooper, a feat of braided history, reported memoir, and narrative journalism that is engaging and nuanced.

What piece of nonfiction are you most proud of writing?

I recently came across a binder from high school with all of these articles and columns I wrote for my high school newspaper and for a teen newspaper run by The Seattle Times. These were earnest and idealistic pieces about discrimination, abuse, educational inequities. I look back at that kid trying to find her way in the world by asking questions and writing stories, and I’m just proud she kept going. 

I see my undergrads doing the same—choosing to major in journalism in these difficult times because they care about what is happening in the world, and even in the age of AI they still yearn to think, question, and write—and that also makes me proud.

What’s your most reliable way to get creatively unstuck?

Sleep on it. Also talking to my writing friends. It’s important to have writing friends and if you don’t have any yet, make an effort to reach out to other writers and connect with them. Build a community (even if it’s intimidating).

Who’s a writer you turn to when you need some inspiration?

I have a Bookshop page with categories like “Inspiring Narrative Nonfiction on Place or Home,” or “Books Erika Teaches in Literary Journalism,” or “Books About Ordinary People in Extraordinary Circumstances.”

What words do you overuse?

“Random.”

What’s your favorite guilty pleasure?

“Bunch of Friends,” YouTubers—but only with my daughter.

What superpower would you like to have? 

Healing.

What animal or nonhuman being do you most identify with?

I’m a people person, which is also why you will find people at the center of all my stories. I am most interested in the human condition. My house is filled with portraits and photos of people. We don’t have pets. This question was harder for me to answer, so I asked my kids. They gave these answers:

“Alicorn. Because you can do everything.”

“A dragon, according to Chinese mythology, because you are wise.”

“Eevee from Pokemon, because you have gone through multiple evolutions.”

If you have a free solitary hour in your day, what do you typically do?

Lately, I am big on squeezing in a 20 to 30-minute midday nap. 

What five items would you place in a time capsule?

I really don’t get attached to stuff. Over the last few years, my 75-year-old mother got rid of all her stuff. She also gave up her home, and is now living full time out of her Toyota Sienna. Full-on van life. Yes, one day I will write an essay about this. She’s living her best life right now. I do have a lot of stuff, as you see in my office photo below. But I don’t attach much sentimental value to it. 

I’m much more about the moments that I know will not last. For my first book, The Death Class, I followed a professor of death and dying, Norma Bowe (whom I also published a follow-up story on this week for The Guardian, after she was assaulted by ICE and filed a legal claim). Her class and teachings also helped me learn to value moments and human connections.

What does your writing space look like?

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Erika Hayasaki is the author of The Death Class and Somewhere Sisters, which was named an NPR Best Book of the Year in 2022 and received a Nautilus Book Award in Journalism and Investigative Reporting. She is a professor in the Literary Journalism Program at the University of California, Irvine, and a former national writer for the Los Angeles Times. As an independent journalist, her feature stories have appeared in The New York Times Magazine, New York, Wired, The Atlantic, The Guardian, National Geographic, and others. She recently received the Longform Narrative Award from the National Association of Science Writers, and her work is anthologized in The Best American Science and Nature Writing 2025. Erika also served as chair of the 2026 Pulitzer Prize Nominating Jury in Feature Writing, and she publishes a Substack newsletter, The Reported Essay.

October 9 will be the last day that the well-known newspaper Expreso, one of Ecuador’s most important newspapers, is distributed in print. The newspaper, which has historically maintained a center-right editorial line, according to its statement, will limit its operations to its website, which will result in the layoff of dozens of employees.

The company that owns the newspaper, Gráficos Nacionales (Granasa), states that it is not bankrupt but will have to sell several assets to pay debts owed to its employees: “At stake is not only the rights of the shareholders but, above all, those of each and every employee who gave their all to this publishing house.”

And while the company has been reluctant to mention the reasons behind this decision in its most recent publications, several civil society actors have stated it plainly: pressure from the current right-wing government of Daniel Noboa.

One of them was the Inter-American Press Association (IAPA), which called on the government to cease “state harassment against critical media outlets and journalists.” The demand is based on complaints, dismissals, and investigations reported by the newspaper in recent months. “We regret that a newspaper with more than five decades of history is ceasing print publication. Beyond business decisions that are the sole responsibility of its owners, it is impossible to ignore the context of sustained pressure that has surrounded Granasa.”

Likewise, the Observatory for Rights and Justice (ODJ) stated: “We express our deep concern over the announcement of the discontinuation of the print edition of Diario Expreso. After several months of enduring administrative and judicial harassment, and facing government attempts at corporate takeover and censorship against its columnists and representatives, the publication has decided to stop printing copies.”

For its part, the Noboa administration has categorically denied that it took any steps to provoke the crisis at Diario Expreso, and has instead defended the actions of the relevant institutions in investigating alleged crimes “regardless of where they come from” by independent bodies such as the prosecutor’s office and the SRI.

A right-wing newspaper critical of Noboa in crisis: pressure or mismanagement?

One of the most surprising aspects of the case is that Expreso has historically maintained an editorial stance closer to the right. It was one of the newspapers most opposed to the progressive government of Rafael Correa (2007–2017), and many of its editorial writers even went so far as to endorse the recently inaugurated Noboa administration.

However, as the months went by, criticism of Noboa’s administration began to appear in the newspaper’s pages, which, according to some allegations, did not sit well with the central government.

According to these allegations, the Internal Revenue Service – the agency responsible for collecting taxes – as well as the Attorney General’s Office, began to “pressure” Expreso’s major financial backers through investigations, which reportedly led those backers to withdraw their contributions to the newspaper, which has been in circulation in Ecuador for more than half a century.

Added to this is a warning issued by the newspaper’s parent company itself, stating that the Ecuadorian Superintendency of Companies intervened in the company with the alleged aim of “monitoring its financial performance and facilitating the correction of the irregularities identified.”

Likewise, Granasa President Galo Martínez told the SIP that the government was “harassing” the newspaper’s clients who advertised their products and services in its pages, a move seen as a tactic to drive the company into bankruptcy, as it relies on sponsors to operate.

According to an investigation by Ecuavisa, the newspaper Expreso lost nearly 70% of its advertising revenue over the months of government pressure. “The cowardice of a large segment of the business community that prefers to pull its ads – whether due to calls from those in power, which have indeed occurred, or simply out of a desire to look good,” said Martín Pallares, editor-in-chief of Expreso.

The truth is that this pressure is nothing new. Several months ago, one of the country’s leading editorial writers, Roberto Andrade, who worked at the newspaper, resigned from the publication, alleging that members of the Noboa administration had requested his departure.

Pallares also spoke about this alleged government pressure in a recent interview with Ecuavisa: “The newspaper had received a message stating that the government would stop its harassment if three people were handed over: Roberto Aguilar, Eduardo Carmigniani, and myself. The newspaper placed its trust in us; it chose to stand by us rather than give in to the pressure.”

Pallares stated about this alleged government pressure in a recent interview with Ecuavisa: “The newspaper had received a message stating that the government would stop its harassment if three people were handed over: Roberto Aguilar, Eduardo Carmigniani, and myself. The newspaper placed its trust in us; it chose to stand by us rather than give in to the pressure.”

In addition, Pallares, one of the country’s most well-known right-wing journalists, said: “Critical voices bother those in power – this kind of narcissistic power where the official truth cannot be questioned. Take the Progen case [the failed sale of power generators]; it’s crystal clear. If it weren’t for the troublesome media outlets that dig up information, data, and publish chats they manage to obtain, that issue would have already been buried.”

This is not the first instance of conflict between the Noboa administration and the press. Early in his term, journalist Alondra Santiago was deported; later, the program Irreverentes was canceled following harsh criticism of the government; journalists Fausto Yépez, Hernán Higuera, and María Sol Borja reported government pressure due to their investigations; attacks against journalists were reported during the 2025 National Strike; the high-profile case of Gisella Bayona, who alleged that the government was investigating her husband because she had reported a shortage of supplies in the public health system – a situation that has triggered one of the most significant crises in the country’s healthcare history; among other incidents.

Criticism from the right: a dispute among the ruling classes?

Other right-wing journalists have also criticized the government for allegedly having a low tolerance for criticism and taking actions that, they claim, are leading to a loss of freedom of expression.

One of them is journalist and political scientist Carlos Rojas, who stated in an op-ed: “What is happening with the newspaper Expreso is a very serious sign that Ecuador’s democratic health is in poor shape. It’s getting worse … a dangerous clash is reigniting between the current government – which is intolerant of criticism and oversight – and the independent press, a pillar of any liberal democracy.”

For his part, Ugo Stornaiolo wrote about new forms of censorship in Ecuador: “Journalistic oversight is undergoing a transformation that places press freedom at a crossroads. There are no shutdowns of radio stations, no buyouts of opposition media outlets, and no physical attacks. Investigative journalism faces sophisticated mechanisms of coercion: fiscal harassment, the manipulation of state entities, and reprisals against family members and coworkers to silence critical voices regarding President Noboa’s administration.”

According to several analysts, there is clear tension not only between centrist and left-wing movements and parties and the Noboa administration (which is clearly aligned with the right and follows the dictates of the Washington Consensus) but also between the Noboa administration (which belongs to the country’s most powerful family) and the critical positions coming from sectors of the right and a segment of the business community. This would demonstrate clear contradictions within the country’s most powerful economic classes.

The most recent case involved the leader of the business association, María Paz Jervis, who stated at a public event (in reference to the Diario Expreso case) that “Rarely in my life have I seen a business sector so afraid. I had never felt such hopelessness and resignation. I am convinced that there is much that needs to change in our country, and saying that there are things that need to change does not make us anyone’s enemies.” 

Following these statements, Jervis resigned from her position without specifying the reasons for her decision.

While mainstream media covered the flydubai incident ad nauseum, Israeli settlers and soldiers in the West Bank were killing Palestinians and marauding their land