In this personal essay at The New Yorker, Anna Holmes writes about growing up in Davis, California, a college town near Sacramento; the financial challenges her mixed-race family faced; and what it means to come from a family without the generational wealth that can make homeownership, and the financial security that comes with it, possible.

It’s hard to hear people who own property grumble about how little money they have. One friend who regularly moans about money has a four-bedroom home on the West Coast and a vacation house in New England. I’m unmoved by the financial lamentations of another friend, who owns a town house in New York with an apartment for a nanny or an in-law. Stuff like this makes me want to scream. Demonstrate some modicum of self-awareness! Read the fucking room! When a friend told me that her parents were going to help her buy a second home, I made a pointed remark that it must be nice to have access to that sort of capital. She conceded the point, graciously, and we moved on.

In our relentlessly optimized world, Justin Neuman calls for more nothing. More time for both adults and kids to engage in free, unstructured play. More opportunities to play games without competition or scoring. More chances to do things without needing to produce outputs or achieve goals. More “transitional spaces” through which we can practice, imagine, and think.

For years, I’ve commuted on foot from Grand Central Station to 14th Street, 30 blocks, give or take. I told myself it was exercise, or that I was saving the subway fare, or that I liked the air. But the truth is I was thinking. Or rather, I was letting thinking happen. The lecture I couldn’t outline at my desk would assemble itself somewhere around 34th Street, the important points falling into sequence with my footfalls, the argument clarifying as if the motion itself were doing the editing. I wasn’t working on the lecture. I was walking in it, the way my kids were playing in Catan.

In a beautiful and vivid essay on home, time, and family, Diane Roberts reflects on the house that her parents built, and their family’s land in Leon County, Florida, to which she feels deeply connected. I especially love Roberts’s thoughts on a home versus a house—the latter is composed of construction materials, but “home implies a complex neural network of family association and feeling, layers of experience, a shared past.” Despite the tragedies the home holds, it is ultimately a place of memory and meaning.

Home and time are as tangled as the skunk vine and Confederate jasmine choking my backyard fence. I suppose that’s to be expected. My house holds our history and the indispensable relics of former houses, objects cherished by the now-dead: the tiny rocking chair my grandfather made for my mother when she was three; the 1960 TR3 in the barn my brother never quite got around to fixing; the two old rosebushes dug up from the Washington County farm, replanted at Great-Aunt Rilla’s house in Chipley, then dug up again and transported to our front yard. The house didn’t simply belong to us, it was us—our mother, our father, Brad, and me.

In this story for MIT Technology Review, Sara Harrison explores the field of social robotics and the growing use of robot companions as therapy for autistic and other neurodivergent kids. These playful machines show promise: Research suggests that they can help children practice social skills and offer something overworked therapists and exhausted parents can’t—a patient companion, available 24/7. But Harrison also reports on their limitations and risks. Does this approach truly work? What about all the data gathered on the child? And what happens when a robot friend suddenly stops working and “dies”? A fascinating and unsettling look at tech that has moved into the most intimate corners of a family’s home.

While Moxie found herself in more and more people’s homes, Embodied still struggled to make money. In 2024, the company announced it would cease operations. Its robots—which depended on external servers that the company could no longer pay for—would descend into a deep slumber. 

Videos of bereft children who seemed to have become deeply attached to the blue bot began to circulate online. “I don’t want her to leave,” wailed one child in a TikTok video. Desperate parents posted on TikTok, Instagram, and Reddit looking for solutions. “My autistic child is devastated and I’m pissed,” wrote one parent. “Hope Embodied gives us a couple days to say goodbye,” wrote another. 

In the new print issue of Esses, a quarterly print magazine covering motorsports and the culture around it, Duncan Fyfe writes about the most bizarre Formula One video game ever made. Centered around Gerhard Berger, a former racing driver from Austria who competed in F1 from 1984 to 1997, Gerhard Berger’s Formula 1 Quiz is a quirky video game from 1993 that raises more questions than it asks. Fyfe digs into the mystery, investigating the quiz’s grammatically awkward questions and the game’s developer, Austria Soft, whose existence is questionable. (Esses subscription may be required—consider becoming a member.)

THE REAL QUIZ, it soon becomes clear, is not a test of one’s F1 knowledge, but figuring out what the game expects to hear. This only becomes more difficult, and even sinister. Question nine: FROM WHAT COUNTRY IS JEAN ALESI REALLY? The answer is not France, where Alesi was born and grew up, and under whose flag Alesi competed for over a decade. To progress in the quiz, the game forces one to submit that Alesi was born to Italian parents, and thus is “really” from Italy.

The game’s questions all have correct answers that cannot be submitted, and yet they are less difficult to answer than these ones: Who made this game? Why? And what was Gerhard Berger thinking?

“Most people don’t get to buy their old homes back, or ever step foot in them again, and that’s okay. But we sure can spend a lifetime trying to re-create them.” In this poignant essay for Dwell, Emilia Petrarca celebrates the work of her late father, the New York City architect John Petrarca, and explores how his influence has shaped her own relationship to home and interior design. Petrarca reflects on the process of finding her own aesthetic while carrying her father’s with her, considering the ways belongings and spaces can hold our memories, legacies, and grief.

When I moved out of my mom’s house and into my first apartment with a roommate at 23, I brought with me a black rug my dad bought in Morocco. After graduating from Carnegie Mellon, he joined the Peace Corps and spent time in Ouarzazate designing government buildings. In a room full of cheap Ikea furniture, it was the only thing that truly felt like a reflection of me. Well, that and a rigid, plastic, yellow outdoor chair I for some reason bought to go with my desk. Looking back at photos now, I see that the choice makes more sense: The chair my dad got me for my room in the Big House was almost the exact same hue.

Northwest Arkansas has been changing. Walmart, which has been rooted in Bentonville for more than 75 years, has reshaped the small town, and now that growth is spreading into the surrounding countryside. With that change, writes Jordan P. Hickey in this poignant essay, come wealthy newcomers looking for a country lifestyle and gravel cyclists riding thousands of unpaved rural roads. And then there are the dogs—who have been here longer than any of these transplants—caught in the midst of it all. Hickey calls them “yarddogs,” finding in them a metaphor for a region in the process of transformation. (Subscription required.)

Downtown Bentonville, so carefully planned, feels surreal today—”Disneyfied,” “Pleasantville,” “gentrification” are the apt words of the critics.And not that it needs to be said, but there are no yarddogs in Bentonville. Not anymore. Here, there are only good dogs. Dogs on leashes, dogs that have been to school, dogs that listen, obey, behave, and will not lunge at every passing jogger. 

But, of course, this is not really about dogs at all.

Scientists are growing miniature human brains in labs around the world. (Yep, you read that right.) For Wired, Claire L. Evans reports on the latest research in the field of organoid intelligence, or OI, where scientists are artificially growing brain organoids from tiny human samples, whether skin, blood, teeth, or even hair. As these seed-sized globs mature, they are able to send and receive electrical signals, and even learn to remember and anticipate them. In other words, this living matter is programmable. “And this is where things get truly weird,” writes Evans.

For now, these neural computers are mostly of interest to researchers who want to work with neurons without taking on the tedious wet-lab husbandry themselves. Eventually, however, the company hopes that neurons will prove themselves to be an energy-efficient, resilient substrate for more general computing applications—including some tasks currently handled by AI, like image recognition and classification.

“When you think about what you want from AI, it’s biology,” said Brett Kagan, Cortical Labs’ chief operating officer, when I reached him over Zoom. “You want it to be self-repairing as much as possible. You want it to be adaptable. You want it to be long-lived. You want it to be energy-efficient. These are all features you get for free in biology.”

For Nautilus, Charles Digges recounts a massive undertaking begun in 1970 by the Soviet Union: As part of its science program, they decided to dig into Earth. Known as the Kola Superdeep Borehole, at 40,230 feet, it was—and is—the deepest human-made hole on the planet. While the hole didn’t go as deep as they planned, the project gave geologists a new understanding of the subterranean world and the earth’s deep continental crust—a place more alive and dynamic than they ever thought possible.

Other discoveries proved just as momentous. Nearly 22,000 feet beneath the surface, drill cores contained microscopic fossils from two dozen species of plankton that had drifted through an ancient sea more than 2 billion years ago. This showed that even after billions of years of burial deep within the continental crust, unmistakable evidence of some of Earth’s earliest life had survived. Between 16,000 and 23,000 feet, the borehole encountered saline water circulating through fractures in crystalline rocks that geologists had long considered essentially dry. Rather than groundwater that had somehow seeped miles underground, the fluids appear to have originated within the crust itself. As ancient minerals were transformed by heat and pressure, they released chemically bound water, while reactions between water and iron-rich rocks generated hydrogen gas, showing that the supposedly inert continental crust was still chemically active billions of years after it had formed.

In this essay at Panorama: The Journal of Travel, Place, and Nature, writer and professor Samuel Autman reflects on tourism and privilege, especially in a time of xenophobia; traveling as a Black queer American; and the idea of not fully belonging wherever he goes. The sections in Autman’s piece are organized as terms and conditions in a legal agreement, reminding us that when we cross borders, we navigate different cultural and social scenarios, written and unwritten rules, and people who view us as foreign—no matter how at home we might feel.

I found myself asking harder questions about the young men around him, about the relationships, the patronage and the blurred line between generosity and dependency. Mark had paid for many of them to study law, medicine or business. He had even helped one man living in the United States without legal status by paying for him to attend a Spanish-language school.

None of it suggested scandal or anything obviously illegal. But parts of it no longer sat comfortably with me.

For The New Yorker, Shayla Love writes about how GPS—a military technology turned daily necessity, and the subject of Katherine Dunn’s new book, Little Blue Dot: How GPS Shaped the Modern World—has changed the way we move through the world. To test her own skills, Love navigates from North Brooklyn to a park in Queens with a paper map, then sets off on an orienteering course without the trusty little blue dot, where she discovers how rusty her sense of direction really is.

Surprisingly, I still felt an urge to pull out my phone and look at my dot, to confirm what my surroundings were showing me. I started to feel that the true value of orienteering was more akin to that of reading a long book, or baking from scratch, or attending a long classical-music concert. I wasn’t necessarily tapping into my inner homing pigeon. I was practicing more general skills that get rusty when I over-rely on technology: paying attention, being patient, accepting uncertainty. We made our way to No. 7, on a “prominent tree, east side.” We didn’t find No. 6—a small blow to the ego—but my confidence soared when we found five, four, and three. The desire to check my dot faded to a low simmer.

You don’t have to live in El Cerrito, California, or have ever used Nextdoor, for this essay to resonate. For Oakland Review of Books, Amy Brown recounts buying her first home in the East Bay city and swiftly becoming the villain of her local Nextdoor—after her uncharitable Bluesky posts about the seniors opposing a library tax made their way back to her neighbors. Honest and funny, Brown’s essay explores being locally online—that weird, often uncomfortable place between online and IRL—and shows how (not) to talk to people you’ll run into at the grocery store.

Still, I spent multiple nights lying awake, thinking that everyone in this town must know I’m a bitch now. My son is supposed to start TK at the public school in the fall. What if his classmates’ parents use Nextdoor? What if the nice lady across the street who organizes a monthly dinner for our block uses Nextdoor? What if my neighbor already told everyone that the woman who moved into the house on the corner is an asshole? Does everyone I see on the street think I’m an asshole? Can they tell I don’t belong here? Do I have to go crawling back to my hometown and get a job at the car seat manufacturing plant?

For China Books Review, Zhang Er reflects on growing up in Beijing during the Cultural Revolution, and how she owes her love of reading to Auntie Zou, a librarian who stripped banned books of their covers and any pages marked with the library seal of the Workers’ Club, smuggled them home, and secretly loaned them to her. Even amid the chaos of that era, Er remembers this part of her childhood as magical, a time “where characters sprung from their pages and interwove with each other’s lives,” and she imagined worlds far beyond the one she lived in.

By the time I was 12 or 13, I could read fast enough to finish the weekly book loan in two days, so I had time to spare before returning it to Auntie Zou. By then I had made a good friend, Yu Ping, who loved reading too. Her home was three blocks from mine. I would bicycle to her place and deliver the book to her. Yu Ping would read day and night to finish the book and return it to me before the due date. We would keep the book wrapped in old newspapers, so that we could read in class without getting into trouble, while our teachers repeated the same quotations from Mao, week after week.

In this harrowing, incredibly reported story co-published by Science and Retraction Watch, Brendan Borrell uncovers how “Mei,” a 6-year-old girl in China, died a week after an experimental gene-editing trial went wrong—and how her medical team, led by neuroscientist Zilong Qiu, downplayed the risks to her parents, did not publicly disclose her death, and has faced no real accountability.

On 23 March 2025, the day before the procedure, the family settled into a shared room inside a crowded pediatric ward. When the other girl in the room broke into tears, Mei handed her one of her favorite stuffed animals: a blue bird. “She liked to give things to other kids,” Jason said.

The next day Mei put on a brave face as she was taken to the procedure room. Yu’s handpicked doctor inserted a needle between two vertebrae on her lower back and withdrew just over a teaspoon of spinal fluid to create space for the drug. Then, he swapped syringes and gently pressed down on the plunger, filling her spinal canal with viruses.

Frustrated that law enforcement and government officials are unable to help them, Venice property owners have called upon a private company, staffed by former gang members, to remove encampments in their neighborhood. For L.A. Material, Hayes Davenport talked to one of the company’s owners—lifelong Venice resident Bobby Luna—as well as dozens of locals, from homeowners to unhoused folks, about the company’s presence in the community. Homeowners are satisfied with Ghost Town’s service, while some unhoused people who have been forced to relocate report harassment and physical force from its employees. “Ghost Town has stepped in to address a decades-old problem with an unconventional approach,” writes Davenport. “Are they an inspiring story of neighborhood reclamation, filling the void left by an insufficient, hobbled government response? Or mercenary enforcers, contracted to speed along the neighborhood’s gentrification?”

One homeowner — who said she has paid between $100 and $300 a month for Ghost Town’s services, with the cost going down as more neighbors became clients — told me she signed up after multiple people trespassed on her property while she was pregnant, triggering their security system. “Police didn’t come for an hour and a half,” she said. “Ghost Town shows up in five minutes.”

“They’re the reason we still live here,” she added.

But Andrew’s contention that “most people in the homeless community have had some kind of negative interaction with Ghost Town” had also been supported by the people I talked to on the street.

For Eater, Bettina Makalintal reports on a refreshing trend in the restaurant industry: businesses embracing lo-fi, handwritten communications and announcements in response to the ceaseless AI slop we’re served across social media these days. From a grocery store’s hand-illustrated flyers to a burger joint’s Sharpie-scribbled menu specials, restaurants are choosing advertising with a human touch and rejecting polished AI-generated graphics.

It’s hard to think of a path of more friction than choosing to run a restaurant; why add even more friction to that? In these conditions, yes, it costs more to hire a photographer to promote your new menu than to generate one with AI, but it’s also increasingly clear that many people would rather see a badly taken, lo-fi photo than an engineered AI image. For one thing, it feels like a reflection of one’s values. To me, a restaurant that employs AI art is capitulating to the culture of slop, akin to reheating premade food from Sysco. It’s impossible to square with a value system that cares about craft and integrity.

For Men’s Health, Brian Underwood investigates the flood of sunscreen misinformation on Instagram and TikTok, where influencers push inaccurate data about chemical UV filters, play chemist and promote their own DIY formulas, or even encourage no sun protection at all. Underwood sorts fact from fear, talking with dermatologists, chemists, and professionals who are working to reshape the messaging around sun exposure and sunscreen.

Environmental concerns may have also shown up in your feed, with suggestions that these same filters are poisoning our oceans, giving rise to a whole category of sunscreens labeled “reef safe”—a meaningless marketing term that’s not regulated by the FDA (the same goes for products labeled “natural” or “organic”). Dr. Nelson’s point about “low-relevance models” is something to consider here too: The research demonstrating that oxybenzone, octinoxate, and other active ingredients may lead to reef bleaching was done in a lab setting where coral was exposed to levels of these chemicals significantly higher than has been found in the natural environment. It conveniently left out the fact that inorganic filters like zinc oxide (the one typically used in “reef safe” formulas) would have the same effect in similar doses.