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Eis o ID. Tiguan, que substitui o ID. 4. O ID.5 desaparece

12 October 2026 at 19:54
A Volkswagen decidiu acabar com os seus eléctricos ID. 4 e ID. 5, substituindo-os pelo novo ID. Tiguan, que começa a chegar aos clientes no início de 2027, com duas baterias e três níveis de potência.

O novo ID. Tiguan é o SUV eléctrico que substitui os conhecidos ID. 4 e ID. 5

The Far Left Fans the Flames as France’s Classroom Revolt Turns Violent

7 October 2026 at 13:44

France’s schools are burning, police officers are being injured, barricades are appearing outside classrooms and teenagers are being drawn into confrontations that have travelled a very considerable distance from complaints about absent teachers and dilapidated buildings.

Hovering over this combustible mixture is Jean-Luc Mélenchon. The leader of La France Insoumise (LFI) insists that his movement neither controls nor directs France’s extraordinary wave of student protest. He has now explicitly advocated non-violent methods. That defence deserves to be recorded.

But it does not dispose of an uncomfortable political question: who benefits when legitimate teenage frustration is transformed into a wider revolt against the French state?

For Mélenchon, the answer is potentially obvious. The disturbances began with genuine grievances. Pupils complained about teacher shortages, overcrowding, poor facilities and the pressures of the French education system. The original protests in Créteil appear to have been spontaneous rather than the creation of a political party. That distinction matters. France’s teenagers should not collectively be caricatured as revolutionaries simply because some demonstrations subsequently descended into violence.

But what followed was something quite different. Schools were attacked and fires started. Cars were torched. Explosive fireworks and other projectiles were directed at police. By October 1st, Reuters reported hundreds of arrests and incidents of arson in several French cities. French intelligence agencies, according to a source close to the prime minister cited by Reuters, told a government crisis meeting that hard-left politicians had played a role in initiating the spreading protests. LFI emphatically denied the allegation.

That dispute should not obscure what is visible. LFI politicians have been remarkably eager to place themselves alongside the protesters. MPs Clémence Guetté and Louis Boyard appeared at the original Créteil mobilisation; Boyard turned his intervention into a TikTok video reportedly watched 1.5 million times. Other LFI representatives have similarly appeared around demonstrations. Le Monde describes the party as closely following protests and notes that this proximity simultaneously strengthens LFI’s relationship with young voters and leaves it associated with the movement when violence erupts.

Where Mélenchon’s political opportunism deserves scrutiny.

France is heading towards the 2027 presidential election. Younger voters are potentially one of Mélenchon’s greatest political assets, but also one of his greatest organisational problems: sympathy does not automatically become votes when younger citizens disproportionately abstain.

Recent polling reported by Le Monde put Mélenchon above 40 per cent among 18-to-24-year-olds in some presidential scenarios. LFI coordinator Manuel Bompard has openly acknowledged the opportunity, saying the movement has enormous room for growth among young people.

One hardly requires Machiavelli to understand the calculation. A generation of teenagers that believes itself ignored by government is politically interesting. A generation persuaded that it is being oppressed by government is considerably more useful.

The transformation is crucial. The original argument concerned teachers, classrooms and school buildings. The developing political narrative encompasses police violence, racism, inequality, Palestine, the far right and hostility towards the political establishment.

Mélenchon did not invent all these causes, nor is there evidence that he commands the young protesters like troops. But LFI understands political insurgency extremely well. Its political vocabulary depends upon conflict between ordinary citizens and an allegedly discredited establishment.

A spontaneous youth rebellion therefore offers almost perfect terrain. Mélenchon initially called upon supporters to “interpose” themselves against what he described as police savagery. Only as images of burning schools, vandalism and violent confrontation became increasingly politically toxic did he place greater emphasis upon non-violence, telling supporters that setting things on fire undermined their cause.

Perhaps that was sincere. But it also illustrates the danger of playing political games with youthful anger. It is relatively easy to tell teenagers that authority is their enemy, the far-left have sung this tune since the 1960’s. It is considerably harder, however, to regain control when confrontation develops its own momentum.

For years, public discussion of “political violence” has often been dominated by the threat from the extreme right. That threat is real and should never be minimised. Indeed, British Prevent statistics for the year ending September 2025 provide an important corrective to anyone claiming that extremism as a whole is overwhelmingly left-wing: 2,103 referrals concerned extreme-right ideology, compared with only 32 categorised as left-wing extremism.

But terrorism statistics and street politics are not the same thing. Europe also has a long-established tradition of violence emerging from anarchist, autonomist and revolutionary-left protest cultures: black-bloc tactics, attacks on police, destruction of property, arson and attempts to turn demonstrations into confrontations with the state. The current French disturbances make it legitimate to ask whether this form of political violence receives the same sustained political scrutiny as violence associated with the extreme right.

In Britain, too, claims of ideological double standards should be examined rather than assumed. Violence and intimidation occurring around demonstrations should be judged according to conduct, not according to whether those responsible march beneath banners fashionable on the Left or Right.

The correct principle is remarkably uncomplicated: political violence is political violence.

Throwing an explosive firework at a policeman does not become morally superior because the person throwing it considers himself anti-fascist. Burning a school does not become progressive because the person holding the match claims to oppose inequality. Intimidation does not become activism merely because its perpetrator believes his politics virtuous.

Nor, conversely, should peaceful demonstrators be branded extremists because violent individuals attach themselves to their cause.

This is a particularly important point in France because there is evidence that radical groups have attached themselves to genuine student grievances. Education Minister Édouard Geffray has distinguished protesting pupils from violent “ultra-left” elements. Former environment minister Delphine Batho, herself once a school-student union leader, has warned of the movement being taken over by the far left and urged pupils to preserve their independence.

Those pupils would do well to heed the warning. Their complaints may be legitimate. They have every democratic right to demonstrate. And allegations of disproportionate police violence must themselves be investigated: teenagers have suffered serious injuries and France has opened internal investigations into police actions.

Young people should ask themselves who is standing behind them — and why?

Mélenchon wants political change. He wants young voters mobilised. LFI wants to convert social discontent into an electoral force capable of reshaping France.

There is nothing inherently illegitimate about that ambition. Every political party attempts to convert public dissatisfaction into votes. The troubling point comes when politicians discover that confrontation itself is electorally useful.

The French government undoubtedly has incentives of its own to emphasise LFI involvement. By presenting the crisis primarily as an extremist public-order problem, ministers can divert attention from the failings in schools that produced the original demonstrations.

But that does not absolve Mélenchon. A responsible politician confronted by angry teenagers should attempt to reduce the temperature while addressing their grievances. An opportunist sees an emerging political constituency.

The danger for France is that its young people cease being participants in a legitimate argument about education and become raw material in somebody else’s struggle for power.

Once that happens, the classroom has ceased to be the issue, and barricades become the political objective.

Paris Attack: Europe Must Not Allow Ideological Violence to Become the New Normal

Student protests in France, in pictures

7 October 2026 at 11:36

© Yves Herman (REUTERS)

Riot police confront students in Paris. Around 450,000 people came out across the country to protest, including 100,000 in the French capital, according to organizers.

© GUILLAUME HORCAJUELO (EFE)

Demonstrators in Montpellier are tear-gassed by the police.

© Kai Pfaffenbach (REUTERS)

A protester kicks a smoke grenade during a protest in Strasbourg on Tuesday.

© GUILLAUME HORCAJUELO (EFE)

French riot police facing off against protesting students in Montpellier.

© Kai Pfaffenbach (REUTERS)

A student who breathed tear gas is treated with a milk-based formula during protests in Paris.

© Yves Herman (REUTERS)

Riot police hold their ground after student protesters burned down trash containers in Paris.

© GUILLAUME HORCAJUELO (EFE)

Police and protesters clash in Montpellier.

© Yves Herman (REUTERS)

Riot police confront a group of students in Paris.

© Jeremias Gonzalez (AP Photo/Jeremias Gonzalez)

Demonstration in Rennes, in western France, on Tuesday. Around 900 educational centers out of a national total of 3,700 suspended classes either partially or completely, according to the Education Ministry.

© Jeremias Gonzalez (AP Photo/Jeremias Gonzalez)

Students facing off with riot police in Rennes.

© Teresa Suarez (AP Photo/Teresa Suarez)

A student in Paris with a sign reading «Generation Z will win» during a protest against lack of investment in schools.

© Abdul Saboor (REUTERS)

A protester hurls an object at a group of riot police officers in Paris.

© MOHAMMED BADRA (EFE)

Protesters hold up signs with a caricature of French President Emmanuel Macron in Paris on Tuesday.

© Yves Herman (REUTERS)

A protester hurls an object at the police in Paris.

© MOHAMMED BADRA (EFE)

A protester waves a French flag at the Place de la République in Paris.

© Kai Pfaffenbach (REUTERS)

A protester with a flare at a street protest in Strasbourg.

Vincent Cassel: ‘There are things that are good for your career and others that you like: always do the latter’

5 October 2026 at 12:24

There is a generation of filmviewers that cannot separate Vincent Cassel, 59, from the 1995 movie La Haine (Hate), where he dominated the screen. Although more than three decades have passed, Mathieu Kassovitz’s film was already exposing the seams of modern France. A Jewish kid from the Parisian suburbs, inflamed by frustration, resentment, the poison of social exclusion, a constant sense of injustice and a desire for revenge after a friend gets killed by the police. Vince, but also Saïd and Hubert, his closest friends, formed a trio that would be unlikely today in the banlieues of the Paris periphery. An Arab, a Black man and a Jew united by that prescient smell of fracture, exclusion and identity conflicts that began to feed the hatred and stoke the fire of the far right.

Seguir leyendo

Production: Nono Vázquez. Photography assistants: Emilio Azevedo and Adrián Wong. Production assistants: Laura Gimenez and Isabel Orozco. Makeup and hair: Anne Bochon. Movement direction: Pauline Gudet. Video: Daniele Vaia. Studio: Paul Le Cacheux Photographer.

© Nick Thompson

Vincent Cassel, photographed in Paris.

‘Diva time’: Rihanna arrives in Paris, while the industry watches the clock

30 September 2026 at 18:37

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© WWD (WWD via Getty Images)

When singer Rihanna arrived Wednesday night at the Matières Fécales fashion show—the most provocative, extravagant, and “cool” brand of Paris Fashion Week—photographers from media outlets around the world swarmed around her to capture her from every angle and in every possible format. Her “look,” created by the brand for the occasion, instantly became global news. In other words, the very reason she—and no one else—had been invited as the star guest was more than fulfilled. And yet, on that very same day, Georgian journalist Beka Gvishiani, better known as Style not com, dared to publicly state what no one had pointed out before: that the diva had kept more than five hundred people waiting for her for an hour.

© WWD (WWD via Getty Images)

All the journalists at this publication confirm that this habit is deeply ingrained in the artist. In fact, fashion editor Leticia García points out that it’s common knowledge in any city hosting fashion events featuring the singer that delays for everyone in the industry are guaranteed. In other words, Rihanna’s presence is excellent news for brands, which gain visibility, but very bad news for those working in the industry who see their work systematically slowed down. García experienced firsthand a delay of an hour and a half a year ago at an Off-White fashion show, right after having waited an hour for her at the Dior show. In the Style not com post, quite a few reporters allude to other epic delays: author Eva Chen recalls, for example, that Azzedine Alaïa show in New York in 2024, when she kept everyone on tenterhooks for 40 minutes. Patricia Rodríguez was present on that occasion and recalls the brand’s public relations staff saying, “We know she’s always late; what we don’t know is by how much.” Beatriz García, who has been covering the early-morning hours of the MET Gala for years, knows full well that the artist is always the last to appear. She is, quite literally, the most eagerly awaited.

© WWD (WWD via Getty Images)

It’s obvious that in this case, the delay is a “marketing” strategy like any other: making people wait is yet another way to create a sense of luxury and exclusivity. The expression “fashionably late” exists for a reason: in the fashion world, it’s very common for high-profile figures to make people wait in order to project a sense of status. To illustrate this, consider a remark made in 1995 by model Kate Moss — who is also notoriously tardy — when she was asked if she was generally as late as her colleague Naomi Campbell. With a horrified expression, she exclaimed, “No one is as late as Naomi!” There is, moreover, a completely different notion of time for divas in the entertainment world — a phenomenon that has been studied both by psychologists and psychiatrists, who argue that creative people easily become absorbed in their train of thought, so that minutes pass differently for them than for other people; as well as by film experts, who discuss how stars expand to occupy space and time in an unconventional way. This is what German film director Rainer Werner Fassbinder coined as “diva time.”

© WWD (WWD via Getty Images)

However, Rihanna shatters all boundaries. Last year, at an event in India for her own makeup brand, the hugely popular Fenty, she kept everyone waiting for seven hours. The event began for guests and influencers at 7:30 p.m. on Friday, but she didn’t appear on the red carpet until 3:00 a.m. on Saturday. The delay led to some surreal moments, such as when influencers Parul Gulati and Smriti Khanna posted AI-generated images of themselves with the singer after being unable to take a photo with her in person. Columnist George Whirl comments on Style not com that Rihanna’s attitude is “gauche” — that is, tacky and rude, in French. But an anonymous user points out that this behavior isn’t limited to her brand commitments or her professional life: at her concerts, it’s also common for her to show up at least two hours late to present herself to her audience. Publicist Deshiv Puri, however, proposes a simple solution to the problem: “When we invited Cardi B to a Rahul Misra fashion show and she was late, the show started without her.” The problem is that we may be dealing with one of those rare cases where the show is, in fact, the guest herself.
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