For Boston Magazine, Kara Baskin explores a growing subculture of tweens and teens who don’t feel entirely human. Some identify as one animal, like a cat or a dog; others identify with multiple animals. One kid Baskin speaks to, Sol, says she “doesn’t summon the animals, but rather they come and go on their own schedule.” These young people call themselves therians (distinct from furries, who are fans of anthropomorphic animal characters). Baskin provides a fascinating glimpse into a world where adolescents can express themselves and explore their identities.

Bafflement is the baseline condition of raising kids right now. The adolescent quest for self-discovery is timeless—but today’s parents experimented in ways that were analog: new hairstyles, inscrutable music, beer snuck in the woods. Their own parents might not have liked it, but they could at least relate.

Now the landscape of adolescent discovery is literally foreign, thanks to social media, which has turbocharged once-obscure subcultures like the furry fandom—and, at its rarer edge, therianthropy—and redefined what “fringe” even means. Even if a kid is the only therian at school, she can find 400 more people just like her online. That’s one of the biggest challenges for parents in the algorithm age: The world your kid actually lives in is one you can’t enter. It touches the fear in every parent, therian kid or not: What happens when our kids inhabit a world we don’t understand, with idols we don’t recognize?

Louisiana recently started executing death-row prisoners after more than 20 years of not doing so (save a “voluntary” execution in 2010, when a prisoner waived his right to appeal and said he wanted to die). John Corley, an award-winning writer who is incarcerated at Louisiana’s Angola prison, reflects on how MAGA politics have re-invigorated the practice of state killing in Louisiana and elsewhere, and what it means for the tenor of life in institutions like Angola:

Dalton Prejean Jr, who is serving time for manslaughter, found Hoffman’s execution particularly painful. When he was ten years old, in 1990, his father died in the penitentiary’s electric chair. “The day it all went down, it was almost like reliving the moments leading up to my father’s execution,” Prejean told me. “At ten o’clock the news reporter announced that Hoffman was dead. My heart skipped. I couldn’t believe they had actually killed somebody. Was what he did so bad that he just couldn’t be allowed to go on living? Wasn’t there anything about him that was redeemable?”

Twice a week, the inmate counsel substitute Gary Boudreaux makes rounds on the five death row tiers. He knows each of the surviving men housed there. “There was no tension on the row because the guys believed the execution wouldn’t happen,” Boudreaux said. “It had been so long, and they have good lawyers. They just didn’t think executions would come back.”

A week after the execution, Boudreaux returned to the row. The atmosphere was “totally different.” The men now knew that Governor Landry “is serious about executing people, and the state will execute people. There’s no doubt in their minds about that any more.”

For The New York Times Magazine, Blair Braverman tells the story of Steffen Skjottelvik, a 29-year-old Norwegian man who attempted a multi-year trek across the wilderness of Canada. Despite danger in the form of wolves and polar bears and trail hardships like bug swarms of biblical proportions, Skjottelvik revelled in a life of adventure on the land with his dogs.

Togo, a malamute, pulled himself from the river on Aug. 15, 2025. His saddlebag pack was soaked through and weighed him down, and mud stuck to his paws in heavy clods. The bank was nearly vertical, overgrown with stunted willows, but he found a narrow ramp up. His pack caught on a root; he chewed through a strap and left it behind. At the top, he curled up, looking back on the river, which was wide and brown. It smelled like seaweed. Like the barren coast of Canada’s remote Hudson Bay, which he and Steffen had been walking for 300 miles. All those polar bears and storms.

Togo would wait for Steffen right here, among the horsetails and ferns. They had been inseparable for almost a decade, since Togo was a tiny pup — sharing their fish and caribou meat, sleeping together on a caribou hide at night. Togo knew Steffen would climb from the river and sit beside him, and they would rest their heads on each other, the way they liked to do. Steffen always came

Nearly 60 years ago, John McPhee rafted the Colorado River with a longtime Sierra Club reader and his nemesis, taking notes as the men argued over the fate of the land, the future of Lake Powell. Today, McPhee is 95 years old and widely acknowledged as a singuler chronicler of place, people, and time. As David Schurman Wallace notes, he also has “a good chance of outlasting the lake.” In a stimulating review of Encounters with Wild America, a four-book collection by McPhee, Wallace sets a master’s time-intensive and famously lengthy projects against the contemporary attention economy and the media industry. Longform writing didn’t spring from a hashtag; it was a natural outcome of applying narrative frames to complex subjects, including nature itself. Now, writes Wallace, “this work of dedicated attention, so essential to thinking about, say, the environment, is at risk of becoming a relic.”

[McPhee’s] work is an artifact, one that aids reflection, but demands you stop first and take things slowly. It’s no accident that the books that Library of America have chosen to canonize first are about nature and the people who inhabit it. To appreciate, or even just think about an expanse—a nearly deserted forest, a glacier, a stretch of tundra—is difficult. You can look at an image, but you can just as quickly turn away or scroll past. His writing is a tool that helps us feel distance. You have to spend time on the page getting to know it, trying to imagine things you will most likely never experience yourself.

r/BoyDinnerDiaries is a subreddit where men post photos of their often rather sad-looking meals alongside their most private worries. Zack Hauptman carefully explores this unusual place for community and care, meeting the men who are learning to share more than just what is on their plate. We hear a lot about the “male loneliness epidemic,” so it’s heartening to glimpse even a small shift in the other direction.

Others use the forum regardless of whether they have a vast social circle. Robert*, 31, says he has many people to turn to but uses Reddit when he needs to unload his feelings further. “I have an urge to vent when I don’t want to call a friend,” he says. In August, after experiencing repeated rejection from women he was seeing, he decided to post about it online. “I’m at the point where I feel so disappointed and let down but also so grateful that I have the opportunity to learn and grow from all of it,” he wrote alongside a photo of mushy canned tuna in a bowl. “I could talk about it pretty much all the time, but I don’t really want to be doing that,” he says. “Going to the subreddit…it’s like throwing it into the void.”

In a remote part of Utah, the world’s largest data center project—allegedly—is being fast-tracked in secret. Kevin O’Leary of Shark Tank fame was brought in to hype the 40,000-acre complex. But the backlash among Utahns has been strong. Josh Dzieza reports from the front lines of the popular resistance to data centers:

[Brenna] Williams, a former government econometrician and college instructor, speaks methodically in a calm monotone as she enumerates the many reasons why the data center “doesn’t make sense”—a refrain. First among them is the water, an acutely sensitive issue in Utah in part thanks to Gov. Cox himself, who has declared repeated drought emergencies and urged residents to take shorter showers and cut back on watering their lawns. There is no more potent symbol of the state’s water crisis than the Great Salt Lake, which has been shrinking for years, exposing heavy metals on its lakebed that become airborne dust. Now here came a data center on its northern shore, or where its northern shore would have been if it hadn’t receded several miles.

“We have to report on our neighbors if they’re watering at the wrong times or on the wrong days,” Williams says. (There’s a hotline.) “But we have water to cool a power plant and cool the data center? It doesn’t make sense.”

The horrific story of Jane Doe and the Cornell Seven has spurred nationwide outrage and revived contentious debates around prevention and education. But one question is going unasked: Who really pays after a sexual assault? In terms of actual dollars and cents? The answer, Cosmopolitan finds, isn’t good:

Leah received an email from the first hospital. It was a bill for $3,338, including $663 for lab work and a pregnancy test she hadn’t asked for. She hadn’t been charged for the rape kit, but the price of just checking into the ER was $2,241. After her parents’ insurance was applied, she owed $451.06.

“I was so unbelievably angry,” she says. “I lost it. I was like, ‘You mean it cost me $450 to get raped?!’”

Most people don’t realize this care might not be covered, says Vega, who has worked as an emergency room nurse, emergency room director, and a SANE. But that’s actually common: KFF analyzed a sample of insurance claim data from 2016 to 2018 (the most up-to-date data KFF has) and found that 83 percent of women who received a sexual violence diagnosis were billed for treatment. Another analysis of emergency room department data from 2019 found that the average bill for sexual assault survivors was $3,551, according to the New England Journal of Medicine.

There are more than 800 surveillance towers located along U.S. borders, a number that is expected to triple in the next decade. These towers, according to a government accountability report, “detect items of interest, such as people.” But interest can be fickle. As part of “Dying on Camera,” a sprawling package of features co-published by the MIT Technology Review and Times of San Diego, Lillian Perlmutter reports on the death of Graciela Gómez Hernández, one among hundreds of migrants whose final moments seem as though they should have been witnessed. “The proximity of so many deaths to high-resolution cameras leaves two distinct possibilities,” Perlmutter writes. “Either the system didn’t detect these people in distress, or it did detect them—and officials offered no response. “

Surveillance towers have proliferated in recent years, as contractors added newer camera systems that use artificial intelligence to distinguish border-crossers from other people and animals, and track their movements, at an overall cost of more than a billion dollars. Yet as the cameras scan the terrain, migrants continue to die in plain sight. 

For Oakland Review of Books, Stephanie Uchino-Beach writes about getting laid off at an education tech company that transformed into an “AI-first outfit.” As as customer success manager, she acted as a liaison to district administrators, school principals, and teachers. While AI could automate some of her tasks, what about the core responsibilities of her CSM role: building real relationships and understanding an educator’s needs? An AI sees data points, not people. This is a sobering read from a former tech worker living in the Bay Area, and an edtech company that has gone all in on AI and forgotten about its mission.

Before I went to work for Silicon Valley, I was a lot of things. A few jobs before this last one, I was an elementary school teacher in Chicago, helping kids learn to read, creating units, planning lessons, and buying supplies with my own money on the weekends, like countless other teachers around the country. I grew up on the Peninsula, and I made the move into Customer Success to get a job that would let me move home. Tech was never my dream; it was a means to an end. My dad studied computer science and still works in tech to this day and enjoys it, so it seemed like a satisfying and fruitful career was plausible. I figured that once I broke in, all my problems would be solved: I could get a house, have a kid, and fulfill every middle-class dream that had always felt slightly out of reach for a millennial like myself. 

And yet, job after job, I consistently left feeling unsatisfied. Unsatisfied by how I wasn’t growing and wasn’t developing my skills. Unsatisfied with poor managers who were just in the right place at the right time to be promoted but so often lacked the skills to provide the same success for their employees. Unsatisfied with how the products I worked on could do wrong by the communities we sold them to, even though every company said they were “mission-driven” and “put our customers first.” 

A quarter-century ago, after a deadly terrorist attack raised fiery explosions from the World Trade Center buildings, the US Department of Homeland Security introduced a color-coded advisory system, under which orange signified “High Risk of Terrorist Activities.” For many people, including Dushko Petrovich Córdova, “this ambient, lingering orange signaled that emergency was continuous, a new way of living.” Ours is a world of prison jumpsuits and Home Depot, leaders with an affinity for fake tans and “aptitude for the orange of perpetual crisis,” public health maps of infection rates painted various shades of orange to mark severity, a sky dyed orange by wildfire smoke. We are inundated by the color; it feels, at times, inescapable. Is it really? Follow Córdova to the brilliant end of this stunner.

Once, in the late ’90s, a few years before the dawn of the orange era, I found myself in Montreal for a friend’s wedding. There was a wildfire nearby, and I remember trying to capture the eerie effect of the atmosphere turning orange with the disposable cameras that had been handed out to all the guests. The resulting pictures looked underexposed and nothing more, the otherworldly orange haze rendered mostly regular gray.

So, decades later, in 2023, when photos of smoke from yet another Canadian wildfire began to appear on social media, I was surprised by how well digital photography had captured what had proved so elusive in the late disposable-camera era. The best civilian shot I saw was of the scenery through a window. The cool interior lighting framed the orangeness outside, in the same way that you might frame a sunset, except that instead of a bright band of orange light at the horizon, this orange was everywhere, pressing at all the edges of the window frame and probably trying to get in through the cracks. In another image I saw a gray cat sitting on a windowsill, apparently unperturbed by the wide expanse of horror just behind it.

Steve Rose investigates a catastrophic pollution incident at Furnace Brook, a fishing lake in East Sussex, where thousands of fish suddenly died and the local ecosystem collapsed. Neighbours suspect pollution from nearby Morgans Farm, and Rose examines whether their concerns are justified. In doing so, he uncovers broader national problems with water pollution, illegal waste dumping, and the limited power and resources councils and regulators have to tackle them.

He headed about half a mile up the valley to a tributary joining the stream from a neighbouring property named Morgans Farm. “You could clearly see the water upstream [of the tributary] was totally normal, a sandy colour with clay silt in it, and what was below it had gone a blue-black colour. You could see dead brook trout, wild eels, and there was a dead crow or raven, which may well have eaten something poisonous from the river.” In some places, he says, there was a thick layer of blue-grey scum on the water, which he later learned is sometimes called “bacterial cheese”. “There’s so much nutrient [sic] in the water that it allows for a bacterial colonisation explosion.” The bacteria take up all the oxygen, which causes most of the fish, especially the older, larger ones, to die.

The beloved video game Tetris has a fascinating, complicated history. While the Tetris Company (TTC) claims exclusive rights to the geometric pieces at the heart of the game, known as tetrominoes, history shows that the Russian engineer and game designer duo behind TTC did not, in fact, own them. In this excerpt of Soviet Blocks: The Bizarre Puzzle of How Tetris Embraced Western Values, Julien Mailland traces Tetris’s journey from the Soviet Union to the West, and shows how the game is a lens through which to view two very different systems.

After the Soviet Union collapsed, Belikov and Patjinov — who by then had teamed up with Nintendo’s fixer Henk Rogers — sued each other over the rights to the game in federal court in New York. Pajitnov had very little going for him. The USSR did not recognize software copyright, or any private property for that matter other than for household pots and pans. Further, he developed the game on his work computer during work hours, which under U.S. legal principles would make it his employer’s property.

When Eric Leas, a public-health scientist, discovered packages of “magic mushroom” gummies for sale in a smoke shop, he wondered: Were these candies even legal? Had they been properly tested, and did anyone actually know what constituted a safe dose? This Aeon piece follows Leas down a rabbit hole as he investigates whether the Amanita muscaria products currently on store shelves are as safe as their candy-like packaging suggests.

I found a product with a very high reported amount of muscimol. It was a gummy product, one in a benign-looking package that did not have childproofing or clear warnings. I began doing the calculation no one wants to do. If a young child ate the entire package, mistaking it for candy, could they die? I took the reported amount of muscimol, the toxicology estimates (the LD50), a conversion used to translate dosing between species, and the average weight of a small child. The result looked bad. Bad enough that I did not quite trust myself. So, I called a friend, Matthieu Rouffet, a medicinal chemist and the dean of science at a local college, who does toxicology calculations more often than I do. I wanted him to tell me I had made an error. Instead, he was alarmed too.

A few years ago, Sebastian Barry—whose collected literary works, drawn from family history and lore, offer “a loser’s history of 20th-century Ireland”—announced that the final novel in his series would tackle the relationship between his parents. “The declaration seemed to set the table for a feast of disclosure,” writes Giles Harvey, who spoke with Barry for more than a year as the novel took shape. But the feast never arrived. The “career-spanning profile” Harvey once suggested to Barry becomes a study of abuse, memory, and revelation—one Barry’s forte, and now, perhaps, his greatest struggle.

Barry and I corresponded for the next year and a half, during which the novel appeared to be on course. Then, in July of last year, he sent me a surprising email. Something had happened in the time since his father died, Barry explained. “Where there was once a great need to proclaim aloud,” he wrote — neglecting to specify just what it was he’d felt the need to proclaim — Barry now found himself in a different state of mind. “A matter I thought so urgent and in need of saying” had come to seem better served by a “strange new beneficent silence.”

Kate Manne, a philosophy professor at Cornell University, situates the lawsuit from a former student alleging she was gang-raped at the Chi Phi fraternity in 2024 within a broader, deeply troubling campus “rape culture.” The specific details of Jane Doe’s case are horrific, but Manne also points to shocking statistics and examples showing that sexual misconduct is rife and often taken less seriously than other student infractions. She is critical of Cornell’s response and culture, but emphasizes that, tragically, this normalization of misogyny is widespread across many American campuses. A disturbing, important read.

In a deeply misogynistic society, groups of boys and men routinely bond over humiliating and exploiting women, as Soraya Chemaly has written. And the victim is not only physically and emotionally traumatized following one of the most fundamental imaginable violations: They are likely to be doubted and undermined at every subsequent step of the process. In Jane Doe’s case, the district attorney did not bring any charges after relying on the investigation done by campus police; they didn’t even speak with the men involved. The district attorney just announced that they are reopening the case on the basis of new information contained in the civil lawsuit, and in recognition of the fact that “it can take years of therapy and healing for victims of sexual assaults to fully process and understand what happened to them.”

“Who wouldn’t decide to be their most expansive and radiant self?” Ah, but would you pursue that self through a sheet of tempered glass? In this literal tour de force, Katherine Cusumano shadows wrestlers navigating the independent promoters of the Pacific Northwest, granting sensational access to the lives and ambitions behind elaborate personas you’ve never heard of and will almost certainly search YouTube for. Cusumano is note-perfect on the details, taking obvious delight in the gimmicks of each wrestler’s beloved character and relishing the complexity of the choreography, rehearsed in elaborate code. (“Clothesline, crossbody in the corner, clothesline, Superman, Superman, I’m fired up, whoop, sliced bread, Ricky catches, oh shit, real fast.”) Spectacle abounds, but Cusumano rises above it, way up on the turnbuckle, with a heartening consideration of how we understand our own stories, and what we devote to realizing them.

I found myself drawn to this world, to its freakish feats of acrobatics, to its relentless and obsessive blurring of the boundary between reality and story, and, more than anything, to the supreme, sometimes monastic devotion of its competitors. I had been trying for ages to understand competition, ambition, the scaffolding that holds up good-bad, win-lose, and wrestling confounded these binaries. I started talking to Drexl, an old-timer with one foot out the door of his career, who eventually referred me to Amira, an emerging wrestler with an already impressive résumé, and I thought that was so like wrestling, to proffer such perfect narrative symmetry. They agreed—more readily than I’d expected, given how fiercely professional wrestlers have historically protected the secrets of their work—to let me follow them around. Which is how I ended up behind the curtain.

In this tense, riveting first-person excerpt from his new book This Cursed Beautiful Land: A Russian Story, Evan Gershkovich recounts the harrowing months he spent as a prisoner in Russia, leading up to his eventual release in a complex, multi-country prisoner exchange. Even in the darkness, Gershkovich offers rays of light: care packages from friends, letters by the hundred, and a cautiously blossoming love with a friend in Berlin. We may know the ending, but the details of these days reveal what it takes to get there.

A few hours after my arrival, I heard a cart rolling down the hallway. A guard opened a kormushka — a feeder window in the door about the size of a human head. A man in a chef’s uniform filled my bowl with porridge, placed a piece of rancid-smelling boiled fish on my plate and gave me some weak tea. The reality of my new surroundings slammed into me.

Thoughts ricocheted inside my head. Earlier in the day I’d had a comforting one: they’ve taken me for a swap, I told myself. That’s all this is.

Now, curled up on the bed in my 12ft by 8ft cell, knees pulled to my chest, I thought, what if the FSB really does think I’m a spy and wants to make an example out of me? Maybe they don’t want to swap me at all. Maybe I really will spend 20 years here.

A powerful reflection on the pull of nostalgia, on learning to accept that a past life is gone even as you tentatively reach back for it. Tiffany Huang captures the ache of lost opportunities and regretted paths, of staying a course out of duty and responsibility even as your sense of home erodes. It’s a gorgeous, bittersweet read about what it means to move on long before you’ve fully let go.

You unmasked for the first time, revealing smooth cheeks, a sharp chin, and a long nose. You talked about your book, in progress for several years now, about a Hong Kong man drifting aimlessly around the world. I asked you how you felt about the protests and noted the resignation in your tone. You wanted to write a book about what it meant to be a man from Hong Kong; if Hong Kong disappeared, what would happen to the man? You told me about your family, and it was clear we were not meeting to talk about writing anymore. When you spoke, you chose your words carefully. You didn’t ask me about my boyfriend, only how I felt about returning to America. When I hesitated, you did not ask why, and when I spoke, you listened instead of interrupting me. I didn’t want to leave.

During one of his son’s hockey games, Nick Paumgarten watches as his eight-year-old is hit from behind, only to rise to his feet and use his stick to hit the side of his opponent’s head. Alongside his concern for his son’s head and neck, Paumgarten, who has written about his own hockey-related concussions, rapidly processes the outcomes of the exchange: a game-deciding penalty, his own reflexive rationalization, and the evaluation of other parents who “held me in some way responsible, as both father and coach, for the violence and loss of self-control.” Paumgarten’s essay is rich with such moments of parent-coach double-consciousness, and sensitive to the numerous ways, some of them awful, in which those two identities intrude upon each other.

That Sunday, it wasn’t yet 8 A.M. when a Rye player shoved James from behind into the boards. James went down awkwardly and stayed prone a moment, then leaped up and, with an implausible ferocity, cross-checked the other kid in the ear. The Rye boy collapsed to the ice, and the other kids poured in and began grappling with one another, while parents shouted and pointed. Soon there was a pile of mites, with the two referees pulling players off and flinging them aside like puppies. Through the windows, you could see that the sun had risen over the Long Island Sound. I thought of my son’s fellow second graders back in the city, likely still asleep or watching cartoons in their pajamas or getting dressed for church or whatever the unrinked got up to on weekend mornings, but here at Playland my boy had instigated a munchkin brawl.

If you were to look at your belongings, which might you choose to represent you after your death? What’s worth passing down to the next generation? These are the questions that Marci Wilding mulls in this keenly observed essay for Oxford American, after she and her colleague are tasked with sifting through the possessions of a judge who had served the state of Mississippi for 48 years. What Wilding chooses to preserve will surely surprise you.

The details we had about the judge were general: A man had spent a lifetime in service for the Mississippi judiciary, forty-eight years, eventually reaching its highest bench. His opinions moved quietly through the lives of strangers and friends, altering custody, land, and inheritance, shaping the fragile scaffolding of other people’s futures. Those who worked with him spoke of him in retirement as measured, fair, and courteous, and as a man who loved and remembered his people, a modern-day Atticus Finch.

There is something magnetic about decay. It repels and attracts in the same breath. I think it unsettles because it reminds us of what we are made of: flesh that can soften, skin that can host growth, breath that can carry contamination. The strange intimacy in the way the surface gives way and something underneath begins to show makes it difficult to turn away, not because it is unfamiliar, but because it isn’t. We recognize ourselves in what is rotting.