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De Charlize Theron con transparencias a Kim Kardashian con un Balenciaga histórico: todos los ‘looks’ de Academy Museum Gala

El País

By: S Moda

18 October 2026 at 20:37

ACADEMY MUSEUM GALA SMODA — La actriz sudafricana Charlize Theron era una de las homenajeadas en la gala de este año. Eligió un diseño negro con encajes, bordados y transparencias firmado por Tom Ford, cuyo director creativo es Haider Ackermann.

ACADEMY MUSEUM GALA 2026 SMODA — Ana de Armas eligió también el negro, con un diseño de escote pronunciado de Louis Vuitton.

6th Annual Academy Museum Gala - Arrivals — La modelo Vittoria Ceretti escogió para la ocasión un vestido de seda de Giorgio Armani inspirado en un diseño de 1995.

Monica Barbaro: The dancer who quietly became a Hollywood star

El País - English

By: Carlos Megía

18 October 2026 at 05:00

"A Complete Unknown" UK Premiere - Arrivals — Success may have taken its time, but Monica Barbaro has firmly established herself as one of Hollywood’s most promising talents. After years of searching for her breakthrough, the 36-year-old Californian first drew widespread attention as a fighter pilot in 'Top Gun: Maverick' before winning over the industry with her portrayal of Joan Baez in 'A Complete Unknown,' a performance that earned her an Academy Award nomination. Now, with high-profile projects on the horizon such as the much-anticipated 'Artificial,' a romance with fellow actor Andrew Garfield, and a personal style that balances sophistication with effortless ease, Barbaro has become one of the names worth watching, both on and off the screen.

2017 NBCUniversal Winter Press Tour - Day 2 - Arrivals — Acting was not part of Monica Barbaro’s earliest ambitions. Her mother, a professional dancer, enrolled all three of her children in ballet classes. Although she discovered through small school theater productions that acting was her true passion, her family’s encouragement led her to focus exclusively on ballet. She enrolled in the dance program at New York University’s Tisch School of the Arts, one of the most prestigious performing arts schools in the United States, and initially approached acting only through elective courses.

US-ENTERTAINMENT-TELEVISION-THE GOOD COP — Today, with the dream she first nurtured as a teenager finally fulfilled, Monica Barbaro is grateful for what dance brought to her craft as an actress. “Dance gave me a completely different way into character. People reveal themselves through their body language,” she said. In the photograph, taken in 2018, the actress wears a floral dress by Brock Collection.

2nd Annual Academy Museum Gala - Arrivals — Monica Barbaro logged more than 40 hours of flight time to portray a military pilot in 'Top Gun: Maverick,' her first major role in a big-budget Hollywood production. During filming, she even shot some scenes aboard a two-seat F/A-18, enduring forces of up to eight Gs, and went so far as to earn her pilot’s license. All in pursuit of meeting the exacting standards set by Tom Cruise, who, she says, has become one of her most important mentors in Hollywood. "He'll see a person, see their potential and just bring out the best in them," she said of Cruise.

97th Oscars - Arrivals — The role that definitively established Monica Barbaro as one of Hollywood’s most exciting breakthrough talents was her portrayal of Joan Baez in 'A Complete Unknown,' the Bob Dylan biopic starring Timothée Chalamet. Barbaro sings and plays guitar herself in the film, despite not knowing a single chord when she landed the part. After months of intensive preparation, her portrayal of Baez emerged as one of the film’s standout performances, earning her first Academy Award nomination for Best Supporting Actress. Chalamet later explained that the filmmakers were looking for an actress with gravity and quiet power, someone capable of holding her own opposite his Dylan and even intimidating him slightly. Although the Oscar ultimately went to Zoe Saldaña for 'Emilia Pérez,' the nomination confirmed that Barbaro had moved beyond the status of rising star to become one of the defining talents of a new generation of actors.

W Magazine's Annual Best Performances Party — Parallel to her professional breakthrough, which unfolded amid the awards ceremonies and industry parties surrounding the Oscars, the California-born actress embarked on her first high-profile public relationship. In January 2025, entertainment media began reporting rumors of a romance with actor Andrew Garfield, best known for films such as 'The Social Network.' Those rumors have gradually been borne out by the couple’s repeated public appearances together. Although both have been notably protective of their privacy, Garfield has spoken warmly about Barbaro, calling her a “supremely talented” actress. “I think she is truly incredible,” he said. “I could wax lyrical more, but I'll leave it there.”

Celebrity Sightings At Wimbledon 2025 - Day 7 — In July 2025, the couple made their first official public appearance together at the Wimbledon Championships in London. They embraced the tournament’s traditional aesthetic with coordinated all-white looks, and Barbaro opted for an outfit by Ralph Lauren.

Celebrity Sightings In New York City - August 03, 2026 — Fate would have it that their romance also blossomed on a film set, as both are part of the cast of 'Artificial,' the highly anticipated new film from Luca Guadagnino, the director of 'Call Me by Your Name.' Widely seen as a potential awards-season contender, the film is based on the story of OpenAI, the company behind ChatGPT, and the turbulent days surrounding the brief dismissal and subsequent reinstatement of its controversial chief executive, Sam Altman, who is played by Andrew Garfield. Monica Barbaro, meanwhile, portrays Mira Murati, the company’s former chief technology officer and one of the most influential figures in the artificial intelligence industry, widely regarded as a pioneering leader in the field.

Celebrities Attend The Championships Wimbledon 2026 - Day 6 — “[Andrew Garfield] is one of the best actors of his generation, our generation,” the actress has said of her co-star. “I just learned a lot from his approach to the material and to developing character, and I felt very fortunate to get to witness that in real time.” Barbaro has also said that working alongside him pushed her to raise her own game. She said she thought: “Oh shit, I really have to step up my game and make sure I'm a proper, legitimate scene partner.”

Celebrity Sightings In London - October 12, 2026 — For years, Monica Barbaro struggled to find her place in an industry that seemed unsure how to categorize her. The daughter of an Italian American father and a mother of Mexican, English and German descent, she has spoken about being repeatedly encouraged to lean into her Latina heritage in ways that felt inauthentic to her. At the same time, she feared the opposite risk: “neutralizing of myself to not offend anybody.” As a child, she endured racist taunts; as an actress, she sometimes lost out on roles because she was deemed not “ethnic enough.” Rather than choosing between labels, Barbaro has embraced the space in between. "I don't belong in either" — as in either side of her parentage — "but I do belong in this mixed territory."

80th Annual Golden Globe Awards - Arrivals — The actress describes herself as “a romantic and a workaholic.” “I’ve never given my life over to it, which, as a woman, I’m quite proud of. But there’s also the other side of that coin, which is: You can get to a point in your life where you wake up and you look around and you’re sort of like, Oh, have I been self-protecting by [adopting] so much autonomy and independence? I’m definitely shifting some of that perspective now,” she told 'InStyle.'

2022 Vanity Fair Oscar Party Hosted By Radhika Jones - Arrivals — After graduating from university, with neither steady work nor savings to fall back on, Monica Barbaro moved back across the country to her hometown of San Francisco. There, she spent nearly a decade juggling minor television roles and commercial work, far from the sudden, youthful breakthroughs enjoyed by some rising stars. She had to wait until 2022, when Tom Cruise came calling and changed the course of her career. That same year, her rising profile earned her an invitation to Vanity Fair’s Oscars after-party, where she attended wearing a design by Elie Saab.

Fourth Annual Academy Museum Gala — Monica Barbaro has spoken openly about why she is uncomfortable using her appearance as a selling point on screen or showing more skin than a story genuinely requires. “One of the very first things I did was a project that I lost the job because I wouldn’t be topless in it,” she told the U.S. edition of InStyle. At the time, she was a background performer with a small, non-speaking role and could not see any narrative reason for the nudity. In the end, she was rehired on her own terms, with her shirt buttoned up. “I’ve not gotten naked in anything I’ve done because I haven’t worked on something where that would be a necessity to the story,” she added.

Celebrity Sightings In New York City - February 13, 2025 — Her style evolution over the past few years has been striking. Her fashion résumé now includes a series of looks that feel both contemporary and effortless, among them the oversized white suit she paired with a Jacquemus handbag when she was photographed strolling through New York last winter.

The 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" - Inside — Last year, Monica Barbaro attended the Met Gala for the first time, further cementing her rising status within the industry. For the occasion, the actress once again turned to Dior, embracing the glamour of the 1950s and the New Look silhouette with the maison’s iconic Bar jacket, leather gloves and a boater hat. She seemed to belong to another era, while proving herself perfectly in tune with the event’s dress code.

Celebrity Sightings In New York City - August 02, 2026 — Although she says her everyday uniform tends to be simple and classic, built around Levi’s jeans, loafers and T-shirts, Monica Barbaro knows how to command the attention of the fashion press when promotional duties call. One of her most recent and most daring looks was this ensemble by designer Sandy Liang, which she wore in New York while promoting 'One Night Only.'

"A Complete Unknown" Italian Premiere In Rome — Monica Barbaro attends the premiere of 'A Complete Unknown' at the Auditorium Parco della Musica in Rome on January 17, 2025.

31st Annual Screen Actors Guild Awards - Arrivals — On the red carpet, Monica Barbaro frequently gravitates toward red. In the image, she is wearing a plunging red gown by Christian Dior.

Academy Museum 5th Annual Gala in Partnership with Rolex — “I love to play dress up. I take red carpets as an opportunity to play, in whatever way feels fitting for the project I'm promoting,” she told the U.S. edition of 'Vogue.' In the image, Monica Barbaro wears a striking white gown from Jonathan Anderson’s new era at Dior.

Celebrity Sightings In New York - November 03, 2025 — Precisamente en el rodaje de la cinta fue fotografiada luciendo un atrevido minivestido de lentejuelas color esmeralda de Alex Perry con muchas papeletas para convertirse en uno de los más icónicos de su trabajo en pantalla.

British Academy Film Awards 2025 — This Armani Privé gown, which Monica Barbaro wore to the 2025 BAFTA Film Awards, earned her a place among the best-dressed stars of the evening.

Street Style - Paris Fashion Week - Womenswear Fall/Winter 2024/2025 - Day Two — The actress has developed a close relationship with Dior, one of her preferred labels for red carpets and high-profile events. Naturally, she is also a regular guest at the fashion house’s runway shows. For the brand’s Autumn/Winter 2024-25 presentation, she chose this striking white dress, a look that neatly encapsulates her style duality: sensual and romantic in equal measure.

Corsés, encajes y satén: todos los ‘looks’ de Daisy Edgar-Jones para llevar el estilo Regencia de ‘Sentido y sensibilidad’ a la actualidad

El País

By: S Moda

17 October 2026 at 15:06

DAISY EDGAR JONES SMODA — “Nos decían que la serie era un éxito increíble, pero yo seguía encerrada en mi dormitorio. Leía algunos artículos y miraba los memes, pero todo era un poco demasiado para procesar, así que me protegía a mí misma. Si quería, podía desconectar. Y eso me hizo pensar en lo inverosímil que era todo lo que me estaba pasando", contaba Daisy Edgar-Jones (Londres, 28 años) a 'S Moda' en 2022, cuando protagonizó una portada. Se había hecho famosa de la noche a la mañana y eso aún la sorprendía. “De repente, ya no eres Daisy, eres Daisy Edgar-Jones”, comentaba sobre cómo la hizo sentir y la transformó el éxito de la serie 'Normal People', basada en la novela de la escritora irlandesa Sally Rooney, que en 2020 catapultó su carrera y la de su coprotagonista, Paul Mescal (que tras 'Gladiator 2' ahora será Paul McCartney en las películas sobre The Beatles que prepara el director Sam Mendes). Ahora, la actriz vuelve a meterse en la piel de un personaje literario, en esta ocasión de época: encarna a Elinor Dashwood, la hermana mayor de 'Sentido y sensibilidad', novela de Jane Austen publicada en 1811 y que ahora ha vuelto a ser llevada a la gran pantalla por la directora Georgia Oakley. En el filme, que llega a los cines españoles el 23 de octubre, Edgar-Jones es Elinor y Esmé Creed-Miles es su hermana Marianne. Durante el mes que llevan de gira, Edgar-Jones se ha volcado en reinterpretar los estilismos de la época de la Regencia, en la que se desarrolla la novela: en la imagen, luciendo un vestido transparente, creado a medida por Miu Miu, con corsé en tul bordado durante la presentación en Sídney, Australia, a principios de octubre.

The Hollywood Reporter, Animation Is Film Festival Partner on Live Animation Roundtable With Bill Hader, Travis Knight, More

The Hollywood Reporter

By: Scott Roxborough

16 October 2026 at 22:18

Other participants at the Sunday event in Los Angeles include 'Tangles' director Leah Nelson, 'Hexed' director Fawn Veerasunthorn, 'In Waves' director Phuong Mai Nguyen, 'Iron Boy' director Louis Clichy and 'Forgotten Island' director Joel Crawford.

The Elizabeth Holmes Documentary You Can See Everything Is an Act of Radical Empathy

Reason.com

By: Peter Suderman

16 October 2026 at 14:49

Elizabeth Holmes in "You Can See Everything" | A24/You Can See Everything

We all know Elizabeth Holmes is a villain.

She promised a radical new technology—bloodwork performed in a countertop-sized machine from a single droplet taken from your finger. She was young, photogenic, and self-possessed; she dressed like Steve Jobs. Her invention would disrupt the $60 billion bloodwork industry, bringing cheap, frictionless health monitoring to the masses. Or it would have, if it worked. Holmes was convicted of defrauding investors of nearly $500 million; she's currently serving an 11-year prison sentence. Holmes has been written about extensively, and her story was turned into an Emmy-winning Hulu series starring Amanda Seyfried. She is an avatar of Big Tech mendacity, a cautionary tale as much as a person.

Everyone knows the story. You would think there is nothing left to say. But you'd be wrong.

Just before she entered prison, Holmes invited documentarians Nathan Fielder and Lance Oppenheim to live with her, her boyfriend Billy Evans, and their two young children in their beachfront San Diego rental unit, promising them full access, complete transparency. The result is this year's most entrancing documentary, You Can See Everything. When the camera captures Billy in the shower, the movie delivers on its titular promise; you, uh, really can see everything.

Yet what you cannot see is who Holmes really is. The mystery of the era's most famous fraudster is the movie's central riddle: Is she cynical, calculating, a stone-cold liar and psychopath? Or is she something stranger—a damaged and delicate person who genuinely believes her lies, or at the very least, genuinely believes the stories she tells herself to justify those lies after the fact?

Fielder and Holmes seem uncertain themselves; the movie is, in part, their own attempt to wrestle with their own ambivalence, their own inability to come to a conclusion. It's a hall of mirrors about the infinite unknowability of a person, even given unfettered access.

The documentarians do not absolve her of her villainy; the movie is not an attempt to excuse her fraud or build a case for her innocence. But they offer something exceptionally rare in this era of simplistic hero and villain narratives: genuine and deeply felt empathy for someone on whom the culture (not to mention the legal system) has cast final judgment. In the process, they have given us one of the strangest, most unsettling, and most poignant films of the year. You Can See Everything is a small miracle of a movie.

It's sometimes said that the most compelling villains don't believe themselves to be villains. They have an internally coherent story to tell that excuses their actions, makes them the heroes in their own minds. Fielder and Oppenheim have given Holmes, and viewers, the gift of allowing Holmes a measure of psychological complexity. You don't see into her mind, because that's impossible. But you see that the story she tells herself is different from the story the world tells us about her. It's surprisingly kind and generous; it's also tricky as hell—to the point where you, the viewer, might wonder if you're the one being tricked.

Halfway through, the movie takes a meta-turn that I won't spoil, entering into high-concept territory in an attempt to more deeply explore what art and images can reveal about a human psyche. It's formally audacious, often funny, and actually justifies the three-hour running time. I've never seen anything quite like it.

The exercise left me just as unsettled as the documentarians seem to be themselves; uncertain about Holmes and her motives, and nearly as uncertain about Fielder and Oppenheim, two talented filmmakers who appear to be questioning not only the nature of their chosen form, but of reality, especially psychological reality, themselves. There are times when You Can See Everything borders on magical realism, except the magic comes from the complexity of human nature and storytelling, as if Gabriel García Márquez had written a story about a man with a camera that could see into souls. It's dizzying, dazzling, a sort of postmodern Rashomon of perspective shifting.

As I left the theater, in something of a daze, I found myself thinking of a line from the great Saul Bellow novel The Adventures of Augie March, "Nobody should be a mystery intentionally. Unintentionally is mysterious enough." In the case of Holmes, it's impossible to tell which it is. All we can say is this supposedly one-note Big Tech villain, like perhaps everyone, is better understood as some kind of mystery, even to herself.

The post The Elizabeth Holmes Documentary <i>You Can See Everything</i> Is an Act of Radical Empathy appeared first on Reason Magazine.

How Hollywood films have reimagined the South Asian epic Ramayana

Asia Times

By: Sohini Sarah Pillai

15 October 2026 at 19:04

American audiences will be able to watch an English-dubbed version of “Ramayana,” a Hindi film based on a South Asian epic tradition, in theaters in November 2026. The Sanskrit “Ramayana,” or “Journey of Rama,” is an epic poem that was composed sometime between 400 BCE and 400 CE. The epic follows Rama, an exiled prince […]

The post How Hollywood films have reimagined the South Asian epic Ramayana appeared first on Asia Times.

‘Violent, disgusting and a tour de force’: ‘Henry’, the film that held up a mirror to society

El País - English

By: Eva Güimil

14 October 2026 at 14:11

“This is a very disturb¬ ing movie, made by some pretty disturbed people.” That was how Chris Carlo, owner of one of the first theaters to screen Henry: Portrait of a Serial Killer in 1990, described John McNaughton’s feature debut. Made four years earlier, the film had become a cult classic before it ever reached a movie theater. Carlo programmed it for midnight screenings where audience members often walked out, unable to endure its violence.

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Trailer for 'Henry: Portrait of a Serial Killer.' — A scene from 'Henry: Portrait of a Serial Killer.'

Kevin Bacon: ‘I’m still 100% focused on improving, transcending, and doing something impactful’

El País - English

By: Gregorio Belinchón Yagüe

14 October 2026 at 11:11

Although they lost almost all their savings in Bernie Madoff’s multibillion-dollar Ponzi scheme, the marriage of Kevin Bacon, 68, and Kyra Sedgwick, 61, who have been together for 38 years, survived with their New York apartment and their farm in Connecticut intact. It was there that the pandemic lockdown found them, and there that they hatched a film together, with the help of their two children, who came from the West Coast: Travis, a composer drafted into acting by the demands of the script, and Sosie, who has already established herself as a film and television actress.

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Sissy Spacek was more than Carrie: A life of love, loss and acclaim

El País - English

By: Carlos Megía

11 October 2026 at 05:00

Fifty years later, Carrie White is returning to American high schools. Prime Video’s new series revisits the bullied teenager who became one of horror’s defining figures, first in Stephen King’s novel and later in Brian De Palma’s 1976 adaptation. But there is one image that remains impossible to escape: Sissy Spacek, drenched in blood, staring directly into the camera after unleashing her telekinetic powers. For several generations, the role has been synonymous with Spacek. Now, as a new actress takes on Carrie, we look back at what became of the 76-year-old performer who brought to life some of the most memorable characters of 1970s and 1980s cinema.

Carrie's House — Spacek was 26 when Brian De Palma cast her as a high school student in 'Carrie.' The film changed her career forever, earned her first Oscar nomination and secured her a place in the cultural imagination that remains remarkably intact 50 years after its release. The actress says that teenagers still approach her today to show off tattoos of the outcast heroine. Incidentally, unlike Carrie, Spacek was her high school’s prom queen.

Sissy Spacek In 'Prime Cut' — Born Mary Elizabeth in a small rural town in Texas, Spacek acquired the nickname “Sissy” from her two older brothers, a name by which she would eventually become known around the world. Following the death of one of them, she left home one summer for New York with an actor cousin in an attempt to escape the family tragedy. She abandoned plans to attend college and, under the stage name Rainbo, tried to make it as a folk singer in late-1960s Manhattan. It didn’t work out. Her record label dropped her, and Spacek decided to enroll in acting school instead.

5th AFI Life Achievement Award — Terrence Malick’s cult classic 'Badlands' marked Spacek’s first leading role in a feature film and became her breakthrough. She played a teenage girl who runs away with a rebellious young man she has just met, played by Martin Sheen, and becomes a fugitive after her father rejects the relationship. The film won the Golden Shell at the San Sebastián International Film Festival, and Spacek, who had been studying acting for only a matter of months, emerged as an unlikely Hollywood star: an anti-diva whose red hair, freckles, diminutive stature and youthful appearance set her apart from the era’s conventional screen icons.

SIssy Spacek — The film also changed her life in another way: it was on the set that she met the love of her life, production designer Jack Fisk. After first crossing paths in 1972, the two married a couple of years later and have now been together for half a century, making them one of Hollywood’s longest-lasting couples. They have two daughters, Schuyler and Madison, and both remain active in the industry. Fisk's recent production design credits include 'Marty Supreme,' 'The Revenant' and 'Killers of the Flower Moon.'

On the set of The River — Spacek became one of the defining stars of the New Hollywood era, a movement heavily influenced by the French New Wave and Italian neorealism. Beginning in 1977, the Texas-born actress received five Oscar nominations in less than a decade. Among her most memorable performances from that era are 'Missing,' directed by Costa-Gavras; 'The River,' opposite Mel Gibson; and 'Crimes of the Heart,' alongside Jessica Lange and Diane Keaton.

Sissy Spacek in Coal Miner's Daughter — Spacek won her first and only Oscar in 1981 for 'Coal Miner’s Daughter,' the biopic of country singer Loretta Lynn. Lynn had risen from humble beginnings in rural Kentucky, marrying at 13 and becoming a mother of four before the age of 20. In a twist of fate, when Spacek was trying to launch a music career years earlier, a record label turned her down because her voice sounded too much like that of another artist on its roster: Loretta Lynn. That very similarity would later help earn her an Academy Award. Spacek performed all of the songs in the film herself and even received a Grammy nomination for her work.

Sissy Spacek Portrait — Spacek and Fisk married in Santa Monica in a ceremony so private that their dog was their only witness, and so informal that both wore jeans. The actress credits the longevity of their relationship to the constant collaboration between them.

Sissy Spacek Posing with Academy Award — At the height of their fame, Spacek and Fisk left Hollywood behind and moved to a farm in rural Virginia, determined to raise their daughters away from red carpets and the glare of the spotlight. There, they raised horses and grew their own vegetables, while Spacek returned to acting only for roles that truly resonated with her. In 2001, she earned a sixth Oscar nomination for her performance in 'In the Bedroom.'

98th Oscars - Arrivals — Their daughters have followed their parents into the film industry as well. Schuyler Fisk became an actress and, while she never came close to matching her mother’s level of fame, she has enjoyed a steady career in American television and film. Madison, meanwhile, learned the ropes from her father and has worked in the art department on a number of feature films, following in his footsteps as a production designer.

Brunch Celebrating the Kennedy Center Honors — One of the best-known stories from 1970s Hollywood is how Spacek landed the role of Carrie. As close friends, George Lucas and Brian De Palma held joint auditions for their next projects, 'Star Wars' and 'Carrie,' respectively. Spacek auditioned for Lucas’s film, while Carrie Fisher also took part in casting sessions connected to the horror movie. In the end, the roles found their way to the actresses who would make them iconic: Fisher as Princess Leia and Spacek as Carrie White.

Sissy Spacek Hollywood Walk Of Fame Induction Ceremony — Spacek’s performance left such a deep mark on popular culture that screenwriter and producer Mike Flanagan, who is once again adapting 'Carrie' for Prime Video, has said it was the biggest hurdle in casting the role anew. According to Flanagan, most of the 1,400 actresses who auditioned for the series arrived trying to imitate Spacek’s iconic performance. The part ultimately went to Summer H. Howell, whose reinterpretation of Carrie has drawn widespread praise from critics.

Robert De Niro and Sissy Spacek Holding Awards — Although she was never associated with method acting in the way her contemporary Robert De Niro was, Spacek’s approach to her craft also relied on total immersion in her characters. For '’night, Mother,' in which she played a daughter struggling with suicidal thoughts, she would spend weeks inhabiting a deeply depressed emotional state until filming wrapped. It was none other than Jack Lemmon who warned her that if she remained so committed to despair, she might end up being consumed by it herself.

38th Annual Los Angeles Film Critics Association Awards - Red Carpet — Jennifer Lawrence, Jessica Chastain and Emma Stone — whom Spacek once advised never to hide her freckles on screen again — are among the younger generation of stars who have publicly expressed their admiration for the 76-year-old actress. Stone, who also worked with Spacek on 'The Help,' has reunited with the veteran actress for 'The Catch,' the new film directed by Stone’s husband, Dave McCary.

"Die My Love" New York Premiere — At 76, Spacek appears to have settled on a definition of happiness far less ambitious than the one Hollywood usually sells. In a 2022 interview with 'Esquire,' when asked how she managed to remain so upbeat, she said happiness is overrated and that we need to be content and simply be.

Wagner Moura e artistas do Oscar alertam sobre eleições

Diário da Manhã

By: Fernando Henrique - Estágio DM

10 October 2026 at 18:11

Em uma carta conjunta divulgada neste sábado (10) pela revista Variety, 58 membros brasileiros da Academia de Artes e Ciências Cinematográficas, responsável pelo Oscar, entre eles o ator Wagner Moura, os cineastas Kleber Mendonça Filho, Fernando Meirelles e o produtor Rodrigo Teixeira, se dizem preocupados com os possíveis desdobramentos do segundo turno das eleições presidenciais no Brasil.

O texto cita propostas de Flávio Bolsonaro (PL) de reescrever a Constituição, o desmonte da cultura sob o governo de seu pai, Jair Bolsonaro, que foi condenado por tentativa de golpe de Estado. Aborda ainda o caso, revelado pela Folha, da criptomoeda B22, que oferecia tokens a quem divulgasse conteúdos que incentivassem o voto em Flávio e dizia destinar parte dos recursos a crianças de Uganda.

Artistas temem retrocessos na cultura

“Sob a administração anterior, a indústria audiovisual brasileira sofreu com o fechamento do Ministério da Cultura, a suspensão do Fundo do Setor Audiovisual, o enfraquecimento das instituições culturais e as acusações de censura. Tememos um retorno a esse cenário”, diz o texto. “Proteger a liberdade de expressão e garantir a sustentabilidade a longo prazo da indústria audiovisual brasileira são inseparáveis da defesa da democracia.”

Menciona ainda os planos do governo de Donald Trump de enviar US$ 1 milhão para financiar grupos contrários ao STF, noticiados pelo The Guardian, sob a acusação de que a corte extrapola as atribuições judiciais e impõe censura no Brasil.

Carta pede atenção internacional às eleições

A carta, assinada também por nomes como Alice Braga, Anna Muylaert, Daniel Filho, Lais Bodanzky, Lucy Barreto, Sônia Braga e outros, pede maior atenção internacional ao pleito no país.

“Consideramos os acontecimentos no Brasil como parte de um padrão mais amplo de suposta interferência eleitoral em toda a América Latina. A defesa da democracia brasileira deve, portanto, depender não apenas do povo brasileiro, por meio de eleições livres, justas e transparentes, mas também da vigilância e do engajamento da comunidade internacional.”

Veja a lista completa dos signatários

Adrian Teijido
Alê Abreu
Alice Braga
Andrea Barata Ribeiro
Anita Rocha da Silveira
Anna Muylaert
Anna Van Steen
Bernardo Uzeda
Carlos Segundo
Carolina Markowicz
Claudia Kopke
Daniel Filho
Daniel Rezende
Daniela Thomas
Eduardo Serrano
Eliza Capai
Emilie Lesclaux
Emilio Domingos
Fernando Meirelles
Flávia Amon
Flávia de Souza
Gabriel Domingues
Gabriel Mascaro
Helena Solberg
Heloisa Passos
Ilda Santiago
Jefferson De
Jorge Bodanzky
José Joffily
Juliana Rojas
Karen Akerman
Karen Harley
Karim Ainouz
Kleber Mendonça Filho
Lais Bodanzky
Lucy Barreto
Maeve Jinkings
Marcelo Caetano
Maria Augusta Ramos
Mariana Oliva
Matheus Farias
Miriam Biderman
Otto Guerra
Paula Barreto
Pedro Kos
Petra Costa
Plínio Profeta
Renata Almeida Magalhães
Rodrigo Teixeira
Sara Silveira
Sônia Braga
Tatiana Leite
Thales Junqueira
Vânia Catani
Vera Hamburger
Wagner Moura
Waldir Xavier
Wilssa Esser

The post Wagner Moura e artistas do Oscar alertam sobre eleições appeared first on Diário da Manhã - O Jornal do leitor Inteligente.

Neanderthal Wood Tools Almost Never Survive — A Spanish Cliff Has Preserved Spears, Bowls and a Club With No Known Match

LBV Magazine English Edition

By: Guillermo Carvajal

8 October 2026 at 09:38

When people talk about Neanderthal technology, they almost always mean stone: points, scrapers, flakes chipped from flint. There is a good reason for that. Stone can last hundreds of thousands of years, while a wooden stick buried in the ground rots away quickly. For decades, a large part of Neanderthal equipment has simply been missing […]

Eva Marie Saint: the Hitchcock muse whose career spanned nearly eight decades

El País - English

By: María Porcel Estepa

7 October 2026 at 10:29

Eva Marie Saint, one of the last great actresses from Alfred Hitchcock’s universe, died on Tuesday, October 6 at her home in Los Angeles, family representatives said. She was 102.

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Eva Marie Saint with Cary Grant in 'North by Northwest', directed by Alfred Hitchcock.

Richard Dean Anderson, the iconic MacGyver: ‘He was different, a TV hero who didn’t use guns. He would think, look and solve the problem’

El País - English

By: Nacho Sánchez

6 October 2026 at 17:38

He had a solution for everything. There was no problem he couldn’t tackle. Whether it was forcing open a lock by melting ice, building a defibrillator out of two candlesticks and a microphone cable, making a bomb with a stick of chewing gum or defusing one with a paper clip. He could even stop a sulfuric acid leak with milk chocolate bars. As a popular Spanish saying inspired by the character goes: “You’re more dangerous than MacGyver in a hardware store.”

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Richard Dean Anderson, the famous MacGyver, at the San Diego Comic Con in Málaga.

Brett Goldstein, the comedian who ran a strip club in Marbella before finding fame with 'Ted Lasso'

El País - English

By: Ixone Arana

6 October 2026 at 16:40

“He’s here, he’s there, he’s every fucking where: Roy Kent, Roy Kent!” chants the loyal Richmond crowd in tribute to the captain of the struggling English football club at the heart of the TV series Ted Lasso. It seemed almost prophetic of what awaited Brett Goldstein, the 46-year-old actor who plays the gruff Kent. Since joining the hit Apple TV comedy’s main cast, having originally been hired only as a writer, he has gone from being virtually unknown outside the United Kingdom to starring in a romantic comedy with Jennifer Lopez, appearing alongside Harrison Ford in a television series, and becoming Marvel’s new Hercules.

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Lopez Goldstein — Brett Goldstein at the Los Angeles premiere of 'Office Romance,' May 26, 2026.

Tom Cruise Climate Film Digger is “Biggest Flop of His Career” and Could Lose $150m in “Historic Disaster”

The Daily Sceptic

By: Will Jones

6 October 2026 at 11:32

Tom Cruise's new climate film Digger is turning into the "biggest flop of his career" and could lose $150m in a "historic disaster", leading Warner Bros to try a bold new marketing strategy: implying Americans are dumb.

The post Tom Cruise Climate Film Digger is “Biggest Flop of His Career” and Could Lose $150m in “Historic Disaster” appeared first on The Daily Sceptic.

Sylvester Stallone: ‘I don’t know what the new masculinities are. It’s in a man’s nature to conquer’

El País - English

By: Luis Doncel

5 October 2026 at 19:16

It is Sylvester Stallone’s fourth interview of the day. Is he tired of talking yet? “No, because this is the first one about my memoirs,” he replies from a hotel room in New York, his hometown, overlooking Central Park, where he is meeting with EL PAÍS.

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Stallone, in an image from the first 'Rocky' film.

Sylvester Stallone in Conversation at 92NY — Sylvester Stallone on September 28 in New York.

Vincent Cassel: ‘There are things that are good for your career and others that you like: always do the latter’

El País - English

By: Daniel Verdú

5 October 2026 at 12:24

There is a generation of filmviewers that cannot separate Vincent Cassel, 59, from the 1995 movie La Haine (Hate), where he dominated the screen. Although more than three decades have passed, Mathieu Kassovitz’s film was already exposing the seams of modern France. A Jewish kid from the Parisian suburbs, inflamed by frustration, resentment, the poison of social exclusion, a constant sense of injustice and a desire for revenge after a friend gets killed by the police. Vince, but also Saïd and Hubert, his closest friends, formed a trio that would be unlikely today in the banlieues of the Paris periphery. An Arab, a Black man and a Jew united by that prescient smell of fracture, exclusion and identity conflicts that began to feed the hatred and stoke the fire of the far right.

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Production: Nono Vázquez. Photography assistants: Emilio Azevedo and Adrián Wong. Production assistants: Laura Gimenez and Isabel Orozco. Makeup and hair: Anne Bochon. Movement direction: Pauline Gudet. Video: Daniele Vaia. Studio: Paul Le Cacheux Photographer.

Lili Reinhart, the actress looking for success away from Hollywood clichés

El País - English

By: Andrea Jiménez

4 October 2026 at 05:00

Lili Reinhart isn’t interested in being a celebrity… and the 30-year-old actress has proven this throughout her career. The moment her name started making headlines for her starring role as Betty Cooper in the TV series Riverdale (2017-2023), control over what she wanted (and didn’t want) in her life seemed to slip from her grasp. And, as her fame grew, she also had to confront her insecurities: subjected to constant media exposure, her life suddenly belonged to the public.

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Lili Reinhart, pictured at the premiere of 'The Love Hypothesis' (2026) in New York City, on September 16.

Tom Cruise vs. the world: Actor faces jokes about his age, his Oscar bid, and his return to the media spotlight

El País - English

By: Jaime Lorite Chinchón

2 October 2026 at 18:57

Although Tom Cruise has maintained his star status on the big screen, the 64-year-old has avoided giving interviews to mainstream media for the past 20 years. Instead, he has focused on being an actor exclusively associated with his roles, someone who only generates conversation for his spectacular stunts in the sequels to Mission Impossible, done without doubles, or for his commitment to the seventh art, to theaters, and to Hollywood.

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Tom Cruise, at the London premiere of 'Digger' on September 22.

Alejandro G. Iñárritu: ‘Tom Cruise loved this film because it freed him from the handsome, strong man that he is’

El País - English

By: María Porcel Estepa

2 October 2026 at 09:45

Digger is like a mango. It’s an acidic film, but also a bit sweet; outwardly it seems one thing but inside it contains surprises, and it needs time to ripen. Like a mango, its flavor can’t be explained. In fact, it’s better not to even try, says its director, Alejandro González Iñárritu: “The only way to know what a mango tastes like is to put it in your mouth. And you have to put this film in your eyes to understand it, because if I explain it to you, you won’t get it.”

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