• I've made it nearly 10 years into motherhood without telling my daughter a lie.
• I don't believe in white lies, even when telling the truth makes parenting harder.
• I think being honest has helped my daughter trust me and brought us closer together.

From where I stand, it seems like most parents lie to their kids, at least once in a while.

I am of the mindset that lying, whether to adults or to children, is wrong. Because I view it this way, I am uncomfortable with it and refuse to do it. My husband respects my stance, though he doesn't always follow suit and has told our child a handful of lies. But in the past decade since I became a mom, I have managed to avoid it.

I don't think I'm better than other parents, and I don't think anyone else is bad for harmless untruths. I just knew going into this that I wanted to approach parenting differently in a lot of ways, and this is just one of them.

Not lying doesn't equal to sharing every detail

This doesn't mean I divulge every secret. Kids don't need to know every detail about everything, even when they ask questions.

I was rather vague when she wondered why one of our relatives split up with her husband less than a year after the marriage, for example: "He did something really bad, and it hurt her a lot. She's not able to forgive him," I said, that was the end of the conversation.

I believe it is OK to keep some things a mystery indefinitely, to delay certain conversations or, when choosing to reveal things, to do so in an age-appropriate way (for example, where do babies come from?). But as far as not speaking any falsehoods, I have been consistent.

She asked me if Santa was real

I didn't tell her that Santa existed, but of course, as a toddler, she started believing through other friends, family, and Christmas marketing. I thought it was lovely and let her believe. Why spoil her fun?

But when she was a little older and asked me point blank if Santa was real, I replied in a curious tone "Hmmm, what do you think?" and instead it turned a situation where she started wondering aloud and trying to reason whether it was possible. I listened in the car, nodding along in the parent drop-off line at school. I also told her that a lot of people — including kids in her class — do believe in Santa, so it wouldn't be nice for their parents if she expressed her doubts to her peers. She agreed and went along to the classroom. Granted, I got lucky that it went in this direction. I was able to stay true to my "no direct lies" approach while not shattering a very magical childhood belief — one I remember fondly from my own youth.

And other common ones — like lying about a pet fish dying, or telling the truth when asked about a dinner ingredient, knowing there'd be resistance, or whether I remembered to do everything she asked of me — I don't lie about those either.

These were not always easy conversations (those situations alone resulted in her first lesson about death, her stubbornness to try some foods, and me disappointing her and admitting that "no sorry, I didn't babysit your stuffy while you were at school; I forgot this time.").

Honesty has brought us closer together

If she questions what I think of the makeup she did on my face, I enthusiastically compliment her creativity and say how fun it was to be in her makeover chair; I don't lie and say that the electric pink eyeshadow is the best color ever. I feel that it has built more trust between us and brought us closer. She knows that when she asks mommy something, I'm going to be straight up with her. She doesn't seem to doubt me or second-guess what I say.

As a parent, I understand that we are wired to protect our children. But with lying, I think parents are often trying to protect themselves. We want things to be easier, understandably. We want to say the place is closed instead of just telling the truth that we are just too tired to take them today. We want to tell our kid, "Yeah, the spider is gone now, honey," so they'll sleep well instead of saying that I actually have no idea where it went.

But avoiding discomfort is not a strong enough reason for me to lie to my daughter. It's not just that I believe lying is immoral; it's also about feeling that she deserves the truth. Plus, if honesty is one of the values that I'm trying to teach her, I want to set a good example by being honest with her.

• Princess Charlene of Monaco hasn't always been as fashionable as she is now.
• Before marrying Prince Albert, Charlene was an Olympic swimmer representing South Africa.
• Finding her "fashion feet" was a challenge, Charlene said — but now she's embraced daring looks.

When Princess Charlene married Prince Albert of Monaco in 2011, her life changed.

Once best known as an Olympic swimmer representing South Africa, she was reintroduced to the world as a princess.

The official Monaco royal website says she was born Charlene Lynette Wittstock on January 25, 1978, in Bulawayo, Zimbabwe. At age 12, she moved to South Africa with her parents and her younger brothers.

There, she began forging a career as a swimmer, taking home several awards at the 1997 South African championship, including the coveted title of best female swimmer.

Charlene went on to represent South Africa at the 2000 Sydney Olympics. As fate would have it, her future husband, Albert, was there as a spectator — though the pair wouldn't officially cross paths until she visited Monaco for a swimming competition later that year. They eventually married and later had twins, Prince Jacques and Princess Gabriella.

However, marrying into a royal family came with certain lifestyle adjustments, including Charlene's sense of style.

From her days as an Olympic athlete to being one of the most recognized princesses around the world, here's a closer look at how Charlene's fashion has evolved.

In 2001, Charlene was still very much in her athletic era.

She was photographed in South Africa wearing a laid-back look that consisted of gray sweatpants, a navy-blue windbreaker, and Nike sneakers.

Later that year, she maintained her sporty style on the front cover of South African Sports Illustrated.

For the photo shoot, Charlene wore a sporty red tank top, white flared jeans, and a sailor hat. In keeping with the easygoing, nautical aesthetic of the shoot, she opted to go barefoot.

Charlene and Albert made their first public appearance as a couple at a 2006 F1 Monaco Grand Prix party.

For the big night, she wore a black floor-length gown that was elegant and a world away from Charlene's previous ensembles.

It featured a sweetheart neckline and a long skirt with a lace-lined slit that reached her knees.

She paired the gown with silver drop earrings and a matching clutch.

Charlene brushed shoulders with fashion heavyweights like Karl Lagerfeld at the 2007 Monaco Red Cross ball — but she went on to regret her look.

For her first appearance at Monaco's annual Red Cross Ball, Charlene wore a sparkly, semi-sheer, backless ball gown that she borrowed from a friend, she told Tatler in 2010.

Reflecting on the look, Charlene wasn't exactly fond of her choice. "I looked like a Christmas tree," she said.

"I was used to living in a swimsuit and totally clueless about fashion. The day of the ball, I had been playing volleyball all day on the beach and didn't think about getting ready until late in the afternoon," Charlene added.

In a separate interview with Vogue before her 2011 wedding, Charlene remembered the outfit as one of her least favorites.

"Finding my fashion feet has certainly been the biggest challenge," she said. "I realize that my debut into Monaco society should have been better executed!"

Charlene ditched sparkly gowns for cargo shorts and a light-blue polo later that year.

She wore the casual ensemble during a visit to Richards Bay, South Africa, to teach swimming lessons to children.

Charlene opted for a more daring look at the 2007 closing ceremony of the Small European States Games.

For the event, she wore a black, strapless bustier top over asymmetric suit pants that featured a slit on the left leg. She accessorized with a sheer black scarf and a black clutch.

She tapped into the rock-and-roll theme of the 2009 Rose Ball with a bold hairdo and a black bejeweled gown.

Charlene's sleeveless dress featured a daring neckline and colorful jewels. A matching biker glove and a small black clutch completed the ensemble.

Albert and Charlene announced their engagement in June 2010.

For the official photographs that accompanied the big news, Charlene wore a colorful, floor-length dress.

The flowy blue-and-green gown was designed by Akris. It was backless and featured an elegant halter neck.

The official portraits also showed her sparkling engagement ring, which featured a three-carat, pear-cut diamond surrounded by smaller round jewels.

For the couple's civil marriage ceremony, Charlene collaborated with Karl Lagerfeld on her powder-blue ensemble, which perfectly complemented her eyes.

The ensemble, made of a blazer and palazzo pants, was both regal and reflective of Charlene's sporty aesthetic.

"It's feminine and keeps with tradition yet has a little twist that reflects my personal style," Charlene told Vogue. "I thought it was a nice change to go for trousers instead of a skirt, especially since I'm an athlete and have always kept my clothes clean and simple."

Later, for the grand religious ceremony, she dazzled in a custom-made Giorgio Armani gown that took 2,500 hours to make.

The designer told Vogue that the off-the-shoulder gown — which was made of Duchesse silk and silk organza — was covered in 40,000 Swarovski crystals, 30,000 gold stones, and 20,000 mother-of-pearl teardrops.

The look was completed with an intricate silk-tulle veil that took around 100 hours to embroider.

In 2012, the newlyweds made a dapper debut as a married couple on the Oscars red carpet.

For the occasion, Charlene wore a sleeveless, ivory Akris gown that was partially sheer at the top and featured a cutout at the back.

Channeling the regal image of her late mother-in-law, Grace Kelly, Charlene arrived at the 2013 Princess Grace Awards in a striking Ralph Lauren gown.

The sleeveless Ralph Lauren gown featured a ruffled halter neck and a small train. She paired it with a simple gold bracelet.

While distributing Christmas gifts to children in Monaco in 2015, Charlene stood out in a beige cape jacket.

The princess paired the unique jacket with a black turtleneck, black leggings, and leather knee-length boots.

Charlene arrived at the 2017 Red Cross Ball in a silver, sleeveless jumpsuit designed by Versace.

Charlene's shimmery, strapless pantsuit — which was designed by Versace — featured semi-sheer, palazzo-style pants.

She wore it with silver sandals, a metallic clutch, and diamond earrings.

She later attended Versace's Spring 2018 show in an asymmetric, chainmail minidress with several daring cutouts.

Charlene wore the bold dress with a black leather biker jacket and silver stilettos.

For the 2018 Princess Grace Awards Gala, Charlene ditched gowns and instead wore a black suit with suspenders.

She kept the top buttons of her white shirt open and wore her suit jacket casually over her shoulders.

She showed off a brand-new, half-shaved haircut at the 2020 Monaco Christmas gift distribution.

Charlene's hairstyle drew mixed reactions after the annual Christmas event in Monaco. Nevertheless, she told the French magazine Point de Vue that she didn't care for anyone else's opinion.

"This haircut was my decision," she said. "It seems that it has provoked all kinds of comments. But it turns out that I wanted it for a long time. The style pleases me. That's all."

In 2022, she returned to the F1 Monaco Grand Prix racetrack wearing a powder-blue jumpsuit.

The unique jumpsuit was designed by Terrence Bray. It featured a wide neckline, puffed bell sleeves, and pants so long they covered her feet.

She later put another unique spin on regal attire at a ceremony honoring Monaco National Day.

Charlene's eye-catching white coat was designed by one of her go-to brands, Akris.

The princess paired it with a black turtleneck, leather gloves, and a wide-brimmed hat made by British hatmaker Stephen Jones.

For the Monaco National Day gala in 2023, Charlene went for a dazzling ruby-red ensemble.

The festive dress was designed by DidierAngelo. Charlene coordinated the gown with her lipstick, jewelry, heels, and nail color, all in similar shades of scarlet red.

Red remained her color in 2024.

She attended a gala dinner at the F1 Monaco Grand Prix wearing a custom Louis Vuitton dress.

The vibrant red piece had a straight floor-length skirt, off-the-shoulder long sleeves, and a silver, sequined collar that extended from her shoulders to the gown's neckline.

She wore the outfit with a thick diamond bracelet and matching earrings.

She stunned in lace at the 2025 Rose Ball.

Her Dolce & Gabbana gown was truly unique with two distinct layers. It featured a strapless velvet gown beneath a layer of green lace.

The latter had a single puffed sleeve and a velvet belt that matched her dress.

Charlene completed the look with black pumps and emerald earrings.

Charlene looked chic at a religious ceremony in January.

She attended the 2026 Ceremony of the Sainte-Devote in a navy-blue look that comprised a thick winter coat, a matching scarf, leather gloves, pumps, and a headband.

She also carried a small purse and wore a gold brooch on the bodice of her jacket.

She returned to sparkling eveningwear in September when she attended the 20th Anniversary Gala for the Prince Albert II of Monaco Foundation.

Charlene was photographed arriving at the event in a black Jenny Packham gown, one of Kate Middleton's favorite designers.

The elegant design featured a floor-length skirt, a strapless neckline, and a beaded mesh overlay that covered her shoulders and added short sleeves to the look.

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Next to rubble and pictures of the deceased, people in Gaza are still getting married. Athar Abu Samra reports on why couples are refusing to delay their nuptials. With so much already lost, and so much still under threat, families in Gaza are seizing moments of joy wherever they can. Marriage ceremonies are no longer what they once were—nor do they express hope in quite the same way—but they have become powerful testaments to resilience.

As I worked on this story, I came to understand that the war has not only transformed weddings in Gaza. It has transformed people’s relationship with time itself. Before the war, marriage followed a familiar sequence. People finished their education, found work, built or rented a home, saved enough money and only then began planning a wedding. Families often postponed marriages until those expectations had been met. But now no one has that luxury — the luxury of time.

I spoke with one mother who had lost several of her children during the war, yet hurried to arrange the marriage of her youngest son. She told me she had always dreamed, like any mother, of watching all of her children grow up, get married, and fill her home with grandchildren. The war had taken much of that dream away, but she was determined not to lose what remained.

Monarch butterfly populations are on the upswing. But, faced with climate change, pine bark beetles, and even avocado-farming cartels, can it last? For The Atlantic, Vann R. Newkirk II follows Cinderella, Eric, and Carle, three butterflies named by his young daughter, as they leave their wintering ground in Mexico to migrate north to lay eggs in order to complete their “biological mission.”

Cinderella, Eric, and Carle had all been tagged in Sierra Chincua, which meant that I could deduce certain facts about their lives. They were already bona fide world-class wanderers, having flown there all the way from Canada in the fall, a three-month trip. Along the way, they’d dodged birds and windmills and cars, eventually reaching the same patch of forest—perhaps even the same trees—that their great-grandparents had roosted in. For much of the winter, they had not eaten and had barely moved, jamming themselves so tightly against their fellow travelers that from a distance they looked like scales armoring the sides of the trees. Now they’d awakened, stretching their wings and warming up.