In this harrowing, incredibly reported story co-published by Science and Retraction Watch, Brendan Borrell uncovers how “Mei,” a 6-year-old girl in China, died a week after an experimental gene-editing trial went wrong—and how her medical team, led by neuroscientist Zilong Qiu, downplayed the risks to her parents, did not publicly disclose her death, and has faced no real accountability.

On 23 March 2025, the day before the procedure, the family settled into a shared room inside a crowded pediatric ward. When the other girl in the room broke into tears, Mei handed her one of her favorite stuffed animals: a blue bird. “She liked to give things to other kids,” Jason said.

The next day Mei put on a brave face as she was taken to the procedure room. Yu’s handpicked doctor inserted a needle between two vertebrae on her lower back and withdrew just over a teaspoon of spinal fluid to create space for the drug. Then, he swapped syringes and gently pressed down on the plunger, filling her spinal canal with viruses.

Forced disappearances have plagued Mexico for decades. In 2019, something remarkable happened: Twenty-one disappeared people were found, alive. They had been toiling in narco-slavery camps, an under-covered aspect of Mexico’s illicit drug trade. But there wasn’t a happy ending. (This story was originally published in Spanish by Quinto Elemento Lab):

Freedom had not been kind to the captives. Few had been able to regain even the wretched standard of living that had pushed them into the arms of the cartels in the first place. Many were scarred by paranoia, trapped in addiction or suffering mental illnesses. Some had been abandoned by their partners or families. More than one, we learned, died after being rescued, some by their own hand. We came to feel that these men had been triply betrayed: first by the narcos who had lured them into the mountains, then by the government that failed to look for them, and finally by a society that refused to welcome them back into its fold.

We are telling their stories not because we hope to secure justice, but simply to establish the truth. This was a modest ambition shared by one of our interlocutors, Andrés. He told us that many of the survivors’ accounts had been doubted. He’d even read criticisms on social media: That’s what they deserve for being shiftless and lazy. “Those people should try thinking before they speak, because they don’t know when they might suddenly find themselves in a similar situation,” Andrés said. “They might be lucky enough to be rescued, or unlucky enough to die out there. I decided to give this interview because this situation’s not going to change. In Mexico, there’s sexual slavery, human trafficking, forced labour. This didn’t start yesterday; it’s been going on for many years.” 

Across the United States, dozens of law enforcement officers face accusations of misusing Flock, a surveillance network of 120,000 cameras that track license plates. Flock’s proponents claim that the technology does far more good than harm; one investor tells the Washington Post that abuse is “truly a nonissue.” But fear isn’t a statistic. Drew Harwell, Douglas MacMillan, and Aaron Schaffer structure their investigation of Flock’s misuse by law enforcement around the story of a woman in suburban Atlanta who had her whereabouts tracked hundreds of times by her ex, the local chief of police. Their report telescopes between the tradeoffs of a “transformational” technology and a few nightmarish cases of misuse.

Bakely said the cameras had left her feeling powerless to stop her ex-boyfriend from tracking her life. She didn’t feel safe asking the police agency he led, she said, and she couldn’t get access to records that would have shown the surveillance was happening in real time. After Steffman told her about his Flock searches, she filed for a restraining order, but a judge denied it on the basis that she couldn’t prove ongoing abuse, court records show.

He “watched every single move I made,” she said. But “who do you turn the chief of police in to?”

The war in Iran began five months ago. Headline news about the conflict tends to focus on when and how it might end. In the meantime, the impacts of the conflict are felt worldwide—by drivers, farmers, business owners, and families. The Associated Press shares the stories of seven people suffering because of the war. Among them is Edgar Funelas, a jeepney driver in the Philippines who lives with his ten-year-old daughter:

He uses laundry soap—harsher, but cheaper—to wash his body and his clothes in the same motion, stretching what little money he has. Even before the war in Iran, he was living on the margins. A fire took their home and their belongings, forcing them to move into the brightly colored minibus he drove.

He’d hoped to be able to rent a room by now. Then diesel prices surged, and he could no longer afford the fuel to run his jeepney.

He hasn’t earned a single peso in days. There will be no breakfast. Hunger gnaws, but it’s the small rituals of privacy that he misses most: to be able to wash out of sight, to sleep behind walls, to keep his desperation from being laid bare.

Mark Seal is very fond of the phrase “Who Ya Gonna Call? Scam Busters!”—he uses it three times in this piece. Yet it’s still refreshing, despite being from last year, to read a story that focuses on the painstaking effort to trace scammers rather than lingering on the victim’s humiliation (looking at you, Netflix). Seal does explain how a French woman named Anne fell for “Brad Pitt” online and subsequently lost her fortune to the scammers, but her supposed savior, cyber‑detective Marwan Ouarab—sporting a cat‑in‑a‑trench‑coat T‑shirt—gets most of the page time here. Ouarab apparently found the scammers within 48 hours, but no charges have been made, and Anne is still fighting to recover any of her money. You can call the scam busters, but you’re still in for a long wait.

“All during the scam, Anne was suspecting something,” he says over a vanilla flan, a sweet treat for a very determined guy. “But every time, the crooks had fine words, the right words. They were really poetic. They knew what words were right for her. They really understood Anne’s psychological profile.”

It was a classic “sentimental scam,” says Ouarab—a carefully produced, all-encompassing “theatrical event” that uses love as the bait to hook the target and then envelops them completely in the con. (In this case, the divorced interior designer, Anne, whose last name has not been made public, and a convincing facsimile of Brad Pitt, achieved via A.I., deepfake technology, and, according to Ouarab, “ridiculous photoshop tools to create pictures of the fake Brad in his hospital bed.”)

When Leslie Buck was discovered dead in her home in 2002, Mystic, Connecticut, went into shock. What had happened to the grade school teacher and who had wanted her to die? For journalist Brenna Ehrlich, this one was personal; Buck had been her teacher in grade one. In her latest for Rolling Stone, Ehrlich returns to Mystic to learn more about who Leslie Buck was and why she was murdered.

And Anna Greene, my second-grade teacher, told me about the poems she found in Leslie’s desk after she died — that she read at the funeral. There’s one about the kids who are different, “who don’t fit,” who “dance to a different drum.” For some reason, that hit me harder than police reports or autopsies. More than the horrors that true-crime often focuses on. I still can’t read it without crying. Maybe because I definitely was one of those kids, or maybe it’s just because it shows that she truly saw her students — all of them. Or maybe it’s a much-needed reminder that Leslie Buck isn’t a story, a case to be solved. She was a person. And she deserves to be remembered.

The genocide in Gaza has created some 60 tons of rubble. In doing so, it has released asbestos, lead, and other toxic materials, guaranteeing “an epidemic of cancer, lung disease, and brain damage,” Helen Epstein writes, “[that] could come to rival in lethality the war’s bombs and bullets.” Research is starting to make visible the scale of dangerous fallout, but there are limitations:

To confirm [scientist Yaakov] Garb’s estimates, it would be necessary to test soil samples from the areas he has identified as particularly likely to be contaminated. But the Israeli government seems to be obstructing efforts to carry out such tests, let alone assist the current and future victims of this environmental catastrophe. Aid workers and others entering Gaza attend an official briefing where they are informed that it is forbidden to leave the enclave with even small amounts of soil or sand. Once in the Strip, any scientists surreptitiously collecting research material risk being spotted by overhead surveillance drones. At departure checkpoints every piece of luggage is emptied onto a conveyor belt, and border guards carefully inspect each item. Several people told me they knew researchers whose soil samples had been confiscated. Palestinian researchers in Gaza have no capacity to conduct such experiments on their own, since the enclave lost all twelve of its universities and scores of scientists in the bombing. Without the Israeli government’s cooperation, only remote assessment and modeling like Garb’s can even begin to determine the scale and location of toxic contamination in which Gaza’s population now lives.

Daniel left school five years ago and still lives with his parents—pretty normal in a country where around a third of young British men haven’t moved out. What is different about Daniel is his identification as “hikikomori”—literally “pulled inward”—a form of extreme social isolation. Since leaving school, he has left his family home “maybe once a month.” Research into hikikomori is limited, though some links with social anxiety and autism have been drawn. In this piece, Eve Livingston explores what day-to-day life is actually like for the families living with this phenomenon, doggedly seeking access to a world built to avoid in‑person encounters.

Dip your toe into the world of hikikomori, and you’ll find that attitudes vary widely, even among the self-identified. Some, like Daniel, display a level of sensitivity and sometimes defensiveness about their lifestyle, while others are more open about a sense of sadness and sometimes hopelessness they felt towards their circumstances. 

“I am [a hikikomori]… it sucks and I hate my life,” reads one such comment on Reddit. “Every single attempt at recovery has ended up in an even deeper relapse and its [sic] so painfully boring and lonely… I fantasise about being free all the time but I know I’m probably just going to die this way.”

I’d be lying if I said I understand everything Michael Levin believes. But I’m also not alone; sometimes his own colleagues can’t even follow his arguments. Elizabeth Weil’s profile of the renegade (and genius) biologist bridges that gap, sketching out Levin’s research and claims in a way that’s just grokkable enough to blow your mind. I mean this as a true compliment: When’s the last time we had a genuine mad scientist on our hands?

Critics accuse Levin of all kinds of teleological crimes — making unfalsifiable claims, using words in ways that render those words meaningless. Levin is unfazed. In his talks, he tries to disarm his detractors by preempting the accusation that he’s nuts: “I have some unusual things to say and then I have some crazy things to say”; “So this is a kind of crazy claim I’m making.” His true retort is his wet lab. There, at the bench, he’s working to prove his metaphysics by running old-school (in a way) biological experiments. He studies flatworms with two heads. Frogs with eyes on their stomachs. Little round creatures called xenobots, synthesized from frog skin cells. They swim like tiny Pac-Men. They do not exist in nature.

“The only thing that ever settles arguments is technology,” Levin tells me, a line he borrowed from biophysicist Chris Fields. “People have been saying for thousands of years what they think” about minds, consciousness, souls, energy fields. “What I can contribute is ways to test some of those things.”

Linni Kral has always been preoccupied with her bowels, but as a food writer, it hasn’t usually been that end she’s focused on in her writing. Now, as the internet explodes with “scat chat,” Kral is ready to investigate whether obsessing over our bowel movements has any merit. The result is a giggle fest—though you’ll need the stomach for some serious poo talk.

One day, it seems, the internet woke up and chose BMs, and suddenly the hottest girl you know is posting about scat. Now you have to go out of your way to not eat fiber—prebiotic supplements are in our soda, our candy bars, our cold foam. The beverage case is dominated by the likes of Olipop and Poppi and Culture Pop, all offering varying degrees of digestive assistance. The other day, I saw a smoothie blend in the freezer aisle called “Fiber Supremacy,” and earlier this year, Frito-Lay launched a fiber-packed version of both SunChips and Smartfood popcorn. Kraft is making a purgative macaroni and cheese that boasts six grams of fiber per serving (or 15 grams if you eat the whole box—which is, let’s be honest, how most people consume Easy Mac). Outside the retail space, home cooks are finding ways to fit chia and flax into not just their breakfasts but their meat loaf. They’re pureeing beans into sauces and veggies into puddings and cakes. Literal doctors are posting their #fibermaxxing menus to TikTok. And while this may sound like just another wave on the ocean of content we surf daily, it gets…weirder.

Frustrated that law enforcement and government officials are unable to help them, Venice property owners have called upon a private company, staffed by former gang members, to remove encampments in their neighborhood. For L.A. Material, Hayes Davenport talked to one of the company’s owners—lifelong Venice resident Bobby Luna—as well as dozens of locals, from homeowners to unhoused folks, about the company’s presence in the community. Homeowners are satisfied with Ghost Town’s service, while some unhoused people who have been forced to relocate report harassment and physical force from its employees. “Ghost Town has stepped in to address a decades-old problem with an unconventional approach,” writes Davenport. “Are they an inspiring story of neighborhood reclamation, filling the void left by an insufficient, hobbled government response? Or mercenary enforcers, contracted to speed along the neighborhood’s gentrification?”

One homeowner — who said she has paid between $100 and $300 a month for Ghost Town’s services, with the cost going down as more neighbors became clients — told me she signed up after multiple people trespassed on her property while she was pregnant, triggering their security system. “Police didn’t come for an hour and a half,” she said. “Ghost Town shows up in five minutes.”

“They’re the reason we still live here,” she added.

But Andrew’s contention that “most people in the homeless community have had some kind of negative interaction with Ghost Town” had also been supported by the people I talked to on the street.

For Eater, Bettina Makalintal reports on a refreshing trend in the restaurant industry: businesses embracing lo-fi, handwritten communications and announcements in response to the ceaseless AI slop we’re served across social media these days. From a grocery store’s hand-illustrated flyers to a burger joint’s Sharpie-scribbled menu specials, restaurants are choosing advertising with a human touch and rejecting polished AI-generated graphics.

It’s hard to think of a path of more friction than choosing to run a restaurant; why add even more friction to that? In these conditions, yes, it costs more to hire a photographer to promote your new menu than to generate one with AI, but it’s also increasingly clear that many people would rather see a badly taken, lo-fi photo than an engineered AI image. For one thing, it feels like a reflection of one’s values. To me, a restaurant that employs AI art is capitulating to the culture of slop, akin to reheating premade food from Sysco. It’s impossible to square with a value system that cares about craft and integrity.

By the time I encountered the fifth photo in Matt Seaton’s contemplative essay about New England’s stone walls, I found myself participating in the image, trying to figure out the maneuvers that had made the structure cohere. That’s a lot of the gratification here—”striving for coherence,” as Seaton, a former Atlantic editor, describes the work of walling. This is a quick read, and Seaton makes every word count, fitting a bit of Robert Frost and a lot of rock knowledge together just like he was building a . . . well, you know.

Bit by bit—which is the way with walls—my interest and knowledge deepened until what had begun as recreation morphed into a hobby job, mending other people’s walls. Eventually, I realized not only that I liked building walls, but also that I could scratch a subsistence living at it. In what probably struck friends and family as an act of lunacy, I quit my day job as an editor at this magazine and became a part-time waller.

Monarch butterfly populations are on the upswing. But, faced with climate change, pine bark beetles, and even avocado-farming cartels, can it last? For The Atlantic, Vann R. Newkirk II follows Cinderella, Eric, and Carle, three butterflies named by his young daughter, as they leave their wintering ground in Mexico to migrate north to lay eggs in order to complete their “biological mission.”

Cinderella, Eric, and Carle had all been tagged in Sierra Chincua, which meant that I could deduce certain facts about their lives. They were already bona fide world-class wanderers, having flown there all the way from Canada in the fall, a three-month trip. Along the way, they’d dodged birds and windmills and cars, eventually reaching the same patch of forest—perhaps even the same trees—that their great-grandparents had roosted in. For much of the winter, they had not eaten and had barely moved, jamming themselves so tightly against their fellow travelers that from a distance they looked like scales armoring the sides of the trees. Now they’d awakened, stretching their wings and warming up.

First off: This isn’t a Rick Moranis profile. I know you want it to be—we all want it to be—but it’s not. Maybe one day we’ll get the deep, rich look at a man who’s beloved by millions of comedy fans but who also stepped out of the public eye more than 30 years ago. Until then, there’s the fact that Moranis will be part of next year’s Spaceballs sequel, and as such was game enough to show up at San Diego Comic-Con over the weekend (where, predictably, Hall H chaos ensued). Anthony Breznican was there, shadowing the proceedings. Read it at ludicrous speed, obviously.

Even in this holding area, Moranis is already getting a sense of the excitement building around him. Among the first people to have their socks knocked off is Clerks and Mallrats filmmaker Kevin Smith, the moderator of the presentation and a Comic-Con stalwart for decades. “I came for the panel because of Rick Moranis,” he tells me, invoking the name of the actor’s beer-swilling duo with Dave Thomas from their SCTV days. “Jay and Silent Bob doesn’t exist without Bob and Doug McKenzie. Having him at Comic-Con is like having geek royalty here. You’re talking about a dude who, for most of us, was there as we grew up. He was part of the fabric of the culture since we were kids.”

What moves the star of Jackass to risk his life for our entertainment? This “very serious investigation” involves interviews with friends and family, a surf trip to Malibu, a gag with a fake raccoon, and a stop at In-N-Out:

He nosed the car into the drive-through line, drawing stares as he nosed—some for the vehicle, some for the driver. Mostly male stares. A teen-age boy stepped up to the passenger window and leaned in to take his order.

“One hamburger with tomato, lettuce, and mustard,” Knoxville said. “Fries, please. And a cup of water.”

“Onion?”

“No, sir.”

The teen-ager squinted. “You look familiar. Are you famous, by any chance?”

“Actually, completely by chance!” Knoxville improvised.

The San Francisco Police Department cleared 14 percent of rape cases last year—half the national rate. An investigation finds that rape kits get tested fast, only for cases to be quietly shelved. Often, the only thing standing “between a report and the shelf” is what’s known as a “pretext call,” a recorded phone conversation in which a survivor tries to extract an admission of guilt from their attacker (aka relives their trauma to do the police’s work for them):

She sat in a room at the SVU headquarters with [Sergeant Johnathan] Ng and a recorder. She dialed the man she alleged raped her. He didn’t pick up. She tried again. No answer.

“If we don’t get an admission, it’s a he-said, she-said thing,” she remembered Ng telling her.

Then, she said, he offered some unsolicited advice.

“He told me that I probably shouldn’t be hanging out with 55-year-old men,” she said.

Travis Diehl’s feature on “Star Axis,” the half-century project of artist Charles Ross, is transportive, an ideal combination of explanatory and sensory writing. Not all of us will make it to the sparse section of Anton Chico, New Mexico, to ascend the steps of Ross’s pyramid and see the stars reel. For those of us who don’t, Diehl’s piece makes for an elegant consolation prize.

Ross broke ground during the U.S. Bicentennial year. Fifty years and more than $10 million later, he says “Star Axis” will be done by winter. In the final design, the staircase rises 11 stories through a tunnel blasted in the rock of Chupinas Mesa, 6,000 feet above sea level and into a viewing chamber in a concrete, stone and steel pyramid 52 feet tall. A circular window there frames Polaris. As viewers climb each of the 147 stairs, the rim of the window appears to broaden, giving an idea of how far Polaris has and will move in a given amount of time, during the 26,000-year cycle known as precession, the gravitational wobble of the Earth’s rotational axis.

Before I read this piece, all I knew about tomatoes was that homegrown tastes infinitely better than store-bought. For Offrange, Mitch Hagney educated me on how tomatoes ripen naturally and unnaturally, and how Big Tomato forces the issue in huge warehouses by pumping in ethylene gas. It might just inspire you to grow your own.

Tomatoes are climacteric fruits, like bananas, avocados, and mangos, which means they can be harvested unripe and complete the process later. Ethylene sends the hormonal signal to ripen. When that process happens naturally, cells near its seeds start producing the gas and it diffuses outward through the fruit. Each cell the gas reaches begins its own production, and the cascade softens the flesh and the tomato turns red from the inside out. That allows the fruit to be picked much greener, shipped far, and then ripened when they’re close to their eater.

To do it artificially isn’t complicated, but it is expensive. Ethylene floods the room at carefully calibrated amounts, and the operator compresses what might take weeks into five days. Sensors log temperature, humidity, and gas concentrations around the clock. The tomato turns red from the outside in.

Every adult who purports to care about a free press should read at least one story about the frustrating hurdles and bad-faith nitpicking confronted by student journalists (and their advisors). Earlier this year, a young reporter for the Redwood High School Bark found a few local references in the US Department of Justice’s public files concerning Jeffrey Epstein, the sex offender who died in 2019 while awaiting trial on sex-trafficking charges. Soon, the high school faced legal threats, and administrators grew concerned that students had published inaccurate information. Ara Rosenthal tells the story of the steady, diligent young journalists who weathered the worries and pressures of the adults around them—and kept their story intact.