Donald Trump returned to power in Washington with two major foreign policy promises: to end the war in Ukraine “in 24 hours” and to keep his country out of more “forever wars.” Almost two years after his decisive electoral victory, the Russian invasion continues with no sign of a quick end, and the United States has plunged itself into yet another hornet’s nest in the Middle East. Two conflicts of unpredictable outcome have pushed fossil fuel costs to historic highs worldwide and are increasing doubts about whether — with price signals distorted — supply chains will withstand the pressure.

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Donald Trump’s Swiss Army knife is national security. He uses it for everything. If judges block his plan to remodel the East Wing of the White House to build a ballroom that dwarfs the presidential residence, he cites national security to keep the work going. When obstacles arise to building a gigantic triumphal arch in Washington to honor himself, he says national security reasons justify it. If a judge questions him about deploying the National Guard in American cities, it’s for national security. Sued for banning certain media outlets, the answer is the same. And if he can’t find other grounds to impose tariffs, he invokes national security.

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The iconic GALA Hispanic Theater in Washington, D.C., a pioneer in presenting Spanish-language plays in the U.S. capital, hasn’t been immune to the impact of Donald Trump’s aggressive immigration policies. Faced with the intensification of raids by Immigration and Customs Enforcement (ICE) across D.C., this center for Hispanic culture has become a refuge for the Latino community on more than one occasion.

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Saying that Cuba is in crisis is hardly news. It has been for decades. Nor is it news that Washington’s sanctions have worsened the health of an economy that is now on life support. Both statements are axioms. But talking about Havana is a high-risk sport.

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Alejandro Betancourt’s tentacles in Spain are long. The Venezuelan businessman who amassed a fortune after his country’s power crisis at the end of the 2010s has seen his wealth rise again after the Trump administration touched him with the magic oil wand, entrusting him with crude exploitation in a deal with the government of Venezuela’s interim president, Delcy Rodríguez. The billionaire’s assets in Madrid alone are substantial, according to police documents that are part of an ongoing investigation into alleged money laundering. Authorities seized five luxury cars, a United Arab Emirates residency card and 17 firearms at his private estate in Toledo.

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For years, Europe grew used to a contradiction that it is only now beginning to see as a risk: being one of the world’s foremost regulatory powers in the digital sphere while remaining dependent on others for much of the technology those rules were designed to govern. Over the past decade, Brussels has assembled an extensive legislative arsenal aimed at curbing the power of big tech, from the General Data Protection Regulation (GDPR) to the Digital Markets Act, the Digital Services Act and the AI Act. Yet while Europe was writing rules, the United States and China were building companies, data centers, chips, cloud platforms and artificial-intelligence models on a scale that no European firm has managed to match.

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For the past 96 days, a huge tarp has hung over the facade of the Kennedy Center, a fitting symbol of Donald Trump’s assault on Washington’s cultural institutions.

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“All that’s standing between me and my vacation is you guys,” Zohran Kwame Mamdani jokes as he welcomes EL PAÍS on a Friday afternoon. He is about to take a week off, his first break since becoming mayor of New York at the beginning of the year.

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I found it easy to resist the early dispatches from “UFC Freedom 250,” the Ultimate Fighting Championship event held in June on the White House South Lawn. But Jon Ronson is the sort of writer I can’t help following into battle. Fresh off a new book about masculinity, Ronson brings a delightfully skewed perspective to the fights and the days that surrounded them. The result is a portrait of a planned media spectacle that can’t quite make sense of itself. The best battle here may be Ronson’s tussle with his own photographer, 79-year-old Bruce Gilden, who is a bit of a hugger.

“I’m pretty certain you hugged Stephen Miller first,” I say. “I don’t see Stephen Miller as initiating a hug.”

“You may be right,” he says. “I don’t remember. Look, I do things maybe other people aren’t comfortable doing, but I felt comfortable and I trust my instincts.”

He acknowledges that “nobody is immune to misreading a situation” and that because of him we were all forced back indoors, but he blames Miller’s entourage for not checking with their boss on whether he minded being hugged.