“O Doclisboa continua a ser a casa do cinema português”

© DIOGO VENTURA/OBSERVADOR

© DIOGO VENTURA/OBSERVADOR

© TOMÁS SILVA/OBSERVADOR
Maricarmen Abascal faced four eviction attempts, and the last one succeeded. It happened two weeks ago. The 87-year-old woman left her Retiro home in a wheelchair; she had lived there for almost her entire life. Once outside, she was helped onto a stretcher and taken to Gregorio Marañón Hospital. She died there on Wednesday.

© JUAN BARBOSA
Three years ago, a category-five hurricane devastated the Mexican resort of Acapulco. Amid images of a shattered city, the impossible emerged: the story of sailors who survived Otis on their boats. Marlon Valdez and Jonathan Chico’s feat was to withstand the winds that destroyed buildings, uprooted trees and dislodged entire hillsides, killing at least 52 people and leaving 31 missing, most of them sailors like them.
They came to Madrid to counterprogram one of Europe’s largest real estate fairs, The District. What they found was an 87-year-old woman who was about to be evicted from their home — and was, before their eyes. Around 200 housing activists from more than 20 countries across Europe decided to join the demonstrations against the eviction, and later joined a spontaneous encampment in front of the Madrid regional government headquarters at the historic Puerta del Sol plaza.
In September 2025, the film that won the most awards at the Ophir Awards, Israel’s equivalent of Spain’s Goyas, was The Sea, which tells the story of a Palestinian boy who sneaks past checkpoints to try to reach Tel Aviv and see the Mediterranean for the first time. The film does not delve into the daily squalor and violence of the Israeli occupation, but it provoked the ire of Culture Minister Miki Zohar at the time, who said he would not allow a “group of extremist left‑wing thugs” to take over the film sector.

© ABIR SULTAN (EFE)