From the government, officials speak of unnecessary “alarmism,” but thousands of citizens are not convinced. They are training to respond to any potential interference in the upcoming midterm elections. Many were previously active in efforts to protect migrants from raids by Immigration and Customs Enforcement (ICE), and their focus has now shifted to defending democracy against possible threats.
It was all thanks to a small metal screw – an orthodontic mini-screw, to be precise – that was placed in the jawbone underneath José Antonio Jiménez’s gums. His wife, Priscila Murrieta, waited in the hallways of the Attorney General’s office in Mazatlán, a city in the south of the Mexican state of Sinaloa. Meanwhile, the forensic dentist went in and out of a room. Of the bodies recovered from the mass graves in the small town of El Verde, Jiménez could be one of them. With moles and tattoos ruled out, only two bodies remained with similar characteristics. Both of the victims wore braces on their teeth.
On the night of March 20, 2024, unusually humid and mild in London, three people in their twenties pulled up at an industrial estate in the east of the city in a cherry-red Kia Picanto. They went inside, set fire to a warehouse, and filmed the blaze on a cellphone. The video of the flames consuming the premises ended up in the hands of another 20-year-old, Dylan Earl, who was reached via the Telegram messaging app by the Russian paramilitary organization Wagner, linked to the Kremlin, which had in turn recruited others to do the dirty work. One of the burned units contained humanitarian aid and Starlink satellite equipment destined for Ukraine. According to the British investigation, the three young men who lit the fuse did not know they were actually working for Russia.
There are three versions of Saint John’s Book of theApocalypse, a text that never loses relevance and now seems to presage the impacts of artificial intelligence (AI).
The economist Mariana Mazzucato believes in getting out into the field, rolling up her sleeves and seeing how her ideas are put into practice to improve people’s lives. She has just returned from Brazil and Mexico after several weeks working with local communities. She welcomes EL PAÍS into her London home, in the Camden neighborhood, with an energy that seems remarkable for someone who should still be battling jet lag.
Victimhood, its exploitation and its political use to justify cruelty have been among the topics most extensively researched by Sarah Schulman. A decade has passed since the writer, LGBTQ+ activist and AIDS historian published Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair, which is now being released in Spanish. “Sadly, it turns out the book was prophetic,” the 68-year-old author explains to EL PAÍS via video conference. “It came out before Trump was elected, and he’s proven all the arguments presented to be true. All of his rhetoric revolves around him being a victim. We see the same thing with Netanyahu. This idea of the perpetrator presenting themselves as the victim is now the global norm, unfortunately.”
Brad Pitt’s recent visit to Spain revealed his affinity for the local culture. The actor greeted crowds outside the Hotel María Cristina in San Sebastián; he viewed the abstract works sculpted by Eduardo Chillida; he denied knowing or having had an affair with Makoke Giaever, a Spanish TV personality; and he made a surprise appearance at a christening in Madrid’s Santa Bárbara Church to meet the family of his girlfriend, Inés de Ramón.
The so-called “delayed prescribing” is an evidence-based strategy that remains underused despite concerns over the misuse of antibiotics and the rise of superbugs, which are responsible for an estimated 1.2 million deaths worldwide each year. Under this approach, a doctor prescribes treatment for a patient with a respiratory infection but advises them to monitor their symptoms and wait up to 72 hours before collecting the medication from the pharmacy and starting the course.
Fifty years later, Carrie White is returning to American high schools. Prime Video’s new series revisits the bullied teenager who became one of horror’s defining figures, first in Stephen King’s novel and later in Brian De Palma’s 1976 adaptation. But there is one image that remains impossible to escape: Sissy Spacek, drenched in blood, staring directly into the camera after unleashing her telekinetic powers. For several generations, the role has been synonymous with Spacek. Now, as a new actress takes on Carrie, we look back at what became of the 76-year-old performer who brought to life some of the most memorable characters of 1970s and 1980s cinema.
Spacek was 26 when Brian De Palma cast her as a high school student in 'Carrie.' The film changed her career forever, earned her first Oscar nomination and secured her a place in the cultural imagination that remains remarkably intact 50 years after its release. The actress says that teenagers still approach her today to show off tattoos of the outcast heroine. Incidentally, unlike Carrie, Spacek was her high school’s prom queen.
Born Mary Elizabeth in a small rural town in Texas, Spacek acquired the nickname “Sissy” from her two older brothers, a name by which she would eventually become known around the world. Following the death of one of them, she left home one summer for New York with an actor cousin in an attempt to escape the family tragedy. She abandoned plans to attend college and, under the stage name Rainbo, tried to make it as a folk singer in late-1960s Manhattan. It didn’t work out. Her record label dropped her, and Spacek decided to enroll in acting school instead.
Terrence Malick’s cult classic 'Badlands' marked Spacek’s first leading role in a feature film and became her breakthrough. She played a teenage girl who runs away with a rebellious young man she has just met, played by Martin Sheen, and becomes a fugitive after her father rejects the relationship. The film won the Golden Shell at the San Sebastián International Film Festival, and Spacek, who had been studying acting for only a matter of months, emerged as an unlikely Hollywood star: an anti-diva whose red hair, freckles, diminutive stature and youthful appearance set her apart from the era’s conventional screen icons.
The film also changed her life in another way: it was on the set that she met the love of her life, production designer Jack Fisk. After first crossing paths in 1972, the two married a couple of years later and have now been together for half a century, making them one of Hollywood’s longest-lasting couples. They have two daughters, Schuyler and Madison, and both remain active in the industry. Fisk's recent production design credits include 'Marty Supreme,' 'The Revenant' and 'Killers of the Flower Moon.'
Spacek became one of the defining stars of the New Hollywood era, a movement heavily influenced by the French New Wave and Italian neorealism. Beginning in 1977, the Texas-born actress received five Oscar nominations in less than a decade. Among her most memorable performances from that era are 'Missing,' directed by Costa-Gavras; 'The River,' opposite Mel Gibson; and 'Crimes of the Heart,' alongside Jessica Lange and Diane Keaton.
Spacek won her first and only Oscar in 1981 for 'Coal Miner’s Daughter,' the biopic of country singer Loretta Lynn. Lynn had risen from humble beginnings in rural Kentucky, marrying at 13 and becoming a mother of four before the age of 20. In a twist of fate, when Spacek was trying to launch a music career years earlier, a record label turned her down because her voice sounded too much like that of another artist on its roster: Loretta Lynn. That very similarity would later help earn her an Academy Award. Spacek performed all of the songs in the film herself and even received a Grammy nomination for her work.
The greatest tragedy of Spacek’s life came when she was just 17. Her brother Robert, only a few months older than she was, died of leukemia. Spacek was just beginning to work at the time and, despite the devastation, managed to turn that trauma into a source of strength throughout her career.
Spacek and Fisk married in Santa Monica in a ceremony so private that their dog was their only witness, and so informal that both wore jeans. The actress credits the longevity of their relationship to the constant collaboration between them.
At the height of their fame, Spacek and Fisk left Hollywood behind and moved to a farm in rural Virginia, determined to raise their daughters away from red carpets and the glare of the spotlight. There, they raised horses and grew their own vegetables, while Spacek returned to acting only for roles that truly resonated with her. In 2001, she earned a sixth Oscar nomination for her performance in 'In the Bedroom.'
Their daughters have followed their parents into the film industry as well. Schuyler Fisk became an actress and, while she never came close to matching her mother’s level of fame, she has enjoyed a steady career in American television and film. Madison, meanwhile, learned the ropes from her father and has worked in the art department on a number of feature films, following in his footsteps as a production designer.
One of the best-known stories from 1970s Hollywood is how Spacek landed the role of Carrie. As close friends, George Lucas and Brian De Palma held joint auditions for their next projects, 'Star Wars' and 'Carrie,' respectively. Spacek auditioned for Lucas’s film, while Carrie Fisher also took part in casting sessions connected to the horror movie. In the end, the roles found their way to the actresses who would make them iconic: Fisher as Princess Leia and Spacek as Carrie White.
Spacek’s performance left such a deep mark on popular culture that screenwriter and producer Mike Flanagan, who is once again adapting 'Carrie' for Prime Video, has said it was the biggest hurdle in casting the role anew. According to Flanagan, most of the 1,400 actresses who auditioned for the series arrived trying to imitate Spacek’s iconic performance. The part ultimately went to Summer H. Howell, whose reinterpretation of Carrie has drawn widespread praise from critics.
Although she was never associated with method acting in the way her contemporary Robert De Niro was, Spacek’s approach to her craft also relied on total immersion in her characters. For '’night, Mother,' in which she played a daughter struggling with suicidal thoughts, she would spend weeks inhabiting a deeply depressed emotional state until filming wrapped. It was none other than Jack Lemmon who warned her that if she remained so committed to despair, she might end up being consumed by it herself.
Jennifer Lawrence, Jessica Chastain and Emma Stone — whom Spacek once advised never to hide her freckles on screen again — are among the younger generation of stars who have publicly expressed their admiration for the 76-year-old actress. Stone, who also worked with Spacek on 'The Help,' has reunited with the veteran actress for 'The Catch,' the new film directed by Stone’s husband, Dave McCary.
At 76, Spacek appears to have settled on a definition of happiness far less ambitious than the one Hollywood usually sells. In a 2022 interview with 'Esquire,' when asked how she managed to remain so upbeat, she said happiness is overrated and that we need to be content and simply be.
When motherhood came calling, Spacek had little doubt about what should take priority. She even turned down the role that would eventually go to Debra Winger in 'Terms of Endearment' because she did not want to be separated from her daughter Schuyler, who was only a few months old.
There is less than a month left until the midterm elections on November 3. The outcome will determine which party controls both houses of Congress and begin shaping the post-Donald Trump era.
Édgar Vázquez Silva’s worst fears came true. His boss at the Stone County sheriff’s office in Mississippi called him and asked him to turn in his badge and uniform. The order was clear: all department officers had to be U.S. citizens or, at minimum, permanent residents.
In early 2025, Donald Trump became the first sitting president to attend the Super Bowl. He had just returned to the White House and his approval ratings were higher than ever. A few months earlier, he had won the election with a 12-point lead among male voters, which encouraged him to embark on something of a tour of some of the principal cathedrals of American men’s sport: on December 14, he attended the traditional Army-Navy college football game; on February 9, he was at the Super Bowl; on February 16, he attended the NASCAR Daytona 500; and on June 8, he was present at UFC 316, shortly after which he announced that he would stage a UFC fight at the White House to celebrate his 80th birthday.
Between global warming, a rampant inequality whose clearest expression is the housing crisis, and artificial intelligence (AI), much of the world lives with a sword of Damocles hanging over its head. No wonder. The era we live in is seasoned with forest fires that make even the most stubborn believe in a climate hell, professionals who fear imminent replacement by server farms that neither get sick nor protest, young people moving back in with their parents because they cannot afford their own homes, billionaires talking about sending us to Mars, and a global south of 3.5 billion poor people who increasingly have less to lose.
As Mary Beard writes in her highly entertaining book on the Parthenon, it is the monument that has moved more people to tears than any other, perhaps second only to the Taj Mahal.
This past summer has been, for Europe, “the summer of truth,” as Ursula von der Leyen said a couple of weeks ago in her State of the Union debate speech. The president of the European Commission was warning about the consequences of global warming, which has again struck the continent hard. And the Copernicus Climate Change Service quantifies this sweltering summer in its seasonal assessment, published on October 2. The season in Europe was marked by heatwaves that were unusually intense and early (the first arrived in May). Across the continent this was the third-warmest summer on record. But focusing on western Europe, the summer of 2026 was the worst on record. It surpassed 2003, which shocked many EU countries with tens of thousands of deaths linked to extreme heat.
Zhong Zihao, 20, has heard that the area around Chijian Lake, in southeast China, was farmland before the rice paddies gave way to factories. It is hard to imagine that landscape among the industrial sheds, bridges, roads and buildings that now rise on the reservoir’s shores. Zhong knows his hometown used to be one of the poorest and least industrialized corners of Fujian province, but now, he says with pride, “when I introduce myself, I only have to say I’m from Ningde, the CATL place.” “For a small town to be remembered because of a company is a huge boost to local confidence,” he says.
Yumi Nu is one of the world’s most sought-after models. An American citizen of Dutch and Japanese descent, and the niece of DJ Steve Aoki, she has appeared on the cover of Sports Illustrated and walked for L’Oréal and Victoria’s Secret. On September 22, at Vogue World in Milan, Nu shared the runway with a group of inexperienced intruders: four humanoid robots built by the Chinese company Unitree Robotics.
The music phenomenon of the moment is called Choosin’ Texas, an apparently innocuous country-pop song performed by Ella Langley, a 27-year-old artist from Alabama. The track, which tells the story of a love triangle in which someone inevitably gets hurt, has spent 24 weeks as the best-selling song in the United States. No song has stayed that long at number one on the Billboard Hot 100, the country’s official chart, which is calculated using a formula that incorporates streaming, download sales, and radio airplay.
Digital surveillance and data leaks may seem far removed from everyday life, but they are becoming increasingly common. In Venezuela, for example, authorities blocked messaging apps and social media platforms including Signal, X, TikTok and Telegram, as well as YouTube, VPN services and websites. In Nicaragua, independent media outlets had their domains blocked. In Paraguay, a leak from the electoral authorities exposed the data of nearly seven million people. And in Argentina, more than 665,000 medical records were put up for sale.
White Nights, a short novel by Fyodor Dostoevsky first published in 1848, is the latest literary discovery of Generation Z. TikTok users seem to be talking about little else.
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